One of the challenges in programming for women’s voices is that much of the repertoire is – sorry to say – a little bland. Sometimes it seems that there are a few too many “pretty” selections about a wee lass in a lovely meadow reading a book of sonnets while litte birds twitter happily overhead. […]
“Five from the Folder: Vocal Jazz” by Greg Amerind
FIVE FROM THE FOLDER: VOCAL JAZZ by Greg Amerind 1. “Route 66.” Bobby Troup. SATB plus combo, arr. Barduhn. Hal Leonard 08743681 Feels, smells, and sings like pure jazz (and it is!). Lots of alternate phrasing, lush and sometimes surprising harmonies. Opportunities for extended improvisation. Good for intermediate and advanced ensembles. 2. “Fool […]
“Five from the Folder: Sacred” by Bryan Black
FIVE FROM THE FOLDER: SACRED by Bryan Black 1. “O Taste and See.” Ralph Vaughn Williams. Oxford 0-19-353511-4 Sublime motet written for HRH Queen Elizabeth’s coronation. Miniature masterpiece, 35 measures long. 2. “Psalm 100.” Eleanor Daley. Alliance AMP 0655 Bright, energetic scoring for two choirs in D-major. Ideal for opening of concert or […]
Stick Time: The Basic Circle Song
It’s one of those “Catch-22” moments. People want to sing, but they don’t want to sing alone, but part of what develops confidence is learning to sing alone, but they are scared to sing alone . . . but . . . but . . . but . . . Developing self-assuredness is one […]
CJ Replay: What is Choreography?
(An excerpt from the Choral Journal article “New Hints on Choreography,” by Audrey Grier) Choreography is a vital part of the Swing and Show Choir Movement in the United States. If taught properly and if precisely executed, it can enhance the total music program. At no time, however, should choreography take precedence over […]
Saturday Respite: HmmmmmYummyCookie!
Hmmmmm . . . got millk?