The June/July 2023 issue of Choral Journal is online and features an article titled “Singing for Pleasure: An Introduction to the Life and Works of Imogen Holst” by Liza Calisesi Maidens. Following is a portion from the article. _________________ On March 14, 1984, at seventy-seven years of age, Imogen Holst died of a heart attack. Her burial plot at […]
composer
George Walker: His Story, His Song, His Legacy
The October 2022 issue of Choral Journal is online and features an article titled “George Walker: His Story, His Song, His Legacy” by Vinroy D. Brown, Jr. This article highlights the 100th anniversary of the composer’s birth in 2022. Following is a portion from the introduction. _________________ The year 2022 marks the anniversary of several composers and […]
Jake Runestad Live in My Classroom!
In this episode, filmed in front of a “live studio audience” in the form of my students, I have the opportunity to sit down with one of our generations finest compositional voices, Jake Runestad. With the help of my students, we have a spirited conversation about the value and genesis of creativity, the special nature […]
Songs of (re)Imagining: Amy Gordon
Amy Gordon, an LA-based composer, has a catalog of almost 40 choral works, including pieces for treble choirs and online performance. In addition to her compositional activity, she teaches theory and has created a theory-themed Escape Room game (called Escape Tone), available in both Easy and Intermediate for purchase on her website. This blog […]
Songs of (re)Imagining: Paul John Rudoi
I’ve been writing since June 2021. This is the first blog post in which I’ve interviewed or highlighted a cishet white male. “But Shannon, if this is a blog centering equity, why are you sharing the voice of a cishet white male?” Good question. Equity work needs to involve everyone. In particular, cishet white men […]
A Conductor’s Guide to Katarina Gimon’s Elements
The February 2022 issue of Choral Journal is online and features an article titled “Contemporary Choral Music in the Classroom: A Conductor’s Guide to Katarina Gimon’s Elements” by Christina Beasley. You can read it in its entirety at acda.org/choraljournal. Following is a portion from the introduction. _________________ Contemporary music allows the performers to create their own interpretation of the piece […]