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Choral Music for a Tax Day

April 15, 2010 by philip copeland Leave a Comment

This is the best I could come up with for April 15:    

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bobby is back

April 14, 2010 by philip copeland Leave a Comment

Don’t miss this interview from NPR on Bobby McFerrin and his new album. On any given night, McFerrin can be found delicately walking a tightrope of vocal improvisation, carrying nothing more than his four-octave vocal range and his childlike sense of play. Next month, he’ll sing and conduct an orchestra in Italy. It’s not a […]

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Out of work? Join a choir!

April 13, 2010 by philip copeland Leave a Comment

Hat tip, A Cappella News: Teichfischer, 31, lost her job in publishing two years ago. “We thought if you bring people together who have the same situation, then things will be much easier to form a social network,” she says. “It’s really worked out.” She and about three dozen others meet two mornings a week […]

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Copeland and Kurt Masur discusses Bach’s St. Matthew

April 10, 2010 by philip copeland Leave a Comment

I write this on the morning after my Birmingham Concert Chorale completed a successful performance of Bach’s St. Matthew Passion.  What a work!    It is a pity that I didn’t enjoy the work until the night of the performance.  We only had two months to prepare it – and that is quite difficult for a […]

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The essence of rhythm

April 10, 2010 by philip copeland Leave a Comment

Dan Kreider gives us another essay – this one about the essence of rhythm:   it’s essential that we transmit the essence of the indicated rhythm – not merely the mathematically correct moment for the musical events. The details of rhythmic units are usually easily identified and altered to convey the meaning behind their construction. Of […]

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Music scholarship online

April 8, 2010 by philip copeland Leave a Comment

Jennifer Howard, from The Chronicle of Higher Education, alerted me to this discussion regarding how technology intersects with the scholarly aspects of music making: The ‘content focus’ is a set of editorial projects that implement digital technology in different scholarly disciplines: specifically literary and cultural studies, history, classics, archaeology, and music. While the technical features […]

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