This caught my attention – famed conductor Leonard Slatkin publicly criticized for a recent performance. Tim Smith, music critic from Baltimore, tells us this: word came that conductor Leonard Slatkin had withdrawn from his remaining scheduled performances of “La Traviata” at the Metropolitan Opera. The rocky opening night had been on Monday. Slatkin […]
Others
What is better – under rehearsed or over prepared?
Chris Rowbury deals with the positives and negatives of both approaches, under-rehearsed and over-prepared. Here’s a bit: if you worry away at something too much, your intellect gets in the way and stops you from doing it well. Rather like the amateur golfer who is asked to analyse their swing. As soon as […]
Mindsets in Learning
Richard Sparks finally returns to the blogosphere with this post on mindsets in learning: The basic premise is that there are two basic “mindsets” about learning (this came out of her research on how people cope with failure) and these affect profoundly how you lead your life: the fixed mindset sees tests and challenges as […]
Griggs-Janower on Raminsh
I enjoy David’s blog posts and frequently feature them here on ChoralNet. In a recent post he introduces Latvian composer Imant Raminsh, a composer I admire: This year we feature two smaller works by Imant Raminsh. Born in Latvia, he moved to Canada at the age of 5, was educated in Toronto, and […]
Founding ACDA Member Interviewed
Curtis E. Hansen, the only remaining living ACDA steering committee member, celebrated his 90th birthday on March 18. Hansen, along with steering committee members J. Clark Rhodes, Elwood Keister, Harry Robert Wilson, R. Wayne Hugoboom, Archie Jones, and Warner Imig, were ACDA’s founding members. They held a very important luncheon meeting on February 23, […]
No More Junk Food
Paul Carey, composer-blogger, calls it like he sees it in this rant against music publishing. He speaks against: 1. Formulas They hope we will consistently give them what they want (speaking in the choral publishing world for now, as that is what I do the most): a formulaic 3-4 minute piece, with an […]