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You are here: Home / Others / Crashing and Burning

Crashing and Burning

April 16, 2010 by philip copeland Leave a Comment


This caught my attention – famed conductor Leonard Slatkin publicly criticized for a recent performance.  Tim Smith, music critic from Baltimore, tells us this:
 
word came that conductor Leonard Slatkin had withdrawn from his remaining scheduled performances of “La Traviata” at the Metropolitan Opera. The rocky opening night had been on Monday.
 
Slatkin had never conducted that work before and, by his own admission on his blog (according to various reports), wasn’t fully prepared. I happened to hear, thanks to the Met’s channel on Sirius-XM, the final act of Monday’s performance while driving home from DC.
 
I remember thinking that the poignant prelude to that act had no distinguishing interpretive characteristics. I didn’t think the rest was wretchedly conducted, so much as impersonally. (I rather liked some of the singing, though, by Angela Gheorghiu and James Valenti as the unlucky lovers in the opera.) From what I’ve read, things were far from ideal during the rest of the evening, and the blame was laid at Slatkin’s dressing room door. This sort of thing is nearly unthinkable at such an august institution.
Read more here.

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Comments

  1. Paul Carey says

    April 21, 2010 at 1:24 pm

    Wow- yeah, this makes what I heard on the Met radio broadcast Saturday make sense. Conducted by the fill-in (how many rehearsals had he had by then?), I thought the whole thing sounded nowhere close to Met standards- we were actually commenting on that as it progressed (without knowing the back story). And I have to say the leads, to me, were not good, Georghiu sounded really rough on ALL her high notes as did the male lead, who did not sound at all like a Verdi singer.
     
    If  you played "drop the needle" no one would have guessed  this was a Met performance- and I am sure Slatkin is not the only one to blame.
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