Yes, they are brilliant professional singers in one of the best ensembles on the planet. But each one of these fabulous singers started in a school choir somewhere. And there was a director there working to help those kids sound great – just imagine who is singing in your rehearsal today. Of the countless […]
Others
900 Year Old Glass Shattered: Lincoln Cathedral Adds Female to Choir
It has been a bastion of male dominance for more than 900 years – but an historic choir is now breaking with its well-worn tradition by letting a woman join its ranks for the first time. Lincoln Cathedral’s director of music said the recruitment of 22-year-old choral scholar Helen Vincent as alto would give the […]
ChoralBuzz Bonus
Here's a little something extra for ChoralBuzz readers . . . Soundwaves – the good folks who record ACDA conference performances – is offering a gift of one free CD. Simply browse MEtunes, choose any album, and use the coupon code below for a free choral CD. How's that for a fun Friday freebie? […]
The Buzz on ChoralBuzz
Welcome to a new feature from ACDA on ChoralNet . . . ChoralBuzz. We know the feeling well: you're grinding away day after day, creating interesting classroom plans, motivational rehearsals, inspiring concert offerings, handling the seemingly endless details of the business of the choir, and tenderly caring for the myriad singers in your sphere. […]
CJ Replay: Show Care for the Pianist
"A fast-paced, efficient choir rehearsal generally requires three elements: an inspired director, a responsive choir, and a good choral accompanist. The accompanist can be of great influence in either aiding or hindering the work of the director or choir. The accompanist can add momentum to a rehearsal or create jagged breaks in the concentration of […]
CJ Replay: It Takes MORE than Just Singing the Correct Notes
"Conductors who think of choral music as something people do might consider themselves as primarily in service to the singers. In contrast, conductors who view choral music as encompassing composition and performance-as-product might consider themselves as primarily in service to the music. Conductors who focus on the participatory aspects of choral music will give substantially […]