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You are here: Home / Others / 900 Year Old Glass Shattered: Lincoln Cathedral Adds Female to Choir

900 Year Old Glass Shattered: Lincoln Cathedral Adds Female to Choir

September 21, 2011 by Scott Dorsey Leave a Comment


It has been a bastion of male dominance for more than 900 years – but an historic choir is now breaking with its well-worn tradition by letting a woman join its ranks for the first time.

Lincoln Cathedral’s director of music said the recruitment of 22-year-old choral scholar Helen Vincent as alto would give the group a ‘greater flexibility of sound’.

But the move has angered traditionalists who have branded it a ‘tragedy’ and a ‘betrayal’ to the song composers.

And in what is seen as a double-blow to the Campaign for the Traditional Cathedral Choir group, Claire Innes-Hopkins, 25, has also been named Lincoln’s first ever female organist.

CTCC spokesman Lynda Collins described the move as ‘a tragedy’ and said she hoped the cathedral would reconsider its decision.

She said Miss Vincent’s mere presence was a ‘betrayal’ to those who composed the parts she will sing.

Read more: http://www.dailymail.co.uk/news/article-2040040/Cathedral-choir-takes-woman-singer-900-years–traditionalist-group-brands-betrayal.html#ixzz1YcggZttr
 
 

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Comments

  1. Richard Childress says

    September 23, 2011 at 9:43 am

    A lot has been talked about on my particular Facebook page about this. I myself think the appointment is ridiculous for many reasons (a chief one is that the job was not even advertised, merely offered to the girlfriend of one of the male choral scholars, which is highly irregular) but here is a very well-thought-out blog post on this subject by one of the finest young Engliksh countertenors on the scene at the moment. Iestyn also comented on my Facebook page with much the same thoughts.
     
    http://doesithurtandotherthoughts.blogspot.com/2011/09/this-is-record-of-joan.html 
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  2. Ronald Richard Duquette says

    September 22, 2011 at 10:10 am

    Oh, pish.  Lincoln is probably my favorite cathedral church in England, so this is of more than passing interest; but honestly…. The composers are dead, dear heart; they don’t give a flip about who’s singing their stuff, and if they were still in a position to care, they’d be more concerned about the music being sung than WHO is singing it.  Part of the strength of any musical organization is its willingness to consider the unconsidered and to do the previously undoable, all in the interests of pushing the art out.  Remember, Mozart was considered wild for his time; Beethoven was thought at points to be a madman; Wagner generated more heat than beat in a number of people’s minds and hearts…so relax.  Let’s hear what it sounds like, and if it’s not the pure fluting sound that comes from boy’s voices in the treble, eh, deal with it.  You can always walk out of the service….
     
    Ron
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