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philip copeland

How to be a choral accompanist

November 25, 2010 by philip copeland Leave a Comment

A nice series of posts about how to accompany for choir –    Here’s part one.   And here is part two.   And a sampling from the articles: 5. Learn to play all of the voice parts together. Pay special attention to key changes, meter changes, accidentals, and any places where dissonance results between […]

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Chanticleer heads in new directions

November 25, 2010 by philip copeland Leave a Comment

I love this new video by Chanticleer. It is made completely from cell phones and web cams – a perfect marriage of choral music and technology:     Keep it up guys – your excellence and creativity inspires us all.

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There is no such beauty as where you belong

November 25, 2010 by philip copeland Leave a Comment

Tell me where is the road I can call my own, That I left, that i lost, so long ago. All these years I have wondered, oh when will I know, There’s a way, there’s a road that will lead me home. After wind, After rain, when the dark is done, As i wake from […]

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Teach Choir Conductors Like Physicians

November 16, 2010 by philip copeland Leave a Comment

I saw this article today on the Chronicle of Higher Education – and it makes a lot of sense: train future teachers like we train doctors. And by future teachers, I mean all future choral conductors.   Read about it:  Teacher-training programs need to be revamped to focus more on hands-on, clinical instruction, similar to […]

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A great choir picture

November 12, 2010 by philip copeland Leave a Comment

So many boring pictures of choirs.     Here is one I really like, the Choir of Sidney Sussex College that I found on Eric Whitacre’s blog.     Who else has a great choir pic?

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Remembering Veterans Day

November 12, 2010 by philip copeland Leave a Comment

I wish I had thought of this, from Clef Notes and Drama Queens by Tim Smith.  A blog featuring Britten: On this Veterans Day, I wanted to share something from Benjamin Britten’s profound “War Requiem.” The composer interwove the ancient Latin Mass for the Dead with haunting poetry of Wilfred Owen to create a musical […]

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