• Sign In
  • ACDA.org
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
ChoralNet

ChoralNet

The professional networking site for the global online choral community.

  • Home
  • Blog
  • ACDA News
  • Events
  • Community
    • Announcements
    • Classifieds

You are here: Home / Choral Culture / Choral Ethics: Ethical Dilemma, Part 1

Choral Ethics: Ethical Dilemma, Part 1

August 7, 2025 by Marie Grass Amenta Leave a Comment


“Nothing is less important than which fork you use. Etiquette is the science of living. It embraces everything. It is ethics. It is honor.” Emily Post

 This is a Choral Ethics Blog post repeat from 2017-2018. I need to slow down during the summer as much as all of you. I try to be here, one way or another, every week because I know many of you look forward to this blog and I don’t want to disappoint you. Hope you’ll enjoy one of our Oldies but Goodies! You can always reach me for help with your Choral Ethics Dilemmas during the summer by email: . Please note, this is my new email. Have a great summer! MLGA

I have had two ChoralNetters contact me in the last month about two different Choral Ethics dilemmas. Both leave me scratching my head. Perhaps you can help; maybe you’ll have a better answer than I do. Today, I’ll present Adam*’s dilemma and next week it will be Brick*’s turn.

Adam is the choirmaster/organist for a mid-sized Mainline Protestant church. They are members of a coalition of churches pooling resources. He is the only professional musician in the group of five (now six) churches who share clergy and other things. He plays most Sundays at his own congregation, with the occasional Sunday at one of the other churches. During Lent and Advent, he directs a Festival Choir comprising his choir and singers from the other congregations, rotating among the churches. Since Adam is the only professional musician in this group of churches, he directs the Festival Choir and works with them during scheduled rehearsals several Saturdays before important Holy Days.

This arrangement works for the most part. Adam plays whatever instrument the other congregations have or brings his own keyboard for the one who has none. The volunteer musicians from the other churches respect him but there have been one or two incidents of territorialism. Adam will be moving on from this position in about eighteen months, perhaps sooner, so right now he doesn’t care about whose territory is who’s or the fact he is expected to drag his keyboard around. What he does care about is illegal music copying.

Right after Easter, one of the volunteer musicians from another of the congregations asked him if his church would like their quite extensive choral music library. She told him they would no longer use it but perhaps his bigger choir could use some of the music or they could use it when they had their twice-yearly festival choirs. She suggested that what his choir could not use could be donated to another choral organization or recycled.

He took the boxes and boxes and BOXES of music and put it in the back seat of his car, and some in the trunk. Adam didn’t have time to immediately go through it but brought it all into his living room, where it sat for several weeks. After complaining about what a hassle it was, sitting there, one of his friends offered to help him go through it. They found some real gems, never expecting to find anything like that, as well as some dregs but PLENTY of things for his own church and the festival choir. He also found 32 files full of copied music: 32 folders. Some anthems, some hymns from hymnals he doesn’t think they own and some blatant illegal stuff.

Adam has not been especially happy the last year or so in his position. The church hierarchy has not wanted to give him a raise or pay him mileage (or gas money) for all the churches he’s now expected to serve as official professional musician. Since Adam and I began our correspondence in early May, they’ve added yet another church to the coalition. They are, to quote Adam, cheap.

He can’t stand the idea of the music copies he found. I asked him what he did with the folders and he told me he took pictures with his phone and then shredded them with his home office shredder. It took him four hours. Now, he wants to tell someone what he found. I asked him this question; why? Does he want to get someone in trouble? My guess whoever did this is long gone. Does he want to threaten someone? Does he think he could use this as leverage for a raise? Adam tells me he is moving on in about 18 months to go back to school, so I asked if he thought this could be an issue with reference if he did so.

What would you do? Who would you tell and why? If the copies are shredded, should that be the end of it? And since it is one of the churches in the coalition Adam is not usually responsible for, should it be his business in the first place?

*Name Withheld


Filed Under: Choral Culture, Choral Ethics, Kindness, Leadership, Self Care, The Choral Life

Reader Interactions

Leave a Reply Cancel reply

You must be logged in to post a comment.

  • ACDA.org
  • The ChoralNet Daily Newsletter
Association of Lutheran Church Musicians

 

Advertise on ChoralNet

Footer

Connect with us!

  • Home
  • About
  • Help
  • Contact Us
  • ACDA.org

Recent Blogs

  • Choral Ethics: Everything In Its Season
  • Choral Ethics: Don’t Let the Door Hit Ya!
  • Choral Ethics: Catching Up
  • ChoralEd, Audio Equipment (the basics)
  • The Conductor as Yogi: Deep Processing

American Choral Directors Association

PO Box 1705
Oklahoma City, Oklahoma
73101-1705

© 2026 American Choral Directors Association. All rights reserved.
Terms of Use | Privacy Policy