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One from the Folder: Repertoire Thoughts for Women’s/Treble Choirs

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#60: “Moon Goddess” by Jocelyn Hagen
Text from Enheduanna
SSA, 4-hand piano, percussion

If you are looking for a Fierce and Feisty selection for your women’s choir, this is the one! Written in 2011 for the ACDA Women’s Chorus Commissioning Consortium, this work by composer Jocelyn Hagen has brilliant drive and musical energy. And it has text to match, sourced from Sumerian poet Enheduanna. This is a can’t-miss selection for your women’s or adult-treble ensemble.

One from the Folder: Repertoire Thoughts for Women’s/Treble Choirs

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#52: Friday, July 5, 2019

Commissioning Consortiums

Commissioning a new piece of music is a wonderful way to participate in the life cycle of our choral art. This endeavor directly supports composers, and it furthers the expansion of our current field of repertoire. One way to commission new works is to be a part of a commissioning consortium.

One from the Folder: Repertoire Thoughts for Women’s/Treble Choirs

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#51: Friday, June 07, 2019 

“Crossing the Bar” by Gwyneth Walker 
Text by Alfred, Lord Tennyson 
SSAA, piano or orchestra 

Many of you are likely familiar with the work of iconic American composer Gwyneth Walker, and likely have even heard this particular selection – as vocal solo, SATB, SSAA, or TTBB. However, the piece was such a resounding success on my spring choral-orchestral concert this year, I can’t help but share it!

One from the Folder: Repertoire Thoughts for Women’s/Treble Choirs

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#38. “A Round For Hildegard” by Luke Mayernik
Text from a traditional English carol
SSSSAAA, viola, cello, percussion

On first glance, “A Round for Hildegard” may seem a bit daunting, with a listed voicing of SSSSAAA. Do not be deterred though! At its core, it is a large round in seven parts. With strings, percussion, and handclaps, this song joyfully rings in the holiday season for your advanced or small-but-mighty women’s/treble ensemble.

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