The March/April 2023 issue of Choral Journal is online and features an article titled “Reflections on Conductors, Composers, and Commissions” by Andrew Crane. Following is a portion from the article. _________________ Over the course of the past two decades as a full-time director of choral activities (three at the high school level and eighteen at the university level), I’ve […]
The Business of Composing Part 1: Commissions & Publishing
The March/April 2023 issue of Choral Journal is online and features an article titled “The Business of Composing Part 1: Commissions & Publishing” by Jake Runestad with Dan Forrest. Following is a portion from the article. _________________ One of the great traditions of the choral community is supporting and performing new music by living composers. The development of […]
One from the Folder: Repertoire Thoughts for Women’s/Treble Choirs
#52: Friday, July 5, 2019
Commissioning a new piece of music is a wonderful way to participate in the life cycle of our choral art. This endeavor directly supports composers, and it furthers the expansion of our current field of repertoire. One way to commission new works is to be a part of a commissioning consortium.
Andrea Ramsey on Her Newly Commissioned Work, “But a Flint Holds Fire” in Support of the Flint Water Crisis
I was recently introduced to an article on the Michigan ACDA website (editor, Jed Scott). It was an interview with composer Andrea Ramsey about her recently commissioned work, “But a Flint Holds Fire.” The piece was composed for a Chorus America consortium project and is part of an effort to raise awareness and monetary support for the […]