In ChoralEd episode 46, Dr. Arreon Harley-Emerson of Equity Sings offers some insights and practical guidance on respectfully performing music from diverse cultures. Before sharing music from another culture with our choirs and audiences, Dr. Harley-Emerson suggests we look inward (before outward) by asking ourselves three simple questions: This internal reflection is a critical first […]
music educators
ChoralEd, Advantages of Curwen Hand Signs
Have you ever found yourself in the middle of a rehearsal, wishing you had a secret window into your singers’ minds?[i] A way to see, not just hear, if they’re truly grasping the music? If so, you may want to consider incorporating Curwen hand signs. For those unfamiliar, Curwen hand signs are a system of […]
ChoralEd: Fun Vocal Exercises, Part 2
To promote an engaging classroom environment, choral directors often incorporate fun vocal exercises in their rehearsal. ChoralEd, Episode 44 features eight fun vocal warm-ups for your choral ensemble. Keep in mind, while these exercises are fun, they also provide opportunities to work on vocal technique. To view a demonstration of each exercise, click the corresponding […]
ChoralEd: Standing Formations
Prior to a performance, it is beneficial for choral directors to carefully consider and experiment with various standing formation, as differing formations can affect the sound of an ensemble. When considering standing formations, most directors likely think of the physical placement of voice parts (blocked or mixed formations). But arguably the more important consideration is […]
ChoralEd: Determining a Singer’s Voice Part
Determining a singer’s voice part is a common task in the life of a choral director. Each semester, new students must be appropriately placed in a section of the ensemble. The key word here being appropriately, as improper placement of a voice can lead to negative vocal outcomes for the student and ensemble. ChoralEd episode […]
ChoralEd: Secondary Choral Ensemble Auditions
In secondary music classrooms, ensemble auditions are often inherently part of a program’s organizational structure. Each year, students audition or re-audition for placement in various ensembles. The assessments utilized for these auditions vary among directors based on the musical elements they consider most important. The following are a few suggested assessments that directors may want […]

