In this episode, I have renowned composer and publisher Dan Forrest on the show to talk about the current state of the publishing industry. In addition to his own story about how he got involved in the publishing and composition world, as well as his thoughts about the history of music publishing, the changes due to recent technology and self publishing etc. We even get into our thoughts about ways the system can still be improved including ways to rethink the formula to ensure that composers are fairly compensated, as well as thoughts about whether or not copyright law also needs to change to keep up with the technology. Tune in for this important discussion!
You can listen from the widgets below which will take you to Apple or Castbox to finish listening, or you can find the show on Google Play, Spotify, Youtube or Stitcher!
Dan Forrest (b. 1978) has been described as having “an undoubted gift for writing beautiful music….that is truly magical” (NY Concert Review), with works hailed as “magnificent, very cleverly constructed sound sculpture” (Classical Voice), and “superb writing…full of spine-tingling moments” (Salt Lake Tribune). His music has sold millions of copies, has received numerous awards and distinctions, and has become well established in the repertoire of choirs around the world via festivals, recordings, radio/TV broadcasts, and premieres in prominent international venues.
Dan’s work ranges from small choral works to instrumental solo works, wind ensemble works, and extended multi-movement works for chorus and orchestra. His Requiem for the Living (2013) and Jubilate Deo (2016) have become standard choral/orchestral repertoire for ensembles around the world, and his more recent major works LUX: The Dawn From On High (2018) and the breath of life (2020) have also received critical acclaim.
Dan holds a doctorate in composition and a master’s degree in piano performance, and served for several years as a professor and department head (music theory and composition) in higher education. He currently serves as Editor at Beckenhorst Press, Chair of the American Choral Director’s Association Composition Initiatives Committee, and Artist-In-Residence at Mitchell Road Presbyterian Church (Greenville, SC). Details about Dan and his work can be found at www.danforrest.com.
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