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You are here: Home / Others / Retreat: Why Do We Do it?

Retreat: Why Do We Do it?

September 16, 2014 by Joshua Bronfman Leave a Comment


I just got back from my fall retreat with my top choir, and again I am faced with this inconsistency: Why do choirs go on retreat? Bands don’t. Orchestras certainly don’t.

I often receive a little grief from folks about the large expenditure of money. “Is this really necessary” and all that. My response is usually something like “Do you think I want to spend three days away from my family? Do you think I like to give away my entire weekend after working 14 hours days the first two weeks of school? Do you think I prefer spending a really big chunk of my budget on this and not on commissioning a piece, or bringing in a guest artist or going on tour, or whatever?” That usually ends the conversation.

Thing is, there is a pretty big benefit to retreat. Some might argue that it’s mostly in the minds of the singers, and not so much in the actual effect it has on the sound, but that is debatable.

The reason we go on retreat is trust. Singing is unique. It is a profoundly personal experience. We as singers know this. When you critique someone’s singing, you are, in some way, critiquing them; not like just their singing but them as a person. When a singer makes a mistake, there is no instrument sitting there between you and the mistake. It’s clear you made the mistake, and you need to fix it.

And so it is, that to sing in choir day after day, with people you don’t know, requires trust. And to take vocal risks in order to find your way to an informed and gratifying performance, it helps to know and trust those singers around you. Of course, this gets easier both with age, experience, and skill, but it is always an issue. Without trust, it is hard do this thing.

So for 18-21 year-olds, going on retreat, bonding socially, digging deep into new music, and sharing social time, we come to know and trust each other. I think it makes us better singers. We certainly enjoy being in the same room together for five days a week a little it more.

I guess this makes singers “weird” in a way. I guess I don’t care about that too much.


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  1. Marie Grass Amenta says

    September 17, 2014 at 2:00 pm

    Hi Joshua,
     
    I conduct, as do you, a community chamber choir.  And I have found the biggest issue with adults singing in an intimate setting such as a chamber choir, is also trust.  In fact a few years ago, we decided to have a retreat every summer.  We schedule it for the best time for the most people, avoiding vacations and family reunions and weddings, and have it only for a day–a Saturday—from 9 am to 3 pm.  We might have a clinician who gives us some insight into the next year’s repertoire, we might not.  We have two hours with the clinician in the morning, have a potluck lunch, a bit of *group building*, singing with me and then visiting.
     
    We have two breast cancer survivor singers who have become great friends and support for each other as a result of one of our retreats.  We have others realise they live in the same town and join a book club together.  Our accompanist has picked up a few new gigs because of networking at our retreat. And we’ve all gained insight into each other. And I think we sound better since we’ve been having them every year.  We know each better and LIKE each other.  They will start asking about our summer plans the closer we get to our fall concert…I better get thinking!
     
    Marie
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