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You are here: Home / Others / Conference Morsel: Conductors & Pianists

Conference Morsel: Conductors & Pianists

March 31, 2014 by Scott Dorsey Leave a Comment


(An excerpt from the interest session “Building Connections: Bridging the Gap between Conductors and Pianists,” presented by Melissa Loehnig and Jeremy Mims during the 2014 ACDA Northwestern Division Conference)
 
       Although we have a great working relationship, we have talked to many colleagues, both pianists and conductors, who are not so lucky.  The horror stories are simply astounding. In order to gain understanding about issues affiliated with the conductor/pianist relationship, we thought it would be beneficial to poll our colleagues.  We asked a pointed list of questions directed to both conductors and pianists.  We had about 80 responses (40 pianists and 40 conductors). The statistics we found regarding equality of roles was startling. We asked both pianists and conductors if the role of the pianist was equal in the rehearsal process to that of the conductor.  72% of pianists said they felt the roles were not equal and 28% felt as if there was a true collaboration between conductor and pianist.  On the flip side, 63% of conductors feel that the roles are equal and 37% feel that the conductor is more important.  These results are telling.  From these numbers, it looks as though the belief system is different from practice.  Conductors feel as though they are encouraging equality and collaboration, but it is not translating to the pianists. Discussion needs to take place before walking into the rehearsal room about each person’s responsibility and the importance of their role to the rehearsal process.  We have also learned the importance of having the pianist as your advocate.  Remembering that they are colleagues will help guide decisions in how you approach and communicate with them in rehearsal.

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  1. Joy Grotenhuis says

    May 20, 2014 at 12:25 pm

    Am blessed to have a great collaborative relationship with our HS director, Herbert Washington!  Being a choral director/vocal coach myself, my mind is always filled with “ideas from the bench”. We discuss alot (students/technique/repertoire), and he is not defensive when I suggest things.  I have had to apologize from time to time for maybe “over-stepping” my position, but we are always able to talk it out and move on.  When in the role of conductor myself, over the years I have noticed that accompanists have their own needs for musical “fullfilment” and if the musicianship/repertoire is strong in the conductor/choir, the accompanist is also able to walk away from the rehearsal/performance with alot of personal musical satisfaction.  I think accompanists get to a point at which they feel drained musically if they are always “banging out parts” or rehearsing sub-par music, and their own aesthetic needs are not only left unmet, but actually sort of “assaulted.”  Yet another great reason to keep musicianship high in all parts of the rehearsal!
     
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