• Sign In
  • ACDA.org
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
ChoralNet

ChoralNet

The professional networking site for the global online choral community.

  • Home
  • Blog
  • ACDA News
  • Events
  • Community
    • Announcements
    • Classifieds

You are here: Home / Others / GUEST BLOG: “Choral Music Education as Social Justice Education,” by Emily Pearce

GUEST BLOG: “Choral Music Education as Social Justice Education,” by Emily Pearce

January 7, 2014 by Scott Dorsey Leave a Comment


CHORAL MUSIC EDUCATION AS SOCIAL JUSTICE EDUCATION, by Emily Pearce
 
As a current student of Music Education, I am immersed in Social Justice Education: teaching students about equal rights, respect for all, and unity in diversity. These are central aspects of my courses work, but also inherent in the work we do as Choral Music Educators.
 
We teach our singers about balance, blend, and hearing each other; and about sharing a vision and working together to make it come alive. We teach them that every voice matters, and each unique colour is essential to our "pallet".
 
When I was 16 I worked with Geoffrey Boers, and he said that choir is the only place where we come together and share something totally unique to us, our voice, with a group of people whose names we may not even know. To me, sharing something so personal, that is totally unique to you, and being accepted, celebrated, and valued for that contribution: this is Social Justice.
 
We are not just teaching our singers about balance, we're teaching them that everyone must be heard equally. When we teach blend, we teach that it is our colours coming together that creates the perfect tone – there should be no single colour heard over the others.
 
Singing together crosses all boundaries of race, sexuality, ability, religion, gender, and even language. Youth in high school are in a developmental stage where their sense of self is growing, changing, and fragile. I believe it is imperative that youth have a place where they can develop and feel valued and celebrated during this time.
 
Furthermore, as we honour the work that is done in our space, we must hold ourselves and our singers accountable for living that work in our daily lives.

Filed Under: Others

Reader Interactions

Comments

  1. Nancy Curry says

    January 19, 2014 at 11:43 pm

    Emily,
     
    it is so thrilling to see a music education student make the connection between building skills and building relationships in a musical ensemble. Since this idea excites you, I think you would be interested in the work of Jose Antonio Abreu, who established the student orchestra movement in Venezuela known as “El Sistema”, and of Shinichi Suzuki, whose work in violin pedagogy (and its subsequent transfer to other instruments by Suzuki’s colleagues) led to a new philosophy of music education.
     
     Señor Abreu has given a TED talk, and his star student, Gustavo Dudamel (now music director of the Los Angeles Philharmonic) contributed video to TED of Venezuelan youth orchestras with Dudamel on the podium. 
       http://www.ted.com/pages/prizewinner_jose_abreu
       http://www.ted.com/talks/jose_abreu_on_kids_transformed_by_music.html
       http://www.ted.com/talks/astonishing_performance_by_a_venezuelan_youth_orchestra_1.html
     
     
      Suzuki’s autobiography, “Nurtured by Love”, discusses his desire to find a way to bring children and parents together after they had been separated by WW2, and to bring some beauty into their lives after the horror of war. He believed that if young people spent their time discovering the artistry and passion of composers and other musicians, they would develop a deep respect for all people. After hearing a concert by Suzuki’s students, who filled a hall to play a Vivaldi violin concerto together in unison — a sort of violin choir, if you will — the renowned Brazilian cellist Pablo Casals said “it may be music that will save the world”.
     
    http://m.youtube.com/watch?autoplay=1&v=mP2WrGHwhGM&desktop_uri=%252Fwatch%253Fv%253DmP2WrGHwhGM%2526autoplay%253D1
     
    You are right, that so much can be learned through the experience of singing in a choir, so I though you could draw inspiration from these instrumental teachers who shared your goal of teaching social justice through music.
     
    NC
    Log in to Reply
  2. Edward Palmer says

    January 15, 2014 at 5:30 pm

    Hi Emily,
     
    Didn’t know we were social engineers all along. I think we sing because we love to and can take pride in the fact that we are doing “God’s work” while enjoying the talents He gave us. We may have only cracked the book onthe values of our blessed art as we persuade others to listen. If our music strives for “truth” and “freedom,” others might believe and also feel free.That would be true justice, I think Then, “social justice” is a natual bi-product. 
     It is good to know that you and others realize that we are already doing what is ideal for society’s good.                            
     
    Do you think that most every other subject can be injected into
    a good choral rehearsal? Think Math (from day one learning to count Music is Math, eh!), History (what was Mozart doing during our War for Independence?), Social Studies (well said by you), Geography (music of this and that country) Language/Literature (texts, libretti, learned in several languages) and on and on.
     
    Thanks for making us think, Emily
     
    Edward Palmer D.M.A.
     
     
     
     
     
     
     
     
    Log in to Reply
  3. Sundra Flansburg says

    January 15, 2014 at 8:21 am

    Beautiful post!
    Log in to Reply

Leave a Reply Cancel reply

You must be logged in to post a comment.

  • ACDA.org
  • The ChoralNet Daily Newsletter

Advertise on ChoralNet

Footer

Connect with us!

  • Home
  • About
  • Help
  • Contact Us
  • ACDA.org

Recent Blogs

  • Choral Ethics: Uncomfortable Blog
  • ChoralEd, Fun Choral Warm-ups
  • Choral Ethics: Part Five
  • Choral Ethics: Part Four
  • Choral Ethics: Part Three

American Choral Directors Association

PO Box 1705
Oklahoma City, Oklahoma
73101-1705

© 2026 American Choral Directors Association. All rights reserved.
Terms of Use | Privacy Policy