• Sign In
  • ACDA.org
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
ChoralNet

ChoralNet

The professional networking site for the global online choral community.

  • Home
  • Blog
  • ACDA News
  • Events
  • Community
    • Announcements
    • Classifieds

You are here: Home / Others / How Old Were You?

How Old Were You?

October 11, 2012 by Joshua Bronfman Leave a Comment


When was the first time you conducted a real ensemble? I bet for a lot of us, it wasn't until college. Well, this kid is here to make us all feel bad about ourselves…
 
 
via Slipped Disk
 
 

Filed Under: Others

Reader Interactions

Comments

  1. Shannon Richards says

    October 22, 2012 at 8:10 pm

    I agree that he was reacting to the music, although he did “know” it.  He definitely did not prepare the orchestra!  Still, very cute and pretty awesome.  If it helps with promotion, ticket sales and the ensemble can make pretty good music without the real leader, well, then….  why not?
    Log in to Reply
  2. Marie Grass Amenta says

    October 22, 2012 at 10:26 am

    At 12, I was the assistant to the rehearsal accompanist of a Chicago production of “Die Fledermaus”–they are calling this  the overture to “The Bat,” instead aren’t they? My father was the stage director and my mother was singing “Adele” so I guess they brought me when I begged them to let me do something with their show. I learned all the vocal parts–guess I really was the prompter–and helped with the orchestra by passing out music and setting up music stands and other things conductors have to make sure get done. In fact, that production helped me decide at 13 to become a conductor. I learned that work inside and out, which is what really makes a conductor, not waving of the arms–it’s an important distinction.
     
    Marie
    Log in to Reply
  3. Ronnie Sanders says

    October 22, 2012 at 8:57 am

    You’re kidding right? I don’t “feel bad” about myself at all.  There is a HUGE difference in pre-choreographing a “conducting ballet” by listening to a recording over and over again, rather than prepping for months (or years) on an orchestral piece.  Notice by this young man’s gestures he is REACTING TO the music, his gestures are not ADDING TO the music.  Excellent marketing, I’m sure it enhanced ticket sales!  Vladimir Neymer has produced children portraying “conductors” for over twenty years.  Several of them have indeed gone on to be musicians.  I wish them all the very best! 
    Log in to Reply

Leave a Reply Cancel reply

You must be logged in to post a comment.

  • ACDA.org
  • The ChoralNet Daily Newsletter

Advertise on ChoralNet

Footer

Connect with us!

  • Home
  • About
  • Help
  • Contact Us
  • ACDA.org

Recent Blogs

  • Choral Ethics:”…….and the tongue of the dumb shall sing”
  • Choral Ethics: Why Music?
  • ChoralEd, Performing Choral Music – Nigeria – Jude Nwankwo
  • The Conductor as Yogi: “The Only”
  • Choral Ethics: Being Grateful

American Choral Directors Association

PO Box 1705
Oklahoma City, Oklahoma
73101-1705

© 2025 American Choral Directors Association. All rights reserved.
Terms of Use | Privacy Policy