There seems to be an increase of churches seeking to fill a singular Organist/Choir Director position, rather than having separate staff as organist and choral conductor. While in some churches that may make economic sense – or is simply part of the institution’s tradition – the role is not without its challenges.
Jason Thoms addresses several musical issues germane to the organist/choir director in his article “Church Choir Directors/Organists: Conducting Gesture and Active Listening in Rehearsals and Worship” (New York ACDA Choral Cues, Winter 2011). He elaborates on several points:
<> Conduct the music in front of a large mirror
<> Video yourself during rehearsals and worship
<> Get away from the organ
<> Choose appropriate music
<> Expressive face and eyes
<> Have the choir sing unaccompanied in rehearsals
<> Don’t sing along or play parts all of the time
<> Change seating pattern
Jason encapsulates the responsibilities of the person in this demanding role by saying, “The primary role of the choir director/organist is to listen to the singers. If you are not listening intently to the choir, how can you improve it, adjust your gestures accordingly, or bring out the many musical nuances built into the music?
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Desiree Hines says