Singers should aim for simplicity in vocal pedagogy, concentrating on what the body does naturally instead of what we invent. Basic sounds should be natural, not distorted or manipulated. Miller is opposed to the glottal onset and utilizes fricative consonants (h, sh, th, f…) in vocal warm-ups. He stresses that one must remain in the inspiratory position during singing, neither pushing out nor pulling in the abdominals. The ideal mouth position is flexible, with the vowel, range and loudness of tone determining the shape of the mouth. The larynx should be stable and slightly descended. In singing, one should constantly raise the “zygomatic arch” (upper cheekbones) to assist with resonance, vibrancy and pitch. The position of the tongue should be in contact with the lower front teeth. Vowels should never lose integrity. Over-modifying them should be avoid ed. The [i] vowel provides the most space in the pharynx, while the [u] provides the least.
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Edward Palmer says