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You are here: Home / Others / Choral Caffeine: Beauty on a Budget

Choral Caffeine: Beauty on a Budget

June 8, 2012 by Scott Dorsey Leave a Comment


            I am frequently dumbfounded by what our elected governmental officials (from the local waste management board to the oval office) see as a reasonable way to spend our money.  (Yes, Senator, that is OUR money, not yours, sir.  Or as the Captain said to Maverick in Top Gun, “You don’t own that plane, son, the taxpayers do!”).  I am especially stupefied when it comes to how schools allot resources for the musical arts – or fail to do so, as is so often the case.
            I suspect Christy Elsner is just as perplexed.  However, in her article, “Extraordinary Elementary Singing on a Shoestring Budget” (Choral Range, Vol.32, No.1), she also has some suggestions for ways in which teachers can remove the economic millstone.
 
Singing costs nothing and is portable. Through working with the human voice, all elements of music—theory, history, technique, artistry, etc., can be taught while reinforcing fundamentalsof pitch, developing listening skills, tone, breath, diction, and dynamics. We teachers can transform and rejuvenate the elementary music classroom into a mecca for singing at little or no cost.  To make the extraordinary happen, directors in the elementary music classroom should make sure each class focuses primarily on singing. Instruments and folk dances are secondary to the voice, in my opinion. Start simply and with the basics. Center each lesson on the voice, using it to teach note values, steady beat, and rhythmic sequences, for example. Even the folk tune Weevily Wheat can be sung with tall vowels, good breath, and clear diction.
 
(To access the full article, simply click the highlighted title. For additional articles on a dazzling array of choral topics, visit  ChorTeach.)
 

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  1. Heather Seaton says

    June 28, 2012 at 5:27 pm

    I think you make some excellent pointe here. One of the huge and important advantages of being a singer is that you take your instrument with you. As a pianist, I often feel a bit of a loss when I am in a music making session and cannot contribute because my instrument is not there, can’t be brought there reasonably, or for stylistic reasons- just doesn’t go as well. The voice has always beens with us and always comes with us. Teaching people to be able to use this ‘instrument within’ offers great freedom and it is so universal! All around the world people are singing- and have sung! I also agree that tall vowels can be taught and done and that we should not underestimate the potential of young singers to make excellent sounds. 
    When an inner city school I used to live near lost their highschool band it was as if a dark flag of defeat was raised and the ship was officially sinking. What outlet will these kids have now? Music was one of their most important outlets and points for receiving validation and a positive community experience.
     
    Thanks for posting the article.
     
    Heather Seaton
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