• Sign In
  • ACDA.org
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
ChoralNet

ChoralNet

The professional networking site for the global online choral community.

  • Home
  • Blog
  • ACDA News
  • Events
  • Community
    • Announcements
    • Classifieds

You are here: Home / Others / NEA Announces New Research on Artists in the Workforce

NEA Announces New Research on Artists in the Workforce

October 28, 2011 by Scott Dorsey Leave a Comment


Research offers industry-specific, regional, and demographic data on the 2.1 million artists [inclusive of musicians] working in the U.S.
 
There are 2.1 million artists in the United States workforce, and a large portion of them – designers – contribute to industries whose products Americans use every day, according to new research from the National Endowment for the Arts. Artists and Arts Workers in the United States offers the first combined analysis of artists and industries, state and metro employment rates, and new demographic information such as age, education levels, income, ethnicity, and other social characteristics. 
 
This latest report builds on earlier NEA research – Artists in the Workforce: 1990 – 2005 – which identified key traits that differentiated artists from other U.S. workers. That report found artists to be entrepreneurial (more likely to be self-employed) and more educated than the workforce at large. This latest research confirms those earlier conclusions and shares new data about the working artist. Among the key findings:
 
  • There are 2.1 million artists in the United States. They make up 1.4 percent of the total workforce, and 6.9 percent of the professional workforce (artists are classified as “professional workers”).

    • More than one-third of artists in the survey (39 percent, or 829,000 workers) are designers (such as graphic, commercial, and industrial designers, fashion designers, floral designers, interior designers, merchandise displayers, and set and exhibit designers.) 
    • Performing artists make up the next largest category (17 percent). In addition, each of the following occupations make up 10 percent of all artists:  fine artists, art directors, and animators; writers and authors; and architects.
    • Between 2000 and 2009, the artist labor force increased by 5 percent while the civilian labor force grew by nearly 8 percent.[i]
 
  • Artists work in many industries and job sectors

    • More than half of artists (54 percent) work in the private, for-profit sector; 35 percent are self-employed. 
    • One in three artists (34 percent) works in the “professional, scientific, and technical services” sector, which includes architectural and design firms, advertising agencies and consulting firms, and companies offering computer or photographic services.
    • One in five (18 percent) of artists work in the “performing arts, spectator sports, and independent artists” category, including more than half (53 percent) of all musicians. 
    • Fourteen percent of all artists (73 percent of producers and directors, 23 percent of actors, and 20 percent of writers and authors) work in “information” industries, such as the motion picture, video, and broadcasting industries, or newspaper, book, or directory publishing.
 
  • Wage gaps persist

    • Women artists earn $0.81 cents for every dollar earned by men artists. This gap is similar to that in the overall labor force (where women earn $0.80 cents for every dollar earned by men); professional women earn even less – $0.74 for every dollar earned by professional men.[ii]
    • Artists’ median wages and salaries ($43,000 in 2009) are higher than the median for the whole labor force ($39,000). Yet artists as a whole earn far less than the median wage of the “professional” category of workers ($54,000), to which they belong. Architects make the highest median wage ($63,000), while workers who are classified as “other entertainers” had the lowest ($25,000).[iii]
 
  • Artist demographics

    • Artists are less socioeconomically and demographically diverse than the total U.S. workforce, yet diversity levels vary across individual artist occupations. 
    • While artists as a whole are less likely to be foreign-born than other U.S. workers, some of the highest-paid artist occupations have the highest rates of foreign-born workers. Architects and designers are the most likely to be foreign-born (14 to 16 percent, roughly the same as the U.S. workforce).
    • Artists work at home at more than three times the rate of the total labor force (15 versus 4 percent).
    • Artists are just as likely to be married as the general workforce (53-54 percent).
 
  • Artist-heavy states and regions

    • New York and California have the highest numbers of artists in the U.S. Oregon and Vermont have 20 percent greater-than-average numbers of artists, with writers and authors especially prominent. Colorado, Connecticut, Hawaii, Maryland, Massachusetts, Minnesota, Nevada, New Jersey, Washington, and Rhode Island outdo the national average.
    • In Tennessee, 22 percent of all working artists are musicians.
    • Minnesota, New York, Massachusetts, and New Jersey have the most workers in the book publishing industry.[iv]   
    • The San Jose, California metro area has the highest level of employment in industrial design services—more than 3 times the U.S. average.[v]
 

The NEA analyzed data from the U.S. Census American Community Survey, a new annual survey tool that complements the decennial census. The note analyzed 11 distinct artist occupations: actors, announcers, architects, dancers and choreographers, designers, fine artists, art directors and animators, musicians, other entertainers, photographers, producers and directors, and writers and authors. The NEA used a five-year data set (2005-2009) to get a large enough sample size for a thorough analysis. New data on employment patterns and freelance artists reveal more accurate totals for this mobile, entrepreneurial group of workers. 

 

Filed Under: Others

Reader Interactions

Comments

  1. Ronnie Sanders says

    October 29, 2011 at 9:41 am

    Good data,
    Ronnie Sanders
    Texas Commission on the Arts
    Log in to Reply

Leave a Reply Cancel reply

You must be logged in to post a comment.

  • ACDA.org
  • The ChoralNet Daily Newsletter

Advertise on ChoralNet

Footer

Connect with us!

  • Home
  • About
  • Help
  • Contact Us
  • ACDA.org

Recent Blogs

  • Choral Ethics: Judging Others
  • Choral Ethics: Doing the Right Things
  • Choral Ethics: Working Together
  • The Conductor as Yogi:  The Calmest Person in the Room
  • Choral Ethics: It’s Our ELEVENTH Anniversary!

American Choral Directors Association

PO Box 1705
Oklahoma City, Oklahoma
73101-1705

© 2026 American Choral Directors Association. All rights reserved.
Terms of Use | Privacy Policy