Melodia Women’s Choir of NYC, Cynthia Powell, Artistic Director, is an acclaimed ensemble of 25+ volunteer singers who explore and perform both classical and contemporary works composed for women’s voices and instrumental ensembles. Melodia is a professionally-managed, grant-funded organization. Concerts are presented in November and April/May in New York City each season. We are currently […]
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Work Less Hard, Have Better Choirs
Sound too good to be true? Well, it is if you are thinking that there is a quick and easy pill to swallow in order to get to that next level in your career. You know, the one where you simply, issue wisdom, wave your arms, say inspirational things, and the choir just SINGS! In […]
Worldwide Choir of Return to Me Debuts Tuesday, June 21st, Make Music Day
Worldwide Choir of Return to Me Debuts Tuesday, June 21st, Make Music Day
“Gorgeous arrangement of one of October Project’s most touching songs, lovingly sung.” – Brad Wells, founder/director of Grammy-winning vocal ensemble Roomful of Teeth INFO: http://bit.ly/rtmchoir 130 performers from 17 countries unite to bring comfort and healing to a wounded world in October Project’s Worldwide Choir of Return to Me, a dual audio/video release that will […]
Mozart’s Requiem with inaugural Festival Choir
Résonance, Omaha’s premier vocal ensemble, begins its highly anticipated tenth-anniversary season with the Mozart Requiem, launching the inaugural Résonance Festival Choir, an auditioned choir of both professional and volunteer singers who perform major choral works with orchestra. Festival Choir rehearsals will be held Sunday evenings beginning August 14 and culminate with the October 6 performance […]
Rejuvenating France’s Choir School Tradition: An Interview with Mark Opstad
The May 2022 issue of Choral Journal is online and features an article titled “Rejuvenating France’s Choir School Tradition: An Interview with Mark Opstad, Artistic Director of La Maîtrise de Toulouse” by C. Michael Porter. You can read it in its entirety at acda.org/choraljournal. Following is a portion from the introduction. _________________ Woven into the DNA of England’s choral identity […]