When voicing a choir, it’s important to be fast and efficient. It’s also important that all singers feel good about where they are placed and that they are actually placed in the correct section. This blog will provide a free spreadsheetalong with the tools to effectively and efficiently place your singers in the right section. Find out: How […]
Search Results for: choir
Join Henry Leck and Elena Sharkova in Vienna for ‘Sing Austria 2020’ choir festival
Dear Choir Directors We would like to invite you to bring your choir to Austria with us in June of 2020! Henry Leck and I are so excited to collaborate, knowing that the mix of singing, culture and historical experience will offer your singers a rich and diverse festival. There will be options for you […]
One from the Folder: Weekly Repertoire Thoughts for Women’s/Treble Choirs
Week 28: Friday, September 28, 2018
“Where Can I Turn For Peace?”
by Joleen G. Meredith
Arr. Dwight Bigler
Text by Emma Lou Thayne
SSAA div, a cappella
Dublin Choir Festival – early July 2020 – consider joining conductor Rollo Dilworth
Dear friends I’ve decided on Ireland as the location for our 2020 KIconcerts festival as it is a great destination for historical and cultural immersion and known for its special Irish charm. There are options to experience the towns of Ireland with some choirs traveling to the West while others might choose to head North […]
The Dessoff Choirs Celebrates Walt Whitman
Hailed as “one of the great amateur choruses of our time (New York Today) for its “full-bodied sound and suppleness (The New York Times),” The Dessoff Choirsbegins its 94th season with Requiem for Whitman: a one night only concert inspired by the American poet and journalist Walt Whitman (1819-1892). As part of a season-long celebration […]
One from the Folder: Weekly Repertoire Thoughts for Women’s/Treble Choirs
Week 27: Friday, September 21, 2018.
“Lux Aeterna” by Michelle Roueché
SSAA, a cappella
If you’re looking for that one specific selection to round out your concert: something lush, pleasantly-dissonant, legato, and full of opportunity for musical growth, I would highly suggest Michelle Roueché’s “Lux Aeterna.”