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by Shelbie L. Wahl-Fouts Leave a Comment
#58: Friday, February 7, 2020
“Fierce, Feisty, and Fast: Engaging and Energetic Repertoire for Women’s Treble Choirs”
(OMEA Conference Materials)
At the end of January, I was a guest presenter at the Ohio Music Educators Association conference, in Cincinnati. In this blog post, you’ll find the links to my presentation handouts and notes. Enjoy!
by Shelbie L. Wahl-Fouts 1 Comment
#45: Friday, March 15, 2019
“Wild Embers” by Melissa Dunphy
Text by Nikita Gill
SSAA, a cappella
I met Melissa at the Composer’s Fair during the recent ACDA national conference in Kansas City. She had a number of works for SSAA ensembles, and every one of them had a purposefully-chosen poetic text that rose off the page along with the music. Her work had life and energy and feisty passion, and I wanted to program it all! Among her works, “Wild Embers” is at the top of my list for a future performance.
by Shelbie L. Wahl-Fouts Leave a Comment
#41: Friday, January 18, 2019
“Deep Peace, Healing Light” by Leonard Enns
Text inspired by Gaelic traditions
SSA, a cappella
This lovely selection by composer Leonard Enns, “Deep Peace, Healing Light,” provides ample opportunity for suspensions, non-chord tones, and clusters, while only requiring three voice parts. This piece is ideal for concert or contest; it can also be used for funerals, retirements, graduations, or other community events where peace and/or reconciliation is the focus.
by Shelbie L. Wahl-Fouts Leave a Comment
Week 27: Friday, September 21, 2018.
“Lux Aeterna” by Michelle Roueché
SSAA, a cappella
If you’re looking for that one specific selection to round out your concert: something lush, pleasantly-dissonant, legato, and full of opportunity for musical growth, I would highly suggest Michelle Roueché’s “Lux Aeterna.”
by Shelbie L. Wahl-Fouts Leave a Comment
Week 10: Friday, May 25, 2018 “The Muse, The Stove, and The Willow Plate” by Zae Munn Text by Ann Kilkelly SSA, a cappella Titled “The Muse, The Stove, and The Willow Plate” – this is a three movement work by composer Zae Munn, with texts by Ann Kilkelly. Munn is professor of music at […]
by Shelbie L. Wahl-Fouts Leave a Comment
Week 2: Friday, March 30, 2018 Hello and welcome back to the second installment of my weekly Women’s/Treble Chorus blog, here on Choralnet.org! Last week, I focused on What is a women’s/treble choir? Who sings in a women’s/treble choir? Why?. This week, I’d like to continue with that introduction, looking at the challenges conductors often […]
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