Click the cover image to view the scores in their entirety at www.collavoce.com Both of these new releases feature rich harmonies and compelling melodic motives that are sure to captivate your audience. If you’re looking for an advanced sacred title, either of these would be an ideal choice. (“Iter Itineris” is […]
New Publications
“You Never Knew” from Raycreations Music
New, for SATB choir, piano, and optional flute, a wonderfully warm love song of medium choral difficulty with an interesting accompaniment. This delightful creation has a folkish, Celtic flavor and is an audience pleaser for the romantic in us all. The text is by the composer, with a chorus which states: “You never knew, […]
NEW Paul Bouman collection now available
12 anthems for mixed voices PAUL BOUMAN This anthology of 12 mixed-voice anthems contains some of the most creative works from this well-established and beloved American composer. Containing both accompanied and unaccompanied pieces, this collection includes four hymn anthems, four psalm anthems, and four short motets. Also included is a new arrangement of […]
FREE Instant Download! Song cycle – SSAA and Piano
This song cycle is based on the attempt to express each of the emotional stages that someone may experiences when faced with impending death or death of a beloved one. The 5 Stages of Loss song 1 – Denial song 2 – Anger song 3 – Bargaining song 4 – Depression song 5 – […]
Our School Is Like The Taj Mahal
It’s a school song for single line singing but with an optional descant in the last third and piano accompaniment. The song compares “our” school to iconic buildings around the world, and is designed to encourage positive feelings about the school building itself and all that goes on inside it. It was originally composed […]
THE ROAD NOT TAKEN by Robert Frost, SATB a cappella 2:45
The Road Not Taken (1916) may be Frost’s most famous poem, and has certainly been set to music previously. Since I have not heard other settings, I’ve been able to approach the text without any preconceived musical impressions. The writing is homophonic and not especially difficult, using frequent changes of meter: 4/4, 6/4, 3/4 (quarter notes […]