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Treble Choirs

One from the Folder: Repertoire Thoughts for Women’s/Treble Choirs

December 21, 2018 by Shelbie L. Wahl-Fouts Leave a Comment

#38. “A Round For Hildegard” by Luke Mayernik
Text from a traditional English carol
SSSSAAA, viola, cello, percussion

On first glance, “A Round for Hildegard” may seem a bit daunting, with a listed voicing of SSSSAAA. Do not be deterred though! At its core, it is a large round in seven parts. With strings, percussion, and handclaps, this song joyfully rings in the holiday season for your advanced or small-but-mighty women’s/treble ensemble.

Filed Under: One From the Folder, Others, Treble Choirs, Women's Choirs Tagged With: Hildegard, Mayernik, sssaaa, treble, women's

One from the Folder: Repertoire Thoughts for Women’s/Treble Choirs

December 14, 2018 by Shelbie L. Wahl-Fouts Leave a Comment

#37: Friday, December 14, 2018
“Ardaigh Cuain,” arr. David Mooney
Traditional Irish words and melody
SSAA, harp (or piano)

In “Ardaigh Cuain,” David Mooney has arranged a traditional Irish text and melody into a lovely, lilting selection for women’s/treble choir and harp.

Filed Under: One From the Folder, Others, Treble Choirs, Women's Choirs Tagged With: harp, Ireland, Irish, SSA, SSAA

One from the Folder: Repertoire Thoughts for Women’s/Treble Choirs

December 7, 2018 by Shelbie L. Wahl-Fouts Leave a Comment

#36: Friday, December 07, 2018
“Hail, Christmas Day” by Abbie Burt Betinis
Text by John Harris Burt
SSAA, a cappella

This joyful carol from Abbie Betinis is an earworm in the best sense of the word. More than once I found myself, and my singers, bouncing down the hallway to the opening melody. It is a spry combination of mixed asymmetrical meters, and certain to keep your singers on their toes. If you are looking for an uptempo, cheerful addition to your holiday concert, you’ve found it!

Filed Under: One From the Folder, Treble Choirs, Women's Choirs Tagged With: Betinis, SSA, SSAA, treble, Women's Chorus

One from the Folder: Repertoire Thoughts for Women’s/Treble Choirs

November 30, 2018 by Shelbie L. Wahl-Fouts Leave a Comment

#35. “Ad Amore” by Lee R. Kesselman. Text by Dante Alighieri. SSAA, unpitched bells.

This piece clocks in under 2 minutes, but it hits the ground running and keeps your attention the whole way. Festive fanfare rhythms, close harmonies, and lively unpitched bells, coupled with Dante’s spirited text, make “Ad Amore” an excellent choice for the opening of your next concert sequence.

Filed Under: One From the Folder, Others, Treble Choirs, Women's Choirs Tagged With: Dante, Kesselman, SSAA, treble, women's

One from the Folder: Repertoire Thoughts for Women’s/Treble Choirs

November 16, 2018 by Shelbie L. Wahl-Fouts Leave a Comment

#34: Friday, November 16, 2018
“Winter Lullaby” by PINKZEBRA
2-part, piano (optional strings)

This sweet lullaby “combines snapshots of winter scenes with the sentimentality of life’s fleeting moments,” and is a perfect winter addition for your beginner women’s/treble ensemble.

Filed Under: One From the Folder, Treble Choirs, Women's Choirs Tagged With: 2-part, treble choir, Women's Chorus

One from the Folder: Repertoire Thoughts for Women’s/Treble Choirs

November 2, 2018 by Shelbie L. Wahl-Fouts Leave a Comment

#33: Friday, November 2, 2018
“And Miriam Sang (Shiru L’Adonai)”
by Zebulon M. Highben
Exodus 15:21
SSAA, percussion

Filed Under: One From the Folder, Treble Choirs, Women's Choirs Tagged With: Exodus, Hebrew, Highben, percussion, SSA, SSAA, treble choir, Women's Chorus

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On This Day
December 9

The one-act opera “Salome,” by Richard Strauss, was premiered on this day in 1905 at the Königliches Opernhaus in Dresden.

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