Others

The digital demands of life in the 21st century make it difficult (if not impossible) to be a serious artist.  iGadgets and other such intrusive devices demand undivided attention from their captive users, with far too many weak-minded lemmings utterly unable to disconnect themselves from their electronic leash.   The serious artist (or serious thinker […]

Previously we’ve talked about Scorch as a way to embed notation into webpages and publish music to your ensemble. A new release from Trinket has brought a new level of interactivity to web-based music notation, and while it will likely not replace Scorch from a publishing perspective, it’s incredibly exciting from a teaching perspective. The […]

COMPOSITION SPOTLIGHT ~ by Jack Senzig   (Each week we look at one or two of the best choral works posted in the Composition Showcase here on ChoralNet.  This is where we store a treasure trove of works that your choirs will love to sing and your audiences will love to hear.)   We Three Kings by Rick Bartlett […]

From Daniel Coyle’s The Little Book of Talent: Tip #5 – Be willing to be stupid.   The point, of course, isn’t to be stupid, but to be willing to fail, to take risks. Coyle uses the example of Wayne Gretzky falling in practice and says, “As skilled as he was, Gretzky was determined to […]

ACDA THROUGH THE INTERN'S EYES by Taylor Jack Conley          I have spent two summers in the ACDA national office, and the time has been profoundly fruitful. Working in the national office of an organization dedicated to the choral art allowed me to grow my knowledge and love of the art. I was able […]

THE MOZART SIDE-EFFECT, by Christopher Härtel          We choral musicians are intimately familiar with language.  Often we hear beauty in words that others miss.  We understand the power of words, but sometimes we don’t appreciate how words can frame a discussion.  Case in point: Recently, a friend of mine who is a very talented […]