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By Alex Gartner Let’s play a game. The rules are simple: hold up five fingers. Ready? Put a finger down if you’ve ever received a scathing email. Put a finger down if you’ve ever been yelled at over the phone. Put a finger down if a parent or supervisor has raised their voice in your […]
Advocacy & Collaboration
Advocacy, Collaborations, Billie Eilish, and a Choir Movie!
What are you currently doing to attract singers and grow your choir? What are you telling folks to get them to join you in a singing community? We talked in last month’s blog about communicating the value of choir, especially outside of musical circles – the “business of choir” per se. This week we continue […]
Crash Course in the “Business of Choir” – and Advocacy & Collaboration Curated Post
Picture the eager undergrad. Just starting freshman year, a nervous excitement envelops them as they begin their first day of coursework. Ahead of them lies a colorful, four-year list of classes. Courses in conducting, teaching methods, and applied voice top the charts. The path to being a choir director is taking shape! Fast forward several […]
Using Values-Based Messaging in Your Advocacy with Liza Beth of Chorus America
Have you heard of MasterClass, an online collection of classes featuring an amazing line-up of famous folks? They hooked me when I saw they had a class by Bill Nye (the science guy) and Amanda Gorman. Months later, who knew I needed to know how to become a ninja or learn how to make electronic […]
Best. Interview. Ever! “Doing whatever it takes” with Superstar Deke Sharon
Imagine walking onto the set of a potentially epic movie with a seemingly large task ahead of you: create an “award winning” choir out of a collection of humans, none of which have ever sung in choir, in one month, with one hour of rehearsal a day. Go! Daunting? Fun? A bit intimidating? But possible […]
“Advocacy” = “A story”
“Advocacy.” Sometimes it is an intimidating word. It’s not too fancy, not too hard to spell, but it can feel a bit daunting. We’ve all heard situations where colleagues had to advocate to keep to their programs or where larger communities had to find the data to fight for the arts. Those can be intimidating […]