William Billings, America’s first professional composer, set the Lord’s Prayer twice. In 1770 his tune “Uxbridge” appeared in The New England Psalm Singer. In 1786 “Kittery” appeared in The Suffolk Harmony. The first is lyrical, in 3/4 time, while the second is a robust, four-square fuguing tune. Both were paired with the text “Our Father, Who In Heaven Art,” a versification by the Irish-British clergymen Nicholas Brady and Nahum Tate. Both settings are reproduced in a new practical performing edition from HohMade Music. In addition, the editor has fashioned the two into an anthem for a church or concert. Its first and fourth verses pair with “Kittery” in a vigorous minor key. “Uxbridge” carries the two interior verses in a lighter, major mode. Approximately 2’45” in length, this publication is available via this link at JW Pepper MyScore: https://www.jwpepper.com/our-father-who-in-heaven-art-11677577-2733009/p


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