The Choral Music of Michael John Trotta
Mystical Voices from American composer Michael John Trotta features 17 choral works
on a variety of texts ranging from the 9th century to the modern day. Michael John Trotta
on a variety of texts ranging from the 9th century to the modern day. Michael John Trotta
shows himself a composer of great artistry and a consummate master of vocal writing –
his music is beautifully tonal, a rich tapestry of magnificent melody and imbued throughout
with profound expression and insight; the performance, under the direction of the composer,
is excellent, as is the ambient acoustic that serves the music so well. Mystical Voices
from composer Michael John Trotta is a superb disc of modern choral masterpieces from
an artist of vision and power.
“Break of Day” opens the program and is a tranquil, beautifully textured, accompanied work on
a text by John Donne, whereas “In This Present Moment” opens with a contrast of male & female
voices presenting a work in an almost dialogue fashion; “Veni, Veni, Emmanuel” is a richly rhythmical
work full of wonderful vocal punctuations, “While Adam Lay Ybounden” conveys a hauntingly mystical
quality and a taste of the timeless; “In the Bleak Midwinter”, on Rossetti’s famous text, has an almost
hymn-like quality to it and features a plaintively beautiful oboe line, while “What Then”, on a text by
Coleridge, is like the unfolding of a peaceful dream, which beautifully contrasts with the sparser texture of
“Make Space for Life to Live” on an original text by the composer; “I Will Keep Still” opens with a stunningly
engaging choral murmur which slowly opens into a work of rich harmonic invention; “Hidden in Plain Sight”
features piano & flute accompaniment, while “Kyrie”, also with piano & flute accompaniment and for treble voices,
is a beautiful modern expression of an ancient text; “Sinfonia” is the instrumental introduction to the 18-minute
multi-movement work “Dedication to Life” expressing the journey through life and nature, with “Early Spring”
being the first vocal movement for accompanied soprano, followed by “I Ask for a Moment” and “Summer Has
Come”, both also for accompanied soprano – the overall piece, across all of its movements, exudes both
tranquility and passion, longing and beauty; “Veni Creator Spiritus” is a magnificent a cappella work that
expresses the quality of eternity, while “Prayer for Peace”, also a cappella, revels in its beauty of sound;
the final “Veni, Veni, Emmanuel” is a modern, almost dance-beat, re-mix of the third work on the program
– absolutely unique in its marriage of ancient & modern.
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