The upcoming May issue of Choral Journal features an article titled “A Master of Styles: The Choral Music of William Bolcom.” William Bolcom is a living composer who was born in Seattle, Washington, in 1938. He has composed in all genres: nine symphonies, four concertos, twelve string quartets, four violin sonatas, four operas, three pieces of musical theatre, two film scores, and over 150 other works.
As the article states: “Bolcom only writes choral music for commission, and on the average, he publishes a new choral composition approximately every two years: counting numerically, choral works comprise 10 percent of his oeuvre. Bolcom’s choral works can be divided into two categories: works for men’s chorus and works for mixed chorus (no works for women’s chorus appear extant). There are four works for men’s chorus, which leaves eighteen choral works for mixed voices, which can be further subdivided almost evenly into three categories: longer works (defined as compositions with a duration of eight minutes or more: there are 6); unaccompanied works (5); and works with keyboard accompaniment (5). Additionally, he has two choral-orchestral works.”
This Choral Journal article focuses on providing readers an overview of Bolcom’s choral works, with selected examples provided as illustrations. Below is a table showing all of Bolcom’s choral works. This issue of Choral Journal will be available online April 1 and mailed out to our members in three weeks. Non members can review the benefits and membership categories here to start receiving the Choral Journal. (There is an associate membership option for only $45 a year!)
Works for Men’s Chorus | |||||
Title | Instrumentation/Voicing | Source of Text | App. Duration | Date | Publisher |
The More Loving One | TTBB and Piano | W.H. Auden | 4’ | 1989 | Hal Leonard |
Maha Sonnet | TTBB Chorus and Piano/SATB and Piano | Arnold Weinstein | 4’ | 1990 | Hal Leonard |
The Miracle:
9 Madrigals after Giovanni Pascoli |
TTBB, woodwind quintet, and 2 percussion | Arnold Weinstein | 20’ | 1999 | Theodore Presser Company |
Searchlight Soul | TTB and Piano | University of Michigan poetry students – Carrie Luke, Nicholas Harp, Shane Omar, and Tim Tebeau. | 10’ | 2009 | Hal Leonard |
Longer Works for Mixed Chorus | |||||
Title | Instrumentation/Voicing | Source of Text | App. Duration | Date | Publisher |
Satires | Madrigal Group, SSAT (Bar.) B (T often CT) | William Bolcom | 20’ | 1970 | Hal Leonard |
The Mask | SATB and Piano
|
5 Poems by African-American poets – Paul Laurence Dunbar, Gwendolyn Bennett, Richard Bruce, Charles Cyrus Thomas, and T.J. Anderson III. | 20’ | 1990 | Hal Leonard |
May-Day | SATB and Piano or Organ | Ralph Waldo Emerson | 8’ | 2002 | Hal Leonard |
Two Meditations (on poems by George Herbert) | SATB and organ | George Herbert | 8’ | 2006 | Hal Leonard |
Four Piedmont Choruses | SATB and Piano | Kathryn Stripling Byer | 15’ | 2007 | Hal Leonard |
A Song for St. Cecilia’s Day | SATB and Organ | John Dryden | 16’ | 2008 | Hal Leonard |
Short Unaccompanied Works for Mixed Chorus | |||||
Title | Instrumentation/Voicing | Source of Text | App. Duration | Date | Publisher |
Vocalise (from “Songs of Experience”) | SATB a cappella | William Blake | 6’ | 1977 | Hal Leonard, but only available in the Songs of Experience score |
Alleluia | SATB a cappella | Title is the only text | 4’ | 1992 | Hal Leonard |
Simple Stories:
I. Dancers |
Soprano and SATB a cappella | Donald Hall | 3’ | 1992 | Theodore Presser Company |
Solace | SATB a cappella, chime | Dick Allen | 3’ | 2013 | free download |
Why Was Cupid a Boy? | SATB a cappella | William Blake | 1’ | 2013 | Hal Leonard |
Short Accompanied Works for Mixed Chorus | |||||
Title | Instrumentation/Voicing | Source of Text | App. Duration | Date | Publisher |
Carol (from The Wind in the Willows) | SATB and Piano | Arnold Weinstein after Kenneth Grahame | 3’ | 1981 | Hal Leonard |
Chorale on St. Anne’s Hymn | Sop., SATB, and Piano or Organ | Isaac Watts | 4’30” | 1988 | Hal Leonard |
Simple Stories:
II. Wheel of the Oxcart |
SATB, Fl., Cl., Hn., Vcl., and Piano | Donald Hall | 3’ | 1992 | Theodore Presser Company |
The Rhodora: On Being Asked, Whence Is the Flower? | SATB Chorus and Organ | Ralph Waldo Emerson | 4’ | 2002 | Hal Leonard |
Lady Liberty | SATB and Piano | Arnold Weinstein | 5’ | 2008 | Hal Leonard |
Choral-Orchestral Works | |||||
Title | Instrumentation/Voicing | Source of Text | App. Duration | Date | Publisher |
Songs of Innocence and of Experience: A Musical Illumination of the William Blake Poems
|
5-10 soloists: S, MS, CA, T, Bar, B, Boy Soprano, Country/Rock/Folk singers; 3 Choruses: SATB, Madrigal, Children’s; Orchestra: 3333 2Sax 6553 7Pc Org Pno Hp Gtr ElGtr ElBs 2ElVln(2) Str | William Blake | 160’ | 1984 | Hal Leonard |
Symphony No. 8 | SATB Chorus and full orchestra, including piccolo, harp, and celeste | William Blake | 35’ | 2005 | Theodore Presser Company |
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