(An excerpt from the Choral Journal article, “The Changing Concept of Desirable Tone Quality in Samoan Choral Singing,” by Robert Engle)
Prominent among Pacific Island cultural groups is the traditional Samoan choir. Singing is a universal activity in Samoa. In addition to the functions which parallel the use of music in American life, singing is utilized during sa (evening family devotions), as a source of fundraising in the villages (in a manner similar to the English and American Christmas caroling tradition), in lieu of cheerleading at cricket and rugby games, as a focus of competition in inter-village festivals, as live or taped background music on the bus, and in informal concerts at the marketplace. At home, at a party, or in the park, vocal music is often spontaneous and meant for self-enjoyment.
Singing in Samoan culture has enjoyed far more prominence than instrumental music throughout its history. Participation is universal, regardless of ability or inherited skill. Samoans believe the musical aptitude of all children is equal at birth and that superior ability can be linked to superior intelligence. Singing satisfies an important social objective for Samoans, and the group nature of this activity contributes to that end. A social commentator at the turn of the century observed:
“Solo singing does not attract (the Pacific islander) at all;
music is above all things a social function, in his opinion,
and if he can get a few others (or better still, a few score
others) to sit down with him on the ground and begin a
chorus, he is happy for hours and so are they.”
READ the entire article.
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