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You are here: Home / Others / GUEST BLOG: “From Pop Dominance to Choral Artistry,” by Joseph Brickey-Goldsmith

GUEST BLOG: “From Pop Dominance to Choral Artistry,” by Joseph Brickey-Goldsmith

February 10, 2015 by Scott Dorsey Leave a Comment


FROM POP DOMINANCE TO CHORAL ARTISTRY, by Joseph Brickey-Goldsmith
 
Choral music has seen a dramatic surge of interest over the past few years thanks to popular primetime television shows such as Glee, The Sing-Off, etc.  While this is wonderful for choral programs, it also calls into question what to do when your students want to sing pop centric choral repertoire.  The transition from a “pop” dominated atmosphere to one centered around choral artistry is enough to keep a director awake at night. However, after some time, the benefits will out-weigh the struggle.  My students have stated they believe the fine choral arts require much more “dedication and nitpicking” during rehearsal; whereas, pop choral music is more focused on pleasing an audience.  
  
One of the primary goals of directing a choir, or any musical ensemble, is to build a solid foundation of musicianship.  Students who have mostly performed pop centric choral music will possibly resist the idea of learning and refining their musical skill set.  My students are no exception here. There will always be a student to convince!  Though, a rule I have is “You cannot say you hate a song until after the concert”.  Fortunately, because of our “dedication and constant nitpicking”, I’ve yet to hear a student utter those words. 
 
During the beginning of each semester, you will always be bombarded with the statement “We should do (insert name of pop song)”.  Again, I am not immune to these requests and often say “I’ll look into it but in the mean time let’s start reading through this” as I hand out a jazz standard or composer similar to Moses Hogan and Eric Whitacre.  As usual, the newer or younger students turn their noses up a little to this new and unusual sound but with your enthusiasm and persistent rehearsal techniques they will soon become addicted to it.  In due time, your choirs, especially the advanced groups, will start avoiding the pop genre all together or use it as “fun and easy” crowd-pleasers to perform at a concert or graduation ceremony.  In all honesty, the main strategy to achieve higher levels of choral musicianship in your classroom is enthusiasm, consistency, and dedication to the choral arts by you!

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Comments

  1. Joshua Oppenheim says

    March 10, 2015 at 11:42 pm

    Lovely way to share ideas isn’t it!  I think a pop/contemporary music is underused in the “typical choral repertoire.”  There are lots of great pop/contemporary songs that I use in rehearsal and performance.  I don’t think the “artistry” is specific to any particular genre.  Some of the best musicians I’ve seen (Bobby McFerrin, Yo-Yo Ma, Joshua Bell, Craig Hella Johnson, the list goes on) embrace the “sinister sounds” of the pop genre.  It’s common for secondary schools to do pop/contemporary tunes on a final portion of the semester/year.  Not having that structure or need at the college level to provide that carrot at the end of the year after festval/contest; I’ve tried to incorporate pop songs more into my rep throughout the year.  I’ve even done a couple at All-States as well – and plan to continue to do so.  Not only do I enjoy the variety of doing a L’homme Arme setting, Tormis, and Dolly Parton on the same concert; the students bring qutie a bit more musical skillset from the pop genre into the other genres – and vice versa. I think it’s good for our singers, and our audiences, and us.  But I also think it’s good to push boundaries – as art often does.  My 1.5 cents anyway.
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  2. Kip White says

    March 5, 2015 at 11:01 am

    Very apropriate analogy.
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  3. Lucy Hudson Stembridge says

    March 3, 2015 at 11:22 am

    “Ahhh – me – eh – eh – n!”  (with Baroque mordent)  and “Ahhh – me – eh – eh – n!” with R & B improv (e).
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