1. “And I Saw.” Timothy Takach. Self-published (tim @ timothytaakach.com)
First written for SSAA, the SATB version premiered at the 2014 NYACDA State Conference Josephine Preston Peabody’s gorgeous poetry is set with rich harmonies. Challenging.
2. “Hope for Resolution,” Caldwell & Ivory. Earthsongs
Great way to bring different ensembles together. Parts for a children’s chorus, advanced treble voices, and SATB choir, easily arranged for available forces. Combines “The Father’s Love Begotten” and “Thula Sizwe.” A moving piece that celebrates diversity.
3. “Laudate Dominum.” Thomas Juneau. Carl Fischer.
Energetic, joyful piece offers a range of moods. Much is set in mixed meter that mirrors the phrasing of the text. Challenging, with some divisi. Appropriate for college and advanced high school choirs/community choirs.
4. “Serenade to Music.” Vaughan Williams. Oxford University Press.
Lush writing for the chorus, three part divisi. Good for small or large ensembles. Originally for 16 singers and orchestra, a smart publisher would create a version for chorus and piano and solo violin…(hint hint!)
5. “Wedding Cantata.” Daniel Pinkham. C.F. Peters.
SATB with piano (or chamber orchestra). Four terrific movements of contrasting character with solo opportunities for soprano and tenor. Medium difficulty.
Jameson (Jim) Marvin says