It’s one thing for those of us in the choral profession to bemoan the state of current music. After all, the promotion of historically viable music is our gig. But when a hipster pop musician starts saying things like “the loss of melody has been a major contributor to the decline in music’s standing in American culture,” one must admit to feelings of vindication.
The following is an excerpt from the column, “Top Ten Reasons Why the Music Industry is Failing,” by Ramin Streets, a singer/songwriter and entrepreneur from Chicago
There seems to be a serious lack of musicianship at play across so many of the song artists that are signed to major labels. It’s become common knowledge that some of the most famous folks priding themselves on their singing ability rely way too heavily on auto-tune. There used to be a running joke about certain bands that made their living (and their hits) only playing 3 chords (nothing wrong with it – i.e. The Ramones). Yet now it really seems to have gone too far. Where are the virtuoso instrumentalists? Where are the guitar and drum heroes? The fact that we need video games to get our fix vs. seeing the real hero perform the real licks at a real show only further points to the fact that a deep seated need amongst music lovers is just not being served properly anymore.
Finally, the loss of melody has been a major contributor to the decline in music’s standing in American culture. Traditionally, songs have comprised of four ingredients namely; melody, rhythm, harmony and lyric. Over the last 300-400 years, the strongest and most memorable music ever written more or less received equal weight in these four areas. Classical music saw heavier weight applied to melody and harmony. Then jazz, blues and later rock each applied rhythm to a greater extent (i.e. the rhythm section using drums, bass and guitar). This gave energy to the songs and to their performances both on the turntable and on the stage. However over the last 30+ years so much emphasis has been applied to beats vs. melody that the rhythm seems to be all we know. Problem is you can’t hum or sing a beat. You need melody for that. And, unfortunately many of our modern producers only know how to address this need by lifting melodies from other people’s songs. This can’t last. With the proper permissions it’s legal but is effectively cheating. And, in the opinion of this song artist only serves as the final nail in the coffin of an industry that has for far too long overstayed its welcome.
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