• Sign In
  • ACDA.org
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
ChoralNet

ChoralNet

The professional networking site for the global online choral community.

  • Home
  • Blog
  • ACDA News
  • Events
  • Community
    • Announcements
    • Classifieds

You are here: Home / Others / Stick Time: A Celebrity Conductor Who Can Actually Conduct

Stick Time: A Celebrity Conductor Who Can Actually Conduct

December 1, 2014 by Scott Dorsey Leave a Comment


It’s a fair bet that at some point this month, you’ll catch a glimpse of the old holiday movie White Christmas flashing across your TV screen (for some of us, it’s a must-see in December).  Staring with crooner Bing Crosby in that classic film is the always-zany Danny Kaye.
 
In addition to being a brilliant comedic actor, Mr. Kaye was also something of a conductor.  Now typically, this writer cringes when celebrity wannabes ape our treasured craft, but in this case, Danny Kaye actually possessed more than a little facility on the podium.
 
Of Danny Kaye’s conducting, famed New York Philharmonic Orchestra conductor Dimitri Mitropolus said, “Here is a man who is not musically trained, who cannot even read music, and he gets more out of my orchestra than I have.”
 
Ponder the accompanying video fragment of Danny Kay conducting the New York Phil.  What can we discern from Mr. Kaye’s approach to music making? Certainly, it is brimming with energy and his conducting technique is quite admirable.  Without question, his physical gestures are communicating clearly and concisely.  Is it the freedom of not worrying about what some persnickety so-and-so thinks that makes it work? Maybe it is the unrestrained joy he is experiencing as he conducts.
 
Whatever it may be, we could take a lesson here.
 

Filed Under: Others

Reader Interactions

Comments

  1. Ronald Richard Duquette says

    January 15, 2015 at 9:08 am

    Go see the rest of that program.  My God – the rest of us have much to learn about how to communicate with our fellow musicians.  When you get to the end of the posted clip, it should automatically go to the parts of the whole program that are posted.  You WILL laugh; it will also very nearly bring you to tears (did me) about the sheer joy of making wonderful music.  The first piece is the overture to “La Gazza Ladra” – and Kaye and the NYP have caught the sheer madcap joy of what Rossini writes.  Brilliant!
    Log in to Reply
  2. Ronald Richard Duquette says

    December 9, 2014 at 5:50 am

    Impeccable sense of timing (listen to some of his almost mind-bending patter songs in the musicals he was in), clear intent, and even clearer communication of it.  Maybe no formal training of any sort, but an instinctive and brilliant musician.  Bravo, Mr. Kaye!
     
    Ron
    Log in to Reply

Leave a Reply Cancel reply

You must be logged in to post a comment.

  • ACDA.org
  • The ChoralNet Daily Newsletter

Advertise on ChoralNet

Footer

Connect with us!

  • Home
  • About
  • Help
  • Contact Us
  • ACDA.org

Recent Blogs

  • Choral Ethics: Uncomfortable Blog
  • ChoralEd, Fun Choral Warm-ups
  • Choral Ethics: Part Five
  • Choral Ethics: Part Four
  • Choral Ethics: Part Three

American Choral Directors Association

PO Box 1705
Oklahoma City, Oklahoma
73101-1705

© 2026 American Choral Directors Association. All rights reserved.
Terms of Use | Privacy Policy