As we choral directors strive to provide a multi-cultural program for our singers, we must include our own cultural music – jazz. The skills that are required to learn music from other cultures- their language, rhythms, tones and harmonies are the same that are required to learn jazz.
Specific drumming patterns and techniques for creating a bass line and piano part for young players were shared and practiced. Improvisation was encouraged to begin with the melody on neutral syllables and to practice cacophony by having all singers improvise simultaneously. This helps the singers develop confidence by not calling attention directly to them individually.
Choral directors should trust their musical instincts to personalize jazz charts to complement their ensemble. Listen to quality examples, ask questions and give it a try. Your stylistic interpretations are a compliment to the composer/arranger. Give yourself permission as the director to tailor the chart to meet the needs of your ensemble.
Jazz is a living, evolving art form. It is our responsibility as directors to nurture our own cultural music and help guide the direction as it evolves. Take a risk to go beyond your comfort zone and share some vocal jazz. You can do it!
(The ACDA National Conference is just one of the many benefits of membership in the American Choral Directors Association. Join ACDA today.)
Thomas H. Shellenberger says