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You are here: Home / Others / Women’s Choral Music from Canada

Women’s Choral Music from Canada

February 23, 2013 by Scott Dorsey Leave a Comment


(An excerpt from the interest session, “Conducting Women’s Choirs: Strategies for Success,” by Hilary Apfelstadt.  Presented during the 2013 ACDA National Conference.)
 
       There is a wealth of music by Canadian composers for treble voices.  Canada has a rich choral tradition, and in particular, due to the number of children’s and youth choirs throughout the country, many of its composers have written for this voicing.   Although some of the music is specifically appropriate for children, due to the nature of the texts, other examples are equally suitable for singers of varied ages.   Composers like Ruth Watson Henderson and Eleanor Daley, both of whom accompanied children’s choruses for years (Ms. Henderson, the Toronto Children’s Chorus, and Ms. Daley, the Bach Children’s Choir), have intimate knowledge of the capabilities of young voices and have written expressly for those ensembles.
       In addition, Canada is home to Elektra, the internationally recognized women’s ensemble that has promoted and developed Canadian repertoire for more than 25 years.   Elektra’s website is a rich resource in itself.  The chapter provides information about specific composers, publishers, recordings, and treble ensembles in Canada.
 
(The ACDA National Conference is just one of the many benefits of membership in the American Choral Directors Association.  Join ACDA today.)

Filed Under: Others, Women's Choirs

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Comments

  1. donald patriquin says

    March 25, 2013 at 8:02 am

    Yes- let’s hear it for your neighbours to the north!  (We’re the ones who put ‘u’s in everything.) Thanks for this, Hilary and Scott. And thanks for an extraordinary congress. There was a pretty large contingent of Canadian choral directors and composers at that wonderful ACDA; I missed our unofficial ‘meeting’ in the Sheridan bar as I opted to attend the NCCO reception, but was glad to meet up with many Canadian colleagues over the course of the conference. I get to see and hear most of them every two years at the Canadian meeting of our somewhat equivalent ACCC (originally Association of Canadian Choral Conductors but now Association of Canadian Choral Communities)– where I first met ACDA’s Phil Copeland and Hilary Apfelstadt. Like the national ACDA conference, this is held every two years, but on the ACDA ‘off year’. This means if Canadians attend the national ACDA they can see their keen colleagues EVERY year! I hope we’ll see even more Canadians venturing south every two years; it is an extraordinary event, and by many accounts one of the best this year. It was ‘seamless’ and can only go up. So let’s all meet again in Salt Lake City!
     
    I hope we’ll be privileged to have more Americans at the Canadian ACCC, which will be held in Halifax in 2014, so do come up and enjoy some real down-east music, fun and hospitality. If you’re lucky you may even get to a ‘tailgate’ party! The event is on May 15 – 18, 2014. http://www.podium2014.ca
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