• Sign In
  • ACDA.org
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
ChoralNet

ChoralNet

The professional networking site for the global online choral community.

  • Home
  • Blog
  • ACDA News
  • Events
  • Community
    • Announcements
    • Classifieds

You are here: Home / Others / CJ Replay: How to Make a Legal Copy

CJ Replay: How to Make a Legal Copy

January 31, 2013 by Scott Dorsey Leave a Comment


(An excerpt from the Choral Journal article, “The Music Educator’s Guide to Copyright Law,” by Karen Faaborg

Permissible Uses:

(1) Music educators may make copies of entire works only in emergencies to replace purchased copies which for any reason are not available for an imminent performance provided purchased replacement copies shall ‘be substituted in due course.

(2) Educators may make copies of excerpts of works for academic purposes other than performance, provided that the excerpts do not comprise a part of the whole which would constitute a performable unit such as a section, but in no case more than 10% of the whole work. The number of copies shall not exceed one copy per pupil.

(3) Printed copies which have been purchased may be edited or simplified provided that the fundamental character of the work is not distorted.
 
(4) A single copy of recordings of performances by students may be made for evaluation or rehearsal purposes and may be retained by the educational institution or teacher.

(5) A single copy of a sound recording of copyrighted music may be made from sound recordings for the purpose of constructing aural exercises or examinations.


Filed Under: Others

Reader Interactions

Comments

  1. donald patriquin says

    February 5, 2013 at 3:50 pm

    Thanks (from a composer!) for bringing this issue once again to the attention of conductors and fellow musicians.
     
    I have noticed a gradual decrease in the use of photocopied music over the past decade, thanks in great part to conductors and performers being made more aware of who really suffers when music is (mass) copied. Who suffers? The composer for a start, but also a plethora of people such as music sellers, publishers, and so on. In the end ALL musicians suffer, as the price of music is driven up by the rising cost in music made necessary by the fact that some still copy it. The audiences also end up paying more. So who ‘wins’? Copy and copy-machine companies for a start.
     
    Canadian ChoralNet readers might enjoy an article in “Question and Answer” form, which reflects the Canadian Copyright Act. Virtually all copyright acts/laws are based on fair dealing a.k.a. honesty. It may be found at http://www.mcgill.ca/music/current-students/graduate/graduate-music-handbook/appendix-i-music-and-copyright-questions-and-answe   (n.b. the URL ends with the truncated word ‘answe’)
     
    Please feel free to copy this article for non-lucrative educational purposes!
     
    Donald
     
     
    Log in to Reply

Leave a Reply Cancel reply

You must be logged in to post a comment.

  • ACDA.org
  • The ChoralNet Daily Newsletter

Advertise on ChoralNet

Footer

Connect with us!

  • Home
  • About
  • Help
  • Contact Us
  • ACDA.org

Recent Blogs

  • Choral Ethics: Part Four
  • Choral Ethics: Part Three
  • Choral Ethics: Part Two
  • Choral Ethics: A Five Part Series, Part One
  • ChoralEd, A Democratic Approach to the Choral Rehearsal – Dr. Robert Jordan

American Choral Directors Association

PO Box 1705
Oklahoma City, Oklahoma
73101-1705

© 2026 American Choral Directors Association. All rights reserved.
Terms of Use | Privacy Policy