(An excerpt from the Choral Journal article “Choral Art” by Harold Decker)
One could almost say that the true choral conductor, in addition to other attributes, must have two vital characteristics:
First, a devotion to choral music as an artful expression.
Second, the ability to communicate musical ideas through word and gestures so that he brings about a total response from the group.
We need choral conductors thoroughly prepared with musical backgrounds who have the desire and ability to inspire groups to high standards of achievement in the “choral art”.
We will take for granted that any educated person in music should be grounded in the fundamentals of theory, ear training, sight reading, music history and a performing medium. A choral conductor should also study literature, poetry, languages, drama, singing,
diction, and have a working knowledge of orchestral instruments. [The conductor] must be versed in psychology, and be aware of how history and political affairs have influenced the style and development of music.
The importance of well-planned, well-prepared rehearsals cannot be over-emphasized. Rehearsals must be true musical experiences. Out of the conductor’s background of preparation, plus constant study and renewed insight, music can become a living organism which comes into being as the music unfolds through understanding and inspiration. Preparation should be the conductor’s watchword.
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