Just as we did in last Friday's installment of "It's About the Phrase," let's examine dynamics.
As you listen to this performance from the 2009 ACDA National Conference, consider how our colleague established the dynamic profile. As we would expect, some of the crescendos (and corresponding decrescendos) are subito, while others are quite gradual even to the point of elegance. In a manner similar to the positive/negative response graph that has been flowing along with the recent Presidential debates, could you chart the dynamic structure on this work (or any work, for that matter) in the same way? What would such a chart reveal about your own choir?
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