• Sign In
  • ACDA.org
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
ChoralNet

ChoralNet

The professional networking site for the global online choral community.

  • Home
  • Blog
  • ACDA News
  • Events
  • Community
    • Announcements
    • Classifieds

You are here: Home / Others / A day in the life of Eric Whitacre

A day in the life of Eric Whitacre

November 18, 2011 by philip copeland Leave a Comment


This is too good to pass up.  See the full story here, a few of my favorite excerpts below:
 
Morning:
Eric gets lost on the way to his studio because all of his hallways keep splitting into more and more separate hallways.
 
Afternoon:
Eric and Hila have lunch together on a giant lilypad . . . and then he flies to Rome in his personal jet, the ERIC FORCE ONE.
 
Fixes all the remaining problems in a pre-concert rehearsal just by saying "Bippity-Boppity-Boo."

Filed Under: Others

Reader Interactions

Comments

  1. philip copeland says

    November 28, 2011 at 10:20 am

    Thom,
     
    We settled this here on ChoralNet nearly a year ago:
     
    https://choralnet.org/273705
     
    Log in to Reply
  2. Christopher Barbee says

    November 27, 2011 at 10:34 pm

    I think you may be misinterpreting the article that was written. I’d like to make sure that I’m reading the same one.
    As an American choral student, I can’t say that I find anything in it inherently offensive. I see a lot of talking up about British choirs, but no talking down about Americans.
     
    Also, he’s written an explanation here that helps to clarify a bit.
     
    I think the absurdity of this comic is hillarious. I’d love to see some talented Whitacre fanboys/fangirls create a full blown comic book of these adventures.
    Log in to Reply
  3. Thom Baker says

    November 27, 2011 at 9:11 am

    How soon we forget.  Am I the only choral director in the country who is still offended by Mr. Whitacre’s recent global trashing of American choirs?  Our singers work hard and, for the most part, have not received the childhood musical training opportunities of his beloved Brits.  (Nothing against them.)  It seems rather treacherous of him to disparage the very people who supported and nurtured him, performing his works when the rest of the choral world was not.   I, for one, a director of three choral ensembles, have no plans to even look at another Whitacre piece until I have witnessed an apology to our singers.
    Log in to Reply

Leave a Reply Cancel reply

You must be logged in to post a comment.

  • ACDA.org
  • The ChoralNet Daily Newsletter

Advertise on ChoralNet

Footer

Connect with us!

  • Home
  • About
  • Help
  • Contact Us
  • ACDA.org

Recent Blogs

  • Choral Ethics: Part Four
  • Choral Ethics: Part Three
  • Choral Ethics: Part Two
  • Choral Ethics: A Five Part Series, Part One
  • ChoralEd, A Democratic Approach to the Choral Rehearsal – Dr. Robert Jordan

American Choral Directors Association

PO Box 1705
Oklahoma City, Oklahoma
73101-1705

© 2026 American Choral Directors Association. All rights reserved.
Terms of Use | Privacy Policy