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You are here: Home / Others / Choral Caffeine: A Classroom Technology Project

Choral Caffeine: A Classroom Technology Project

July 25, 2011 by Scott Dorsey Leave a Comment


What would have happened if choral musicians of the mid-15thcentury had told Guttenberg that they didn’t want anything to do with his new-fangled movable-type printing press?
 
Would we have the New World Symphony if Dvorak had been afraid to take a ship to the U.S. in 1892?
 
Imagine if no one thought that radio was a great idea for the musical arts when KDKA in Pittsburgh (the first commercial station in the U.S.) started broadcasting in the 1920s.
 
Printing, trans-Atlantic travel, and radio were new technologies at one time – maybe even radically so.  Well, kids, that’s the way it is today.  Digital technology is now commonplace – and we ignore it at our own peril.  This week and next, Choral Caffeine will look at two articles that suggest ways to use digital technology to aid the choral conductor’s work.
 
Barbara Retzko’s article, “Using Social Media and Technology to Strengthen Your Choral Program,” suggests a project that utilizes technology as a platform through which students not only learn their music but begin to develop the self-confidence and poise needed to be successful singers and performers.  They accomplished the project in an independent fashion using social media tools that they are probably already using every waking minute of the day.
 
The result of the project?  In Barb’s own words, “There has been a remarkable change in the overall demeanor of the Concert Choir as a result of this assignment.”  Read Barb’s article to learn more.
 
Next week: Facebook, e-mail and Twitter.
 
(To access the full article, simply click the highlighted title. For additional articles on a dazzling array of choral topics, visit ChorTeach.)

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Comments

  1. John Howell says

    August 10, 2011 at 1:12 pm

    Scott:  Minor point, perhaps, but to your question, “What would have happened if choral musicians of the mid-15thcentury had told Guttenberg that they didn’t want anything to do with his new-fangled movable-type printing press?” the answer is “absolutely nothing”!
     
    The complications of printing music from movable type were so formidable that it wasn’t until half a century later (1501) that Ottaviano Petrucci, in Venice, brought out the first music printed from movable type.  So the entire 15th century remained the province of individual scribes and commercial and monasterial scriptoria.
     
    And of course in commercial and popular music that remained exactly the case until the widespread use of computer music engraving came on the scene, at about the beginning of the 1990s.  As a composition major, my late wife had to take the required Music Calligraphy course, and I copied my own music by hand for, oh, about 40 years!
     
    Which doesn’t detract from your main point, of course, and I’ll be very interested to read the articles.
     
    All the best,
    John
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  2. Reese Norris says

    August 10, 2011 at 6:51 am

    Please see an article in the Mississippi Choral Journal and reprinted in Texas, written by Joelle Norris, for more information on this very topic.
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