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You are here: Home / Others / Choral Caffeine: Lemonade and Choral Repertoire

Choral Caffeine: Lemonade and Choral Repertoire

June 20, 2011 by Scott Dorsey Leave a Comment


You’ve heard the old joke.
     Q: What are the best three things about teaching?
     A: June, July, and August.  (of course, it’s not true)
 
Now here it is . . . It’s summer.  You have finished what was by any measure an academic year filled with joys and tears, success and maybe even a bump in the road.  You’ll take a break, drink some lemonade in the shade, you’ll travel, you’ll play with the dog, you’ll catch your breath.
 
Then it will happen.
 
That little voice in the back of your head will nag you to complete your repertoire selections for next season.  Here are a few brief ideas from James D. Niblock’s article, “Repertoire Research Strategies” (Choral Cues, Winter, 2008.  To read the full text on ChorTeach, click the article title).
 
[1]  Search various places for literature; publishers, multiple websites, Youtube, friends, concerts,  recording.  Don’t stick with any single source.
 
[2]  Pick composers you love and explore music from their oeuvre that you haven’t yet done.
 
[3]  Remember what actually works for YOUR ensemble.
 
[4]  Recommended websites:
     choralnet.org
     acdaonline.org
     sheetmusicplus.com
     wikipedia.com
     cpdl.org
 
Now start thinking.  But first, pour another lemonade.
 
(To access the full article, simply click the highlighted title. For additional articles on a dazzling array of choral topics, visit ChorTeach.) 

 

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Comments

  1. Marie Grass Amenta says

    June 29, 2011 at 1:10 pm

    I, personally, stare into space.  I don’t teach at an institution anymore but conduct a semi-professional chamber choir with two concerts–and LOTS of break out performances–a calender year.  I also spend a good portion of the summer working on my rep for various concerts/events.
     
    That being said, when I taught, I had concert “themes” plotted out several years in advance, with one or two anchor pieces already chosen and LOTS of room for “other things”.  I let my current ensembles be my guide for the “other things”……if I knew I was going to be able to keep my drop-dead WONDERFUL tenor,  I would program things with him in mind during the summer fleshing out time. It worked well then and works well now.
     
    I sit under my maple tree–I garden and my garden looks GREAT this year–and let my wind chimes and beverages and flowers give me Peace to program. I get into my “Zen Place”—-although, my “Zinfindel Place” works pretty well too! 🙂
     
    Marie
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