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You are here: Home / Others / The First Thousand Years

The First Thousand Years

June 15, 2010 by Allen H Simon Leave a Comment


Jeffrey Tucker points us to a new book on the history of music in the church in the middle ages:

This book is an absolute inspiration. I feel profound gratitude to the author. It is readable and not merely an academic work. The prose is elegant and warm. The "apparatus" in the back is just about beyond belief. It is filled with color illustrations. It's beyond me how Yale University can make this book available for only $35 or so. My quick glance through it (I've spent several hours) reveals so much fascinating information. I had not known just how much Christian chant owes to Jewish temple worship. I had not understood how much Gregorian chant owes to Rome. I had not seen how much influence trade and commerce had to do with spreading the chant. I had not entirely understood the driving force behind the 9th century attempts to notate the chants. It's obvious to me that this is just the beginning. There are worlds of information in this 700-page treatise. 

Like Jeffrey, I'm not reviewing it but just alerting you to its existence.
 
Update: if you can't see it on the image, the book is The Christan West and Its Singers: The First Thousand Years by Christopher Page.

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Comments

  1. John Howell says

    June 18, 2010 at 6:17 pm

    Allen:  Thanks for possing this one, but a mention of the title and author would have been helpful.
     
    About the author, Christopher Page.  He is highly respected as a musician, as a conductor, and as a scholar.  But one caveat:  he also has strongly held opinions, and selects examples that support those opinions.  Or tries to.  My wife reviewed one of his books for a graduate course.  His thesis was that "high style" medieval songs were always sung unaccompanied, and he provided examples from primary sources to support that thesis.  But what my wife discovered is that almost all of those examples spoke of instruments and could equally well have supported the thesis that instrumental accompaniment WAS used.
     
    But I’m sure this new book will be of great interest, and illuminate a part of music history that is too often passed over in one or two lectures in music history courses.  After all, it’s where it all started!  After battling with Amazon’s less-than-perfect interface, my copy should be on its way, and I probably know and teach most of the material already.
     
    All the best,
    John
     
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