• Sign In
  • ACDA.org
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
ChoralNet

ChoralNet

The professional networking site for the global online choral community.

  • Home
  • Blog
  • ACDA News
  • Events
  • Community
    • Announcements
    • Classifieds

A Master of Styles: The Choral Music of William Bolcom

March 20, 2017 by Amanda Bumgarner Leave a Comment


The upcoming May issue of Choral Journal features an article titled “A Master of Styles: The Choral Music of William Bolcom.” William Bolcom is a living composer who was born in Seattle, Washington, in 1938. He has composed in all genres: nine symphonies, four concertos, twelve string quartets, four violin sonatas, four operas, three pieces of musical theatre, two film scores, and over 150 other works.

As the article states: “Bolcom only writes choral music for commission, and on the average, he publishes a new choral composition approximately every two years: counting numerically, choral works comprise 10 percent of his oeuvre. Bolcom’s choral works can be divided into two categories: works for men’s chorus and works for mixed chorus (no works for women’s chorus appear extant). There are four works for men’s chorus, which leaves eighteen choral works for mixed voices, which can be further subdivided almost evenly into three categories: longer works (defined as compositions with a duration of eight minutes or more: there are 6); unaccompanied works (5); and works with keyboard accompaniment (5). Additionally, he has two choral-orchestral works.”

This Choral Journal article focuses on providing readers an overview of Bolcom’s choral works, with selected examples provided as illustrations. Below is a table showing all of Bolcom’s choral works. This issue of Choral Journal will be available online April 1 and mailed out to our members in three weeks. Non members can review the benefits and membership categories here to start receiving the Choral Journal. (There is an associate membership option for only $45 a year!)

Works for Men’s Chorus
TitleInstrumentation/VoicingSource of TextApp. DurationDatePublisher
The More Loving OneTTBB and PianoW.H. Auden4’1989Hal Leonard
Maha SonnetTTBB Chorus and Piano/SATB and PianoArnold Weinstein4’1990Hal Leonard
The Miracle:

9 Madrigals after Giovanni Pascoli

TTBB, woodwind quintet, and 2 percussionArnold Weinstein20’1999Theodore Presser Company
Searchlight SoulTTB and PianoUniversity of Michigan poetry students – Carrie Luke, Nicholas Harp, Shane Omar, and Tim Tebeau.10’2009Hal Leonard
Longer Works for Mixed Chorus
TitleInstrumentation/VoicingSource of TextApp. DurationDatePublisher
SatiresMadrigal Group, SSAT (Bar.) B (T often CT)William Bolcom20’1970Hal Leonard
The MaskSATB and Piano

 

5 Poems by African-American poets – Paul Laurence Dunbar, Gwendolyn Bennett, Richard Bruce, Charles Cyrus Thomas, and T.J. Anderson III.20’1990Hal Leonard
May-DaySATB and Piano or OrganRalph Waldo Emerson8’2002Hal Leonard
Two Meditations (on poems by George Herbert)SATB and organGeorge Herbert8’2006Hal Leonard
Four Piedmont ChorusesSATB and PianoKathryn Stripling Byer15’2007Hal Leonard
A Song for St. Cecilia’s DaySATB and OrganJohn Dryden16’2008Hal Leonard
Short Unaccompanied Works for Mixed Chorus
TitleInstrumentation/VoicingSource of TextApp. DurationDatePublisher
Vocalise (from “Songs of Experience”)SATB a cappellaWilliam Blake6’1977Hal Leonard, but only  available in the Songs of Experience score
AlleluiaSATB a cappellaTitle is the only text4’1992Hal Leonard
Simple Stories:

I. Dancers

Soprano and SATB a cappellaDonald Hall3’1992Theodore Presser Company
SolaceSATB a cappella, chimeDick Allen3’2013free download
Why Was Cupid a Boy?SATB a cappellaWilliam Blake1’2013Hal Leonard

 

Short Accompanied Works for Mixed Chorus
TitleInstrumentation/VoicingSource of TextApp. DurationDatePublisher
Carol (from The Wind in the Willows)SATB and PianoArnold Weinstein after Kenneth Grahame3’1981Hal Leonard
Chorale on St. Anne’s HymnSop., SATB, and Piano or OrganIsaac Watts4’30”1988Hal Leonard
Simple Stories:

II. Wheel of the Oxcart

SATB, Fl., Cl., Hn., Vcl., and PianoDonald Hall3’1992Theodore Presser Company
The Rhodora: On Being Asked, Whence Is the Flower?SATB Chorus and OrganRalph Waldo Emerson4’2002Hal Leonard
Lady LibertySATB and PianoArnold Weinstein5’2008Hal Leonard
Choral-Orchestral Works
TitleInstrumentation/VoicingSource of TextApp. DurationDatePublisher
Songs of Innocence and of Experience: A Musical Illumination of the William Blake Poems

 

5-10 soloists: S, MS, CA, T, Bar, B, Boy Soprano, Country/Rock/Folk singers; 3 Choruses: SATB, Madrigal, Children’s;  Orchestra: 3333 2Sax 6553 7Pc Org Pno Hp Gtr ElGtr ElBs 2ElVln(2) StrWilliam Blake160’1984Hal Leonard
Symphony No. 8SATB Chorus and full orchestra, including piccolo, harp, and celesteWilliam Blake35’2005Theodore Presser Company

Filed Under: Choral Journal Tagged With: ACDA Membership Benefits, ACDA Publications, American Choral Directors Association, Choral Journal, Choral Journal Preview

Reader Interactions

Leave a Reply Cancel reply

You must be logged in to post a comment.

  • ACDA.org
  • The ChoralNet Daily Newsletter

Advertise on ChoralNet

On This Day
May 23

The opera “Don Giovanni” by Wolfgang Amadeus Mozart had its American premiere at New York ‘s Park Theater on this day in 1826.

Would you like to submit a blog post for consideration?

Are you interested in becoming a regular ChoralNet blogger? Please contact ACDA Director of Membership & Communications Sundra Flansburg at .

RSS JW Pepper

  • Community Choir Spotlight: Virginia Beach Chorale
  • Community Choir Spotlight: The Wilmington Children’s Chorus
  • Community Choir Spotlight: The Sycamore Community Singers
  • Community Choir Spotlight: Allegro Choirs of Kansas City
  • Community Choir Spotlight: Turtle Creek Chorale
  • Community Choir Spotlight: The Central Dakota Children’s Choir
  • Community Choir Spotlight: The Women’s Chorus of Dallas
  • Vocal Health Tips: How Choral Directors Can Help Students
  • Community Choir Spotlight: The Mankato Children’s Chorus
  • Pepper Spotlight: The David Johnson Chorus

RSS NAfME

  • NAfME Endorses the Advancing Equity Through the Arts and Humanities Act
  • Using Technology to Enhance Your School Concert
  • Retirement Prep Top Ten Treasures
  • Legislative Priorities for Fiscal Year 2023
  • “My Students Make Almost All of the Musical Choices for the Ensemble” 
  • Six Renowned Conductors to Lead the 2022 NAfME All-National Honor Ensembles
  • Getting the Most Out of Your Band or Orchestra Method
  • NAfME Members Named CMA Foundation Music Teachers of Excellence
  • Three Tips for Teaching Music Online, from Teachers College, Columbia University
  • How You Can Make a Difference for Music Education in the Federal Appropriations Process

Footer

Connect with us!

  • Home
  • About
  • Help
  • Contact Us
  • ACDA.org

Recent Blogs

  • Rejuvenating France’s Choir School Tradition: An Interview with Mark Opstad
  • Memorial Day Performance? Keep It Simple!!
  • Finding My Voice with Brittney E. Boykin
  • Choral Potpourri/Choral Ethics: Try Mind Over Matter–If You Don’t Mind, It Doesn’t Matter
  • Best. Interview. Ever! “Doing whatever it takes” with Superstar Deke Sharon

American Choral Directors Association

PO Box 1705
Oklahoma City, Oklahoma
73101-1705

© 2022 American Choral Directors Association. All rights reserved.
Terms of Use | Privacy Policy