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You are here: Home / Classifieds / San Francisco Lyric Chorus Spring 2017 Auditions: Dvorák & KodEaly

San Francisco Lyric Chorus Spring 2017 Auditions: Dvorák & KodEaly

December 10, 2016 by Helene Whitson Leave a Comment

The San Francisco Lyric Chorus, under the direction of Music Director, Robert Gurney, invites singers to join us for our Spring 2017 trimester. We have openings in all parts.

Program:

Antonín Dvorák: Te Deum

Zoltán Kodály: Missa Brevis

Rehearsals begin Monday, January 9, 2017

Rehearsals are held on Monday nights from 7:15-9:45 p.m. in:

St. Peter’s Hall
Trinity+St. Peter’s Episcopal Church
1620 Gough Street (between Austin and Bush Streets)
San Francisco

Our concerts will be held on Saturday, April 22, 2017 at 7 p.m. and Sunday, April 23, 2017 at 5 p.m. in Mission Dolores Basilica, San Francisco.

To arrange for an audition (ability to blend and sing in tune, some sight reading skill expected) or obtain further information, contact Music Director Robert Gurney at 415-721-4077 or . For further information about us, check our website at http://www.sflc.org

Formed in 1995, San Francisco Lyric Chorus is an auditioned, medium-sized, mixed-voice chorus that performs a diverse repertoire with an emphasis on classical choral music and rarely performed works. We are an inclusive and welcoming community of singers, committed to excellent musicianship and creative programming. The Chorus has featured performances of works by such composers as Berlioz, Mozart, Bach, Haydn, Schubert, Brahms, Fauré, Dufay, Josquin, Bernstein, Gjeilo, Howells, Pärt, Tavener, Lauridsen, Verdi, Britten, Whitacre, Dvorák, Kodály, Corigliano, and San Francisco composer Kirke Mechem, as well as our 10th Anniversary commissioned work, Illinois composer Lee R. Kesselman’s This Grand Show Is Eternal and the December 2009 World Premiere of Robert Train Adams’ Christmas Fantasy. We are especially proud of our Summer 2015 performance of classical choral music performed at the 1915 Panama Pacific International Exposition, including the first American performance of Camille Saint-Saëns’ oratorio, The Promised Land, since its American premiere and only American performance at the PPIE.

We have a wonderful sense of community and enjoy making music together and sharing it with our audiences. We would like to meet you!

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