• Sign In
  • ACDA.org
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
ChoralNet

ChoralNet

The professional networking site for the global online choral community.

  • Home
  • Blog
  • ACDA News
  • Events
  • Community
    • Announcements
    • Classifieds

You are here: Home / Announcements / What’s on Great Sacred Music, Sunday, January 17, 2016

What’s on Great Sacred Music, Sunday, January 17, 2016

January 16, 2016 by Robert Kennedy Leave a Comment

You can hear more choral and organ music on Sunday evenings from 10 until midnight eastern.
This week’s playlist is on Spotify.
 
Rob Kennedy
Great Sacred Music
The Classical Station
Web: http://theclassicalstation.org
Facebook: www.facebook/theclassicalstation
 
————————————
 
08:02:00
Antonio Caldara: Crucifixus
The Cambridge Singers, John Rutter
 
Alexander Grechaninov: Of Thy Mystical Supper, Op. 58
St. Petersburg Chamber Choir, Nikolai Korniev
 
Andre Caplet: O salutaris
BBC Singers, Stephen Jackson
 
Antonio Caldara (1670–1736) was an Italian Baroque composer who was a chorister
at St. Mark’s, Venice. Alexander Grechaninov wrote Of Thy Mystical Supper was one
of a set of 13 pieces for a very skilled choir. The works are not often performed because
they are so demanding. French composer Andre Caplet (1878–1925) won the Prix de Rome
in 1901 and was a close friend of Claude Debussy.
 
08:16:29
Giovanni Gabrieli: Sanctus a 12
The King’s Consort & Choir, Robert King
 
Traditional: Greater Doxology
Chamber Choir Lege Artis, Boris Abalyan
 
Heitor Villa-Lobos: Panis Angelicus
Corydon Singers, Matthew Best
 
Gabrieli’s Sanctus for 12 Voices was sung as part of an annual service for San
Nicolò, the patron saint of sailors. The Greater Doxology is sung in the Russian
Orthodox office of matins and compline. Brazilian composer Heitor Villa-Lobos’
setting of the Panis Angelicus dates from 1950.
 
08:34:02
Samuel Sebastian Wesley: Cast me not away
Choir of Gloucester Cathedral, John Sanders
 
Peter I. Tchaikovsky: Da ispravitsya
St. Petersburg Chamber Choir, Nikolai Korniev
 
Grygory Lvovski: Hymn of the Cherubim
Bulgarian Radio & Television Choir, Mikhael Milkov
 
Samuel Sebastian Wesley (1810-1876) was the illegitimate son of Samuel
Wesley (1766-1837). He was named Samuel Sebastian because of his father’s
love of Johann Sebastian Bach’s music. “Da ispravitsya molitva moya, yako
kadilo pred Toboyu” translates as “Let my prayer arise in thy sight as incense”.
Russian composer Grigory Lvovsky lived from 1830 to 1894.
 
08:53:24
Charles-Marie Widor: Finale ~ Symphony No. 8, Op. 42 No. 4
Mark Dirksen, organ
Walcker organ in Memorial Hall, Methuen, Massachusetts
 
Mark Dirksen is the son of Canon Richard Dirksen (1921-2003) Organist and Choirmaster
of the Washington National Cathedral in Washington, D.C., from 1977 to 1988. Mark is an
accomplished organist and organ builder who works for Buzard Pipe Organ Builders in
Champaign, Illinois.
 
09:02:05
J.S. Bach: Cantata 13, “Meine Seufzer, meine Tranen”
Holland Boys’ Choir; Netherlands Bach Collegium, Pieter Jan Leusink
Ruth Holton, soprano; Sytse Buwalde, alto; 
Knut Schoch, tenor; Bas Ramselaar, bass
 
The German translates as “My sighs, my tears”. This cantata is rather gloomy except for
Bach’s use of the hauntingly beautiful oboe di caccia and the sprightly recorders. You will
recognize the final chorale tune as one you have heard in the Saint Matthew Passion.
 
09:27:35
William Boyce: Lord, thou hast been our refuge
Choir of St. Paul’s Cathedral; Parley of Instruments, John Scott
 
English composer William Boyce wrote “Lord, thou hast been our refuge” for the 1755 Festival
of the Sons of the Clergy. The Sons of Clergy is a charity which raises money for the families
of needy clergy.
 
09:51:28
Felix Mendelssohn: Prelude and Fugue in D minor, Op. 37 No. 3
Peter Hurford, organ
Rieger Organ in Ratzeburg Cathedral, Germany
 
German composer Felix Mendelssohn admired the music of Johann Sebastian Bach
as you will hear in this wonderful Prelude and Fugue in D minor.
 
10:01:54
W.A. Mozart: Mass in C, K. 167 “Trinity”
Vienna Boys’ Choir; Chorus Viennensis; Vienna Chamber Orchestra, Hans Gillesberger
 
Scholars think that Mozart wrote his Trinity Mass for use on Trinity Sunday 1773 at Trinity
Church, Salzburg. It is a very compact affair scored as it is for choir and orchestra without soloists.
 
10:32:39
Arvo Part: Stabat mater
Theatre of Voices; NYYD Quartet, Paul Hillier
Else Torp, soprano; William Purefoy, countertenor;
Chris Watson, tenor
 
Estonian composer Arvo Part’s setting of the 13th century poem by Jacoponus was commissioned
by the Alban Berg Foundation in 1985.

Reader Interactions

Leave a Reply Cancel reply

You must be logged in to post a comment.

  • ACDA.org
  • The ChoralNet Daily Newsletter

Advertise on ChoralNet

Footer

Connect with us!

  • Home
  • About
  • Help
  • Contact Us
  • ACDA.org

Recent Blogs

  • Choral Ethics: It’s Our ELEVENTH Anniversary!
  • ChoralEd, Common Audition Mistakes
  • Choral Ethics: Not Ethical Behavior
  • Choral Ethics: Aftermath of Abuse
  • Between the Staves: Choral Questions, Candid Answers

American Choral Directors Association

PO Box 1705
Oklahoma City, Oklahoma
73101-1705

© 2026 American Choral Directors Association. All rights reserved.
Terms of Use | Privacy Policy