Richard Proulx passed away last night (Thursday, Feb 18) in Chicago after being hospitalized on Monday. His tremendous influence on church music in general, and on Catholic music in particular, has been far-reaching and exemplary. His friendship beginning in the early ’60s was probably the single most important influence on my professional development, as I […]
New Edition for Treble Choirs
I am proud to announce the publication of my newest edition, “Messa a 3” for SSA choir, strings and continuo by Giacomo Puccini “senior”, the great great grandfather of the famous opera composer of the same name, published by Hinshaw Music (HMB260). The work is divided into fifteen movements with a performance duration of ca. […]
AMERICA CANTAT 6 – BRAZIL – DEADLINE FOR APPLICATIONS
February 28 will be the deadline for applications to the America Cantat 6 in Juiz de Fora, Brazil to be held next May 7 to 15. Choral festival with Ateliers, workshops and study tours, open to all kinds of choirs, vocal groups and conductors,. Choral presentations, daily evening and night concerts, cultural events, discussions and […]
Wonderful Renaissance Resource
I was moved by several recent ChoralNet posts from teacher/conductors and students requesting ‘favorite’ or appropriate Renaissance repertoire for school and or ensembles. I wish to strongly urge all to visit <www.italianmadrigal.com>. Martin Morell has created this beautiful site valuable not just for its rare resources, including free midi and score downloads, but for what […]
Choral Composition Competition
In honor of its 40th anniversary, Wallingford Chorus is sponsoring a choral composition competition. The chorus is reaching out to experienced choral music composers to enter an original, unperformed piece of music for consideration. The winning piece will be debuted by the chorus at a future concert with the winning composer receiving a $500 prize. […]
Vierne Mass at Saint-Sulpice
This is a different way to listen to the Vierne Mass which has been admirably recorded by some wonderful choirs already. For this recording we have recreated the context in which it was originally sung : a solemn high Mass with all the Propers in what was known in France as a Concert Mass. […]