Requiem Light is based on a variety of new recording- and sampling techniques some which have never before been integrated in choral sample libraries. The library can literally sound like a real choir and includes both full choir (SATB), divisi groups (males/females) and two solo singers (soprano and tenor) - all recorded in 24 bit / 44.1khz with 1 microphone position (pre-mixed from Requiem Pro (5.1) mics. The library contains true (polyphonic) legato intervals from piano to forte, sustains from piano to forte, staccato with repetitions, ultra forte marcato, BPM (host-synced) legato based latin chants recorded at different speeds across entire interval of choir, tons of choral effects including whispers, shouts, clusters, demonic chants, sweeps, consonants without tone, claps, snaps and over +50 different types of effects.

]]>Richard Allen Roehttp://www.choralnet.org/view/264885Wed, 01 Sep 2010 12:48:39 GMThttp://www.choralnet.org/view/264885 The San Clemente Choral Society has appointed composer and conductor Stephen Sturk as its new artistic director.
 
Sturk also is the director of music at St. Thomas of Canterbury Episcopal Church in Temecula and composer in residence at St. Paul's Episcopal Cathedral in San Diego. He also is co-founder and director of Cappella Gloriana, San Diego's professional chamber choir. In 2008, Sturk's alma mater, North Central College in Illinois, awarded him its Fine Arts Medal. He also holds master's degrees from San Diego State and North Dakota State universities.
]]>Richard Allen Roehttp://www.choralnet.org/view/264884Wed, 01 Sep 2010 12:45:01 GMThttp://www.choralnet.org/view/264884 After 45 years, Choral Arts’ Founder and Artistic Director, Norman Scribner, has announced his retirement which will take effect on August 31, 2012. The organization will now embark on the search for a new artistic director who will take the helm of one of the nations preeminent symphonic choruses for the 2012-2013 Season. ]]>Christy Elsnerhttp://www.choralnet.org/view/264914Wed, 01 Sep 2010 17:44:27 GMThttp://www.choralnet.org/view/264914  
Love to have suggestions for 4-5 Latin Motets for Mass to be sung at St. Peter's in June of 2011, a cappella, 2-3 minutes in length, for treble choir.  Thank you so much!
]]>Derrick Kamhttp://www.choralnet.org/view/264908Wed, 01 Sep 2010 16:15:23 GMThttp://www.choralnet.org/view/264908 Hi all,
 
Musica Contemporanea versus Popular Choral Music vs Pop
 
Just to wonder how you guys define the music for the above three categories for competitions - especially how vast contemporary music is, but I'm also unsure how the latin term will affect the repertoire selection, and Popular Choral Music versus Pop. Pretty OMG moment for me just reading dossiers after dossiers.
 
Would be good to have input too, for an averagely-skilled ensemble of 25 members for the former most category.
 
An advanced-thank you to all!
 
- Derrick
]]>Peggy Hannishttp://www.choralnet.org/view/264912Wed, 01 Sep 2010 16:42:11 GMThttp://www.choralnet.org/view/264912 Olympia's Daughters A Cappella Ensemble and The Prayer and Praise Fellowship will be co-sponsoring a "Gospel Singing Workshop" on Saturday, Oct. 16, 2010 from 10am-5pm, in Clark NJ. The day includes a morning and afternoon learning and singing session, a catered lunch, and 2 mini concerts by Olympia's Daughters A Cappella Ensemble and The Prayer and Praise Fellowship Singers.
 
The workshop will be facilitated by Sister Alice Martin, gospel vocalist and teacher, and her brother, Fatty, accompanist. They have an uncanny ability to take an audience full of people who never sang together before, and turn them into a fierce Gospel Choir in one day!  People of ALL faiths (and those with none at all) and ALL walks of life are encouraged to help us create community together through our shared love of music. ALL ARE WELCOME!
 
You must pre-register for this event. I am including the flyer here, but I know the formatting will get skewed here, so if you need a clean copy, please send me an email and I will send you one. (psh514@comcast.net).

____flyer begins below _____________________________________________________________________________

Greetings from Olympia's Daughters, all female A Cappella ensemble! We are entering our 21st year of making beautiful music together! We rehearse in Summit, NJ on Monday evenings, and welcome all of you to arrange to visit us. Perhaps a joint venture at some point??? (www.olympiasdaughters.info)

 

We are writing to invite singers and music lovers of all experience levels to join us for a very special Gospel Singing Workshop on Saturday, October 16 from 10am until 5pm in Clark, NJ. The workshop will be facilitated by Sister Alice Martin, founder and Pastor of Voice of Praise Worldwide Ministries in Philadelphia. (www.voiceofpraiseworldwideministries.com) She will be accompanied by her brother, Fatty on keyboards. They are both AWESOME!

 

This exciting day will include a morning session of learning and singing with Sister Alice and her fantasic brother, Fatty (keyboard), a catered lunch accompanied by a mini concert by Olympia's Daughters and The Prayer and Praise Fellowship Singers, and then an afternoon session with Sister Alice and Fatty.

 

Can you please share the attached flyer with your members and ask them to share it with whomever they feel would enjoy this joyous event. My vision is to fill the space with singers from all walks of life, and with Sister Alice and Fatty's help we can strengthen our communities through our shared love of music. People of all faiths (or none at all) and all walks of life are encouraged to participate. ALL are welcome!

 

(this event is being co-sponsored by The Prayer and Praise Fellowship, Clark, NJ (http://prayernpraise.net)

 and Olympia's Daughters A Cappella Ensemble (www.olympiasdaughters.info)

 

Peggy Hannis

Olympia's Daughters

psh514@comcast.net

(908) 601-4218

 

ps. the flyer is also attached as a PDF file which will have the correct formatting. I am including it here as well, but I know the formatting is going to be skewed. :)

 

GOSPEL SINGING WORKSHOP

Presented by Sister Alice Martin

A phenomenal teacher, she was the musical instructor for the late "Queen of Gospel," Marion Williams, and her Marion Williams Singers. Sister Alice Martin is the pastor and founder of Voice of Praise Worldwide Ministries, and runs a youth and young adult mentor program with ex-offenders in Philadelphia, Pennsylvania.

www.voiceofpraiseworldwideministries.com

In this fun and joyous workshop Sister Alice Martin will transform us from a group of people who never sang before into a high energy Gospel Choir! There is no previous singing experience necessary and people of all faiths will feel welcome in her presence.

The day begins with a morning session of learning songs and singing, followed by a catered lunch. During the lunch break we will enjoy two mini concerts performed by Olympia’s Daughters A Cappella Ensemble and The Prayer and Praise Fellowship Singers. The afternoon is more learning and singing with Sister Alice.

When: Saturday, October 16, 2010, 10am-5pm

Where: Prayer and Praise Fellowship

2 Denman Avenue, Clark, NJ 07066

You must pre-register for this event. You may register by mail, phone, or email. Please see attached page for more registration info. Any questions contact Peggy at psh514@comcast.net or (908) 601-4218.

Workshop fees (includes catered lunch and mini concert):

Children and Seniors $10-$25 (sliding scale…more if you can, less if you can’t)

Others $25-$50 (sliding scale….more if you can, less if you can’t)

This workshop is co-sponsored by The Prayer and Praise Fellowship (http://prayernpraise.net) and

Olympia’s Daughters A Cappella Ensemble (www.olympiasdaughters.info)

GOSPEL SINGING WORKSHOP

Presented by Sister Alice Martin

REGISTRATION INFORMATION

Where: Prayer and Praise Fellowship

2 Denman Avenue, Clark, NJ 07066

When: Saturday, October 16, 2010, 10am-5pm

By phone: call Peggy at (908) 601-4218

By email: PSH514@comcast.net include the following:

(name, address, phone, email, Visa or Mastercard number, expiration date and 3 digit code on back of card)

 

By mail: Fill out form below and send it with your check, money order or credit card info to "Bob Rice, c/o Prayer and Praise Fellowship, 2 Denman Ave, Clark, NJ 07066" Name

Address

Phone

Email

Best way to contact you

Payment method (check, money order, credit card)*

How many children or seniors? ($15-$25 per)*

How many others? ($25-$50 per)

Total

 

 


  

]]>Frances Fowler Sladehttp://www.choralnet.org/view/264907Wed, 01 Sep 2010 16:05:46 GMThttp://www.choralnet.org/view/264907 Princeton Pro Musica, a 90-voice chorus with a core of professional singers, has openings in its tenor section for 2010-2011.  Rehearsals are on Tuesday evenings in Princeton.  Subscription performances are Oct. 23, Dec. 17, March 12, and May 22 with repertoire including the Handel Coronation Anthems, Mozart Coronation Mass, Bach Christmas Oratorio, Durufle and Schnittke Requiems, and Vaughan Williams Sea Symphony.  Some solo parts will be chosen from the professional singers.  $45/rehearsal, $90/performance.  609-683-5122  info@princetonpromusica.org]]>David C Daughertyhttp://www.choralnet.org/view/264906Wed, 01 Sep 2010 15:45:46 GMThttp://www.choralnet.org/view/264906 The First Presbyterian Church in Germantown, Philadelphia, PA 19144 has an opening for a Contralto/Mezzo Soloist/Section leader. This is a paid position. Rehearsals and Worship Service are Sundays only. Warm up rehearsal 8:45-9:30AM, Worship service 10:00-11:00AM, After church rehearsal 11:30-12:40 sometimes later during Advent and Lent. Extra services with extra pay: Christman Eve, Maundy Thursday, Good Friday.  I also have a Contralto/Mezzo opening in the Oratorio Choir (Community Concert Choir) for additional pay. The church is VERY accessible by public transportation.  African American singers are encouraged to apply, FPCG is a diverse congregation performing a diverse selection of music.
 
Contact: David C. Daugherty, Director of Music
The First Presbyterian Church in Germantown
35 West Chelten Avenue
Philadelphia, PA 19144
 
Office 215-843-8811,  Ext 21
Mobile 412-606-3322
Email  DaughertyDavidC@gmail.com
]]>Tina Heidrichhttp://www.choralnet.org/view/264905Wed, 01 Sep 2010 15:06:37 GMThttp://www.choralnet.org/view/264905 The Connecticut Master Chorale, under the direction of Tina Johns Heidrich, announces a soprano and alto opening for its upcoming concert season.
 
The Chorale's annual Holiday Prelude Concert will be on November 21 at St. Mary Church in Bethel. The program will feature "A Christmas Fantasy" by Gordon Langford, plus a wide variety of music featuring brass ensemble, steel drums, multi-cultural works, 1940's swing, jazz, gospel, lullabies and other seasonal selections.

The Chorale will present two newly released compositions for their March 13 concert: "Requiem" by K. Lee Scott, and "My Song in the Night", a compilation of world-class arrangements of choral works Mack Wilberg, the renowned Music Director and Conductor of the Mormon Tabernacle Choir.

The Chorale's May 21 concert "Around the World in 80 Minutes - Part II" will be a musical journey through 15 countries.
 
Both March and May concerts will be held at St. Rose of Lima in Newtown and accompanied by the Connecticut Master Chorale Orchestra.

Rehearsals are held on Tuesday evenings in Southbury and begin September 14.
 
To schedule an audition, please respond to this message or call 203-775-2602.
 
]]>Deborah Birnbaumhttp://www.choralnet.org/view/264903Wed, 01 Sep 2010 14:44:59 GMThttp://www.choralnet.org/view/264903

October 9, 2010 8 pm

Music Center at Strathmore

 

MAHLER’S

RESURRECTION

Iwona Sobotka, soprano

Magdalena Wor, mezzo-soprano

Piotr Gajewski, conductor

 

The late-Washington composer Andreas Makris

reflects on his Greek origins in the Aegean Festival

Overture, which blends classic form and folklore

elements. The rarely performed A Sorrowful

Tale by Polish composer Mieczyslaw Karlowicz

(1876-1909) is a somber symphonic tone

poem offset by recollections of happier times.

Finally, one of Mahler’s most popular symphonies,

Symphony No. 2, presents the composer’s

meditations on afterlife and resurrection.

MAKRIS Aegean Festival Overture

KARLOWICZ A Sorrowful Tale

MAHLER Symphony No. 2 in C minor

(“Resurrection”)

Tickets $32-$79. To purchase, visit nationalphilharmonic.org or call

301-581-5100. Kids 7-17 Free. Free Parking.

Music Center at Strathmore

5301 Tuckerman Lane

North Bethesda, MD 20852-3385.

]]>Todd Wilsonhttp://www.choralnet.org/view/264896Wed, 01 Sep 2010 13:56:28 GMThttp://www.choralnet.org/view/264896 Tickets to the Nashville Singers Fall/Holiday Concert went on sale today. Get 'em while they're hot! All major credit cards are accepted online (securely) using the Constant Contact Event Marketing platform. Visit www.nashvillesingers.org today!

What You Can Expect

The first half will include timeless folk ballads, popular songs, and inspirational selections that will touch your the heart. The second half will include a collection of sacred and secular Christmas holiday favorites. Most selections presented will be performed a cappella.

The concert will feature many talented performers, including:

Nashville Singers
Music City's Newest Men's Chorus


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Nashville Singers, Inc. is a Tennessee non-profit corporation and performing arts organization, founded in October of 2008 by a handful of men who had the desire to join their voices with the voices of others to enrich lives through song. The mission of Nashville Singers is to entertain, educate, unite and uplift our audiences and members through music that is distinguished for its innovation, diversity and artistic excellence. Our members volunteer a combined 2000 hours annually to support this mission.
 
 

Steve Williams
Featured Guest Artist
Singer/Songwriter
 


Steve celebrated his first #1 hit with the song, Redneck Yacht Club, recorded by Craig Morgan, one of the most downloaded songs of the year. Steve's live shows are a truly moving experience. A dynamic performer, writer and musician, his songs will make you laugh, cry, think, remember and leave you wanting more. Steve performs regularly with two other bands, the Redneck Yacht Club and The ConSOULers.

 
 
 
 
 
 
 
 
 
Grace Thomson
Guest soloist
 


Grace has been making beautiful music for over a decade. A native of Ohio, she moved to Nashville to attend Belmont University and was a member of the Belmont Beltones. Grace  graduated from Belmont earlier this year with a degree in Commercial Music and Vocal Performance, and now teaches private voice to students in Middle Tennessee. She will be a guest soloist on Santa Baby, with Nashville Singers providing back-up vocals.

 
 
 
 
 
 
 
 
 
 
 
 
A4
 

This quartet's debut public performance was for packed houses at the  Schermerhorn Symphony Center. They shared the stage with the Nashville Symphony and Deanna Martin, for a three-night series of Italian themed concerts. The foursome electrified the crowd with their sound! You're in for a treat.

 
 
 
 
 
 
Tickets

General admission seats are available NOW for just $15 each. A few dozen of the seats closest to the stage will be reserved for Nashville Singers Patrons at $30 each. Aside from having the best seats in the house, patrons will be recognized in the concert printed program and on the Nashville Singers website.

What Will Make the Evening Extra Special

Nashville Singers will be releasing our first CD the night of this concert. Anyone ordering a copy of this new CD packaged with their concert ticket will receive a special discount.

But Wait, There's More!

A cast party will be held immediately following the concert downstairs in the fellowship hall. Admission is just $5 when packaged with your concert ticket, or $10 at the door. Snacks and beverages will be served.

Visit www.nashvillesingers.org today!

Todd Wilson
Nashville Singers
VP of Marketing
214.533.5419 cell
615.523.8633 fax
]]>Georgina Philippsonhttp://www.choralnet.org/view/264877Wed, 01 Sep 2010 06:22:30 GMThttp://www.choralnet.org/view/264877 The concert title is "It's Not Me, It's You."  Looking for songs about relationships ending that are satiric, blue, or broody.  We will be singing "The Arguement," "The Light-Hearted Lovers," "Ardo Si, Ma Non T'Amo" (Ardent, Yes, But Not For You,) Monteverdi, 50 Ways to Leave Your Lover, etc. 
 
Musicals tend to be a great lead for this, but specific song titles are escaping me. 
 
thank you.
]]>philip copelandhttp://www.choralnet.org/view/264452Thu, 26 Aug 2010 11:33:22 GMThttp://www.choralnet.org/view/264452 Liz Garnett blogs about Bertalot's greasy pole metaphor:

John Bertalot produces a wonderful description of the rehearsal process in his book How to be a Successful Choir Director. He says:

 

The leading of practices is like pushing a man up a greasy pole. He goes up with a bit of effort, but slides down naturally when you leave him alone.  I like this metaphor not just because it is vivid and surprising – and therefore expressive and memorable – but because it is rich enough to tell us things beyond the immediate message it is presented to convey.

 

The primary point is to cast the rehearsal process as a constant battle against entropy. Musical achievements are not stable things that you can put down somewhere and expect to find them just as you left them without further attention. This may be obvious, but it’s useful to keep the obvious in mind at times. When you turn up to rehearsal and the things you nailed last week are sounding wobbly again, for instance, is a good time to recall this image. Instead of getting frustrated that the gains have slipped back, it helps you think, ‘Oh yes, human beings, they forget things – we need to go over this again.’

Read the whole post here.
]]>Pnina Inbarhttp://www.choralnet.org/view/264873Wed, 01 Sep 2010 04:08:34 GMThttp://www.choralnet.org/view/264873 Dear friends
I'm a Conductor of Choirs from Israel, and am offering all of you
- towards the Holidays - One of my arrangements of a Hanuka Song
arranged for SSA -  free of charge. Song called " Hanerot halalu."
 
Since I cann't  attach it to this letter, you are all invited to contact me and i will send it to you.
The composer of this song  - is unknown to me , so if somebdy knows who wrote this music,
please let me know.
Sincerely
Pnina Inbar
Israel
pn_inbar@keh.co.il
]]>Linda Nasonhttp://www.choralnet.org/view/264871Wed, 01 Sep 2010 03:28:40 GMThttp://www.choralnet.org/view/264871Item: Praise God! (Anthem of Praise)-SATB
Composer/Arranger/Edition: David T. Clydesdale
Starting: ASAP
For: Purchasing
Copies: 5
Willing to rent: No
 
]]>Clay Oglesbyhttp://www.choralnet.org/view/264869Wed, 01 Sep 2010 03:07:57 GMThttp://www.choralnet.org/view/264869 The Choral Society in my hometown is taking a trip to Italy. The singers are all paying their own way which for most of them is not any trouble however a friend of mine is a recent college grad who unable to afford the trip but would love to go (and the tenors need him to go). He is currently looking to try to find some way he can get the money. Is there any grant or scholarship or anything that someone knows about. I know it's a longshot but I though I'd try to see if anyone had any ideas. Thanks. ]]>Stanley M. Hoffmanhttp://www.choralnet.org/view/264857Tue, 31 Aug 2010 23:46:54 GMThttp://www.choralnet.org/view/264857
My popular Chanukah composition Haneirot halalu (tenor solo, SATB chorus unaccompanied, ECS Publishing catalog number 5492), is now available for tenor solo, TTBB chorus unaccompanied (ECS Publishing catalog number 7688) just in time for 2010 holiday programming. (<www.ecspublishing.com>) It was arranged for Matthew Mehaffey and the University of Minnesota Men’s Chorus. Thank you for your consideration.
 
Stanley M. Hoffman, Ph.D., composer
<www.choralnet.org/view/user/12190>
<www.stanleymhoffman.com>  
]]>Mark Schreierhttp://www.choralnet.org/view/264856Tue, 31 Aug 2010 23:33:33 GMThttp://www.choralnet.org/view/264856Item: IN THE NAME OF THE LORD
Composer/Arranger/Edition: Sandi Patty / SATB Cassette
Starting: ASAP
For: a few weeks
Copies: 1 or 2
Willing to rent: Yes
 
Hi!  I hope you can help me find a music cassette.  Please help!  I need the out-of-print SATB choral cassette of Sandi Patty’s 1986 “In the Name of the Lord” that goes with the choral music, Word Music Publishing.
Thanks so much!  Please let me know if you have a cassette with both rehearsal and performance orchestrations.  Thank you!
 
Best Regards,
Mark Schreier | Producer/Director
Miss VA Scholarship Pageant
3333 Heywood Ave. SW
Roanoke, VA  24015
540/797-78791 mobile
markisnowhome@cox.net
]]>John Rondeauhttp://www.choralnet.org/view/264852Tue, 31 Aug 2010 22:15:09 GMThttp://www.choralnet.org/view/264852 Greetings Everyone;
Could you please reccommend a progressive choral warm-up collection that is accesible to beginners and that will satisfy more progressed singers as well.
 
Gratefully,
John Rondeau, Dir. of Music , The First Congregational Church of Dudley
Dudley, Massachusetts 01571
]]>Mala Kennardhttp://www.choralnet.org/view/264846Tue, 31 Aug 2010 21:21:18 GMThttp://www.choralnet.org/view/264846 Anyone have a cassette tape of "Raise a Ruckus" Arr. Huff, Hal Leonard around that you would like to sell?  I have looked everywhere and even asked Mac himself for a copy of either the Instrumental parts or the cassette/CD and he doesn't have it anymore.  Willing to pay. ]]>Carol Punturierihttp://www.choralnet.org/view/264850Tue, 31 Aug 2010 21:36:48 GMThttp://www.choralnet.org/view/264850

The Jefferson Township Community Chorus is about to launch its new season with exciting music and a creative and enthusiastic new director!  It’s a great time to come join the group.

With the opening of the Fall 2010 season, the Jefferson Arts Committee is thrilled to present their new director, Cherwyn Ambuter, M.M. from the College-Conservatory of Music in Cincinnati.  She also directs the a cappella group Zephyr Vocal Ensemble and serves as choral accompanist at the NJ Conservatory. Cherwyn is a warm and engaging person who has experience on "both sides of the baton" and knows what singers need and enjoy to sing their best and to have a wonderful time making delightful music.  Assistant Director/Accompanist Margaret Brandell, B.M, will continue in her role with the chorus.

The Chorus’ winter concert scheduled for Sunday afternoon, December 5, 2010 is entitled "The Heavens at the Holidays" and will feature music referring to visions in the heavens either long ago at the first Christmas, the vision young children hope to see with Santa's sleigh, or the snowfall in winter. Reaching into the lovely Oxford Book of Carols, they will be singing some beautiful a cappella music from hundreds of years ago, all the way up to some rockin' music with "An Elvis Christmas" and the romantic "Dancing in the Snow."

In addition to the group’s winter concert, they will perform in 2011 in a spring concert and also in the spring, a collaborative concert together with the Jefferson Township Community Band, Community Jazz Band, and the Jefferson Community Players.  They are also planning to sing at the 25th anniversary celebration of Jefferson Township Day next summer.  The JTCC is a very community-oriented chorus in a community that takes pride in its extensive musical participation and activities.

Singers in all parts are welcomed and basses are especially needed. No audition is necessary, just come and enjoy.  You are welcome to come to a couple of rehearsals to see what you think. There is a great camaraderie here; and odds are you'll find the Chorus members and the environment infectious! Rehearsals are Tuesday evenings from 7:30-9:00PM, starting September 7th at the Jefferson Township Middle School, 1010 Weldon Road, Oak Ridge (Morris County), New Jersey.   For information call 973-697-6659.

Come lift your voice with the Jefferson Township Community Chorus and its exciting new director and season!  

]]>Adam Grahamhttp://www.choralnet.org/view/264842Tue, 31 Aug 2010 20:31:59 GMThttp://www.choralnet.org/view/264842
Trinity Episcopal Church is currently looking for Alto, Tenor, and Bass Section Leaders for the Chancel Choir. Music is very important as most of the service is sung or chanted. The semi-professional Chancel Choir leads the parish through music every Sunday at the 10:30am Rite II Service. The Chancel Choir is an all-auditioned choir. Each year the Concert Choir (professional, recording ensemble) performs "The Messiah" by G.F. Handel, "Seven Last Words of Christ" by Theodore Dubois, and "Changed My Name" by Linda Twine. Trinity Parish enjoys a variety of Anglican Chant, Classical, Contemporary Gospel, Negro-Spirituals, Taize. Hymnals used are the 1982 Hymnal, Lift Every Voice and Sing II, African-American Heritage Hymnal, With One Voice.
 
Requirements:
-Sight reading skills required
-Rehearsal on Wednesdays from 7-9pm
-Warm-Up on Sundays from 10-10:20am
-Holy Eucharist Rite II (Sunday 10:30am), and Major/Minor Feasts as-needed
-Solo work available for concerts, funerals, weddings
-September 2010 to July 2011 choir does not sing during month of August
 
Location:
7005 Piney Branch Road NW, DC
Located behind the Takoma Park Metro (Red Line) just blocks away from Walter Reed Army Medical
 
Sung Mass Includes:
-Opening Hymn
-Introit
-Gloria in Excelsis / Kyrie
-Gradual Hymn
-Gospel Acclamation & Responses
-Prayer Chant (before & after Prayers of the People)
-Choral Anthem during Offertory
-Doxology
-Memorial Acclamation
-Lord's Prayer
-Fraction Anthem
-Agnus Dei
-Communion (Usually around 4 Hymns)
-Orison
-Closing Hymn
  
Audition:
-Sight singing two hymns in contrast from two of the church's hymnals (melody and parts)
-Sight singing two selctions from the church's music library (parts)
 
Contact:
Send letter of interest and resume to Adam Graham, Minister of Music at TrinityChurchDC.Music@gmail.com or the church office at 202-726-7036
]]>Daniel Wagnerhttp://www.choralnet.org/view/264822Tue, 31 Aug 2010 17:42:29 GMThttp://www.choralnet.org/view/264822 Friends, my church music ministry has many musical groups. I have about 120 people who have registered using a Google form - they fill out the form by email and it populates a spread sheet which is a master roster of all my groups ... fantastic so far!

In column G people could choose multiple groups to register for. (i.e., I'm in this choir and this small ensemble) 

I'm trying to find a simple way to pull out registrants and their information based on the groups they're registered for so that there is a usable separate roster for each group. Unfortunately with the multiple groups I can't just sort and then copy and paste to a new spreadsheet. Column G lists the groups separated by a comma, so registrants might list three or four groups in column G. (I also complicated things by putting an asterisk by groups that require an audition so sorting is messed up a bit by that) 

If you haven't worked in Google Docs Spreadsheets, but you know how you'd do this in Excel, csv, etc., I can go to the file menu and  download the whole thing in Excel and other formats. So if you can answer my question using another format, that's great. (I'd prefer to have the sub rosters "auto-update" is that's possible, so that as stragglers register on line it updates the master and the separate rosters.  But that might be wishing for too much!

I don't know spreadsheets well enough to do what I need to do... something like "if column G contains "Choir 1" choose that row and add it to a separate (or sub) spreadsheet"... does this kind of thing exist? My neck is on the line because I promised all the directors of the groups this would be such an easy way to have all the info in one place and to be able to create their rosters from the one master, so I've insisted that we all use this process :-) 

Help? Thanks!
 
Dan Wagner
Grace UMC
Naperville, IL
]]>Daniel Shawhttp://www.choralnet.org/view/264840Tue, 31 Aug 2010 20:07:49 GMThttp://www.choralnet.org/view/264840 The Composer's Choir, an ensemble which performs and records music of living composers, has an opening for a paid tenor section leader for our September concert and recording.
 
The job pays $160 for a three part engagement:
 
September 14: 7:30-10:00 (Rehearsal) (must come with notes learned)
September 19: 2:00 - 5:00 (Combined "Dress rehearsal" and Concert)
September 21: 6:00-10:00 (Recording)
 
All work takes place at Middlefield Federated Church, Middlefield, CT.
 
First recording samples are up at our temporary website: http://www.gbgm-umc.org/mfc/cc/CC.htm
 
The group is directed be Daniel Shaw, director of the American Radio Choir: www.americanradiochoir.org
 
To set up an audition, please contact Daniel Shaw at composerschoir@gmail.com
]]>Twyla Dixonhttp://www.choralnet.org/view/264833Tue, 31 Aug 2010 19:11:10 GMThttp://www.choralnet.org/view/264833Item: orchestration
Composer/Arranger/Edition: attributed to Mozart
Starting: October 15, 2010
For: Through the Christmas season
Copies: 1
Willing to rent: Yes
 
]]>Twyla Dixonhttp://www.choralnet.org/view/264832Tue, 31 Aug 2010 19:09:25 GMThttp://www.choralnet.org/view/264832Item: Loan of orchestration
Composer/Arranger/Edition: Hal Leonard Corporation
Starting: ASAP
For: one month
Copies: 1
Willing to rent: No
 
]]>Charles Kinghttp://www.choralnet.org/view/264821Tue, 31 Aug 2010 16:56:53 GMThttp://www.choralnet.org/view/264821 The Choir of Clare College, Cambridge, will sing a program of sacred music at 2 west suburban Chicago locations, September 20 and 22.
 
The choir, under the direction of Timothy Brown, will tour the U.S. in September. This will be the final tour with Mr. Brown, who has been Director of Music at Clare since 1979. The tour program repertoire includes  movements from the Vaughan Williams’ “Mass in g minor”, works by Tomkins, Tallis, Gibbons, Byrd, Faure, Tye, Bach’s “Lobet den Herrn” and “Trois Chansons” of Claude Debussy.  
 
Admission at each venue is $15. Proceeds from ticket sales at both concerts will go in support of refugee settlement and services in the west suburbs.
 
Monday, 20 September, 7:30pm
Go here for tickets.  
College Church in Wheaton
332 E. Seminary Ave.
Wheaton, IL 60187
www.college-church.org
630.668.0878
 
Wednesday, 22 September
Baker Memorial Methodist Church
307 Cedar Venue
St. Charles, IL 60174
630.584.6680 
 
]]>Paul Careyhttp://www.choralnet.org/view/264819Tue, 31 Aug 2010 16:35:51 GMThttp://www.choralnet.org/view/264819 Hi all,
 
Does anyone out there have a score of the Tavener Akathist of Thanksgiving? I am especially curious as to any notices in the score regarding copyright ownership of the original Russian text and/or copyright notice on the translation. I see internet clues that Tavener attributes the original wrongly to Gregory Petrov, and that the probable author is Metropolitan Trifon, but also the date of composing this text seems quite unclear (1934? ...or earlier?).
 
Many thanks,
 
Paul Carey
www.paulcarey.net
]]>Kay Holthttp://www.choralnet.org/view/264818Tue, 31 Aug 2010 16:30:57 GMThttp://www.choralnet.org/view/264818 The Pioneer Valley Symphony Chorus serves the greater Greenfield, Deerfield, Northampton, and Amherst region of Massachusetts.  The auditioned volunteer chorus under the baton of Paul Phillips will be preparing the Poulenc Gloria and the Lauridsen O Magnum Mysterium  for its fall concert. Jonathan Harvey is the Chorus Director.  Rehearsals are held on Tuesday evenings beginning September 7 from 7:30 to 9:30 pm at the Bement School in Old Deerfield. Financial commitment per semester is $70 which includes the cost of the music.
 
Auditions with Mr. Harvey will be on Tuesdays prior to the September rehearsals.  Please contact kholt13@comcast.net to schedule an audition. 
]]>James Filosahttp://www.choralnet.org/view/264813Tue, 31 Aug 2010 15:29:04 GMThttp://www.choralnet.org/view/264813 We are upgrading our music storage and are in desparate need of "Gamble" type boxes of all sizes.  Will gladly pay for shipping and handling.
Many thanks
Jim
]]>Simon Thomas Jacobshttp://www.choralnet.org/view/264810Tue, 31 Aug 2010 14:45:46 GMThttp://www.choralnet.org/view/264810
Since the founding of the Choir of Men & Boys in 1934, Christ Church Greenwich has boasted one of the finest Episcopal-music traditions on the East Coast.  The St. Cecilia Choir of Girls, founded several years later, has also gained a strong reputation for excellence and have just returned from a highly successful tour to England, where they sang a week of services at Exeter Cathedral and a Choral Evensong at St. George’s Chapel, Windsor Castle.

In September 2010 the musical life of Christ Church is to be enhanced even further with the addition of an auditioned mixed-voice adult choir, which will provide music for the 11am Choral Eucharist on the third Sunday of each month.  The primary musical focus of the ensemble will be the performance of Viennese Masses by composers such as Mozart, Haydn and Schubert in a liturgically appropriate setting.
 
The choir will also perform a full Requiem Mass on the evening of the third Sunday in November (this year it will be Gabriel Fauré’s setting) and a concert during the season of Lent.  It is also
hoped that in the future the choir may be able to embark on visits and tours to other churches and cathedrals, both at home and abroad.
 
Whilst a Christian faith and understanding of Episcopal Church traditions is useful, it is by no means a necessity.  Christ Church, in its capacity as a large, diocesan parish is able to offer its space and facilities to those in the community who wish to sing music to a high level in beautiful surroundings.  In return, the church receives fine music at services and it is hoped that all those participating will enjoy the experience.  All that is asked in return is a commitment to making superb music and regular attendance.
 
Rehearsals take place every Wednesday from 7:30pm-9pm.  Once a month the rehearsal will be replaced by a pot-luck supper followed by some more ‘casual’ and relaxed singing.
For more information, please visit the Christ Church Music website (see above) or email Simon Thomas Jacobs, Associate Director of Music at stjacobs@christchurchgreenwich.org.
]]>Matthew Phelpshttp://www.choralnet.org/view/264806Tue, 31 Aug 2010 14:13:31 GMThttp://www.choralnet.org/view/264806
The Chancel Choir of the Reformed Church of Bronxville is a semi-professional church choir that dedicates itself to excellence in performance of a wide variety of choral repertoire.  Led by Minister of Music Matthew Phelps and Associate Director of music Eugene Lavery, this ensemble sings substantial choral literature on a weekly basis.  Highlights this season include a concert performance of Bach Cantata no. 106 Gottes Zeit ist die Allerbeste Zeit and Lux Aeterna by Morten Lauridsen.  The ensemble also takes part in an annual Messiah Sing-In, Choir Festival, Festival services on both Christmas Eve and Easter Sunday.
 
The choir is currently auditioning for all voice parts.  If you are interested in joining this excellent ensemble which is also a warm, inviting, and loving place to sing, contact Matthew Phelps at 914-337-6776 or matthew@reformedchurch.org.  Rehearsals begin on September 9th and take place most Thursdays throughout the year.  The choir sings weekly at the Church’s 10:30 service.   
]]>Maggie kinneshttp://www.choralnet.org/view/264817Tue, 31 Aug 2010 16:12:48 GMThttp://www.choralnet.org/view/264817 Final concert in the Edinburgh Bach Choir Centenary Year

Saturday 26th March 2011 at 6.30pm        
 
St Cuthbert’s, Edinburgh

J S Bach,St Matthew Passion
Edinburgh Bach Society Orchestra
Soloists: Philippa Hyde, Marion Ramsay, Alistair Digges, Joshua Ellicott,
Philip Gault, Stewart Kempster
Ripieno Chorus: Pupils of George Watson’s College 
 
TICKETS £17.50 (concessions £15.00) available from Usher Hall, Members of the Choir or at the door
]]>Maggie kinneshttp://www.choralnet.org/view/264816Tue, 31 Aug 2010 16:11:02 GMThttp://www.choralnet.org/view/264816
Penultimate concert in the Edinburgh Bach Choir Centenary year
Saturday 4 December 2010 at 7.30pm
 
St Cuthbert’s, Edinburgh
 
J S Bach:
 Jesu Meine Freude
Cantatas 1, 65 and 79
Brandenburg Concerto No.4
Edinburgh Bach Society Orchestra
Soloists:  Emma Versteeg, Chris Elliot, John Arthur
 
TICKETS £12.00 (concessions £10.00) available from Usher Hall, Members of the Choir or at the door
]]>Richard Allen Roehttp://www.choralnet.org/view/264807Tue, 31 Aug 2010 14:25:48 GMThttp://www.choralnet.org/view/264807 A Howell Public Schools music teacher will set the tempo for the Livingston County Chorale in Brighton, Michigan.
 
The chorale has selected Kelli Falls as its new director. She succeeds Reed Criddle, who directed the group for the past two seasons.
 
Falls teaches vocal music at Three Fires Middle School in Genoa Township. She received her bachelor’s degree in music from Western Michigan University in Kalamazoo and her master’s degree in choral directing from Michigan State University in East Lansing.
 
Falls has directed and choreographed 10 musicals and conducts the select middle school choir at Blue Lake Fine Arts Camp in western Michigan during the summer.
]]>catharine melhornhttp://www.choralnet.org/view/264802Tue, 31 Aug 2010 12:35:45 GMThttp://www.choralnet.org/view/264802 Massachusetts ACDA High School Honor Choir Festival--Saturday, October 30, 2010 at UMass Amherst--is open to students and directors from other states.  Separate men's and women's ensembles, conducted by Dr. Stuart Younse and Kimberly Dunn Adams, will perform in evening Choral Spectrum concert at UMass Fine Arts Center, and combine with UMass ensembles under the baton of Dr. Tony Thornton.  Directors workshop, luncheon and reading session.  No auditions required; directors may honor and register their best singers--up to two on a voice part (SSAATTBB).  Registration deadline: September 24 ($45); late registrations ($50) accepted until October 1 only.  For more details, see www.massacda.org.  ]]>Tim Sharphttp://www.choralnet.org/view/264774Mon, 30 Aug 2010 18:32:26 GMThttp://www.choralnet.org/view/264774

As you seek to find your way as a new teacher, a young choral conductor entering the field, or an emerging leader in your school/organization/profession, let me offer some tips. I encourage ChoralNet readers to add the "secrets of your success" by replying below with your own advice to young teachers and conductors that would like to be you some day.

1. To Lead is to Learn-Grab opportunities to make a training presentation for any new or ongoing initiative, EVEN IF YOU DON'T CURRENTLY HAVE THE EXPERTISE. The point is, GET A PIECE OF IT, and offer to make a presentation on what you know (or will learn).

2. Offer to be recording secretary-No one likes taking minutes, so grab the opportunity to "be at the table." Take the best minutes ever taken, edit them carefully, and distribute them quickly. Further, in all your work, always use spell check, proof read TWICE, and introduce 3 and 4 syllable words into your writing and conversations.

3. Do not be the idea killer-But rather, embrace ideas and seek to improve them with any needed practicality. Treat other idea killers as a positive, and be the one to do more homework to show why the idea could work.

4. Talk in terms of the other person's interests-Hard to do in our profession, but give up on being your only cheerleader. Be their cheerleader. People do not want the arrogant ones at the top-everyone knows they will just use it for their own entitlements.

5. Collect and learn from your mistakes-Mistakes can be one of your silent mentors, IF, you take away the lesson and emerge on the positive side of the lesson learned.

6. Do not go over budget-While your intentions may be noble, going over budget negates all of your good ideas and intentions, and you are viewed as a loose canon.

7. Look sharp and be sharp (sorry for the pun)-Put on your game face, game clothes, and be ready to represent the best the organization has to offer.

8. Stay out of office politics, unless it is the official political structure-Emphasize the "why" of everything, not the human source, positive or negative.

9. Learn the difference between what can be changed, and what cannot-This includes decisions of the past, as well as decisions about future direction.

10. Make this your ongoing vocabulary-"Please", "Thank you", "Good job", "I appreciate you", "I hear great things about your work", "I am glad to be working with you", "I need your help", "You deserve this", "Congrats."

 
 
]]>Dean Hendersonhttp://www.choralnet.org/view/264787Tue, 31 Aug 2010 00:25:22 GMThttp://www.choralnet.org/view/264787Item: My Soul Found Rest
Composer/Arranger/Edition: Steve Green and Greg Nelson arr. Bruce Greer
Starting: ASAP
For: 2 months
Copies: 60
Willing to rent: Yes
 
Need to have this anthem and orchestration for a special service coming up in October.  This anthem and orchestration is listed as "permanently out of print" by Word Music.  Anyone have this in thie library willing to let us borrow?  THANKS!
]]>Jon Hurtyhttp://www.choralnet.org/view/264784Mon, 30 Aug 2010 23:04:37 GMThttp://www.choralnet.org/view/264784 Does anyone know of an edition (arrangement) of the Mozart Requiem in which the winds are transcribed to be covered by an organ?

Thanks,
 
Jon Hurty
Augustana College
Rock Island, IL
jonhurty(a)augustana.edu
]]>Kristi Freitagerhttp://www.choralnet.org/view/264785Mon, 30 Aug 2010 23:30:23 GMThttp://www.choralnet.org/view/264785
The Hinsdale Choraleis a non-profit and educational organization comprised of dedicated professional and amateur singers led by a professional director. The group performs two formal shows a year as well as several special appearances for the surrounding community.
 
Our missionis to enrich the musical culture of Hinsdale, Illinois and its surrounding neighborhoods by promoting the appreciation of choral singing in our community.
 
Duty Summary:The Artistic Director will provide artistic leadership and achievement consistent with the musical goals and objectives of the Hinsdale Chorale, and will ensure that the choral program provides for ongoing education and improvement in choral skills and techniques. The director must be able to plan and execute all of the music each season, conduct weekly rehearsals, and conduct performances as well as help plan and execute each season’s concert and subsequent appearances. The director should be able to link the vision of the Chorale with its mission to ensure that the Chorale continues its reputation for presenting a diverse and well presented program of choral music to a diverse audience.
 
Specific Duties and Expectations:
• Demonstrate extensive, proven experience in choral conducting at the highest level in all musical styles and genres
• Provide superior vocal instruction and music education
• Possess the ability to motivate and inspire members
• Direct all choral rehearsals and performances, and call extra rehearsals as needed.  On the rare occasion that the director cannot attend, an appropriate substitute must be provided so that no rehearsal time is lost
• Ability to work with singers of all levels of musical training
• Work through voice sections for assessments of performance, and for identification of areas needing additional focus during rehearsals
• Manage the soloist selection process
• Recruit performance orchestra members as needed
• Demonstrate an ability to partner with other musical and artistic organizations
• Display teamwork consistently with all singing members, staff, and the Board of Directors
• Serve as an Ex Officio member of the Board of Directors (no voting capability)
• Work with appropriate Board committees to select and arrange performance programs
• Work closely with the Board of Directors in the design and implementation of funding activities and collaboratively on all other Chorale matters
• Possess appropriate music degree or equivalent professional experience
Location:Hinsdale, IL. Rehearsals traditionally take place on Monday evenings at 7:30p.m. at a location to be determined.
 
Application Procedure:  Interested applicants may send a cover letter, resume, three references (if available) and any supporting materials to:
 
Hinsdale Chorale Director Search Committee
c/o Kristi Freitager-Board Chair
1325 Purdue Ave
Naperville, IL 60565-2965
 
Please note that supporting materials will not be returned. Application packets may also be electronically submitted to klfrei912@aol.com. (MS-Word format preferred)
]]>Larry Moorehttp://www.choralnet.org/view/264780Mon, 30 Aug 2010 20:28:44 GMThttp://www.choralnet.org/view/264780Item: Be Thou My Vision
Composer/Arranger/Edition: John Rutter
Starting: ASAP
For: 2 months
Copies: 50
Willing to rent: No
 
I am looking to borrow up to 50 copies of Rutter's arrangement of "Be Thou My Vision" for SATB and harp. Also looking to borrow the harp part if available. Will pay shipping cost both ways. 
 
Larry Moore
Director of Music Ministries
Main Street United Methodist Church
Greenwood, SC
 
larry.moore@msumc1.org
]]>David Martinhttp://www.choralnet.org/view/264778Mon, 30 Aug 2010 19:30:43 GMThttp://www.choralnet.org/view/264778 If you enjoy four-part choral music and would like an opportunity to sing with others, the Northwest Choral Society is the place for you! We invite all singers with previous four-part choral experience to join us. With our smaller size (about 40 members), you’ll see familiar faces each week, and find us friendly, supportive, and fun. In the 2010-2011 season we are particularly looking to grow our bass and tenor sections, but all vocal parts are invited to try us out.

Through the NWCS, adults enjoy the personal growth and satisfaction that comes from active participation in a performing arts organization known for excellence and camaraderie. During this year, we'll sharpen our singing skills and learn a varied repertoire that has become one of the hallmarks of our group.

Prospective new members who are at least 17 years of age are invited to attend a NWCS rehearsal and arrange an audition. Please call or email to let us know you're interested. Auditions will take place on or near our first rehearsal on September 7.  Rehearsals are on Tuesday nights in Des Plaines.

The NWCS has been making music in Chicago's northwest suburbs since 1965.  Contact information is available at http://www.nwchoralsociety.org/?page_id=364. Click around more for sample audio, video, etc.

]]>Dean Estabrookhttp://www.choralnet.org/view/264769Mon, 30 Aug 2010 17:47:22 GMThttp://www.choralnet.org/view/264769 Just experienced a moment of numinous, ineffable grace .... slowed down my day, sat, closed my eyes, and listened to a recording of Lauridsen's Ubi Caritas, as rendered by the Don Brinegar Singers. Transported by unexpected gifts ...
 
Dean M. Estabrook
]]>andrea mattershttp://www.choralnet.org/view/264771Mon, 30 Aug 2010 17:49:52 GMThttp://www.choralnet.org/view/264771 All Saints' Episcopal Church is seeking a professional musician for full-time employment who will assume responsibility for all music presented in the parish. As Director of Music, this person will oversee all other musicians, both paid and volunteer, and will operate under the supervision of the Rector.
 
The applicant must hold a Bachelor or Master of Music degree or the equivalent.  Remuneration will be offered at the standard AGO scale.  Although the applicant need not be an Episcopalian, All Saints’ is looking for a sensitive and capable individual who has extensive knowledge of Episcopal liturgies and will be able to plan and supervise key elements of our liturgical calendar.  This person must have a passion for working with children and will be able to plan, implement, and direct the formation of a children’s choir in conjunction with the other choirs of the parish.  In return, All Saints’ will endeavor to provide a warm and collegial atmosphere so that the Director of Music will be inspired to lead and provide music for young and old alike.
 
The hiring process begins in September, and we hope to conclude by the end of November.  Employment is planned to commence immediately after the first of the year. All correspondence will be conducted by electronic mail.  For a complete job description and an application, please contact information@allsaintscarmel.org.  We look forward to hearing from you.
 
]]>James Klumpnerhttp://www.choralnet.org/view/264760Mon, 30 Aug 2010 15:46:20 GMThttp://www.choralnet.org/view/264760
 
Polyhymnia Auditions
 
September 7, 2010 at 7:45 PM
September 14, 2010 at 7:45 PM
 
Polyhymnia, an a cappellachamber choir that has charmed Washington area audiences for 19 years, will audition sopranos and basses for our Fall/Winter "semester" (Schedule of rehearsals and performances listed below and also available at PolyhymniaSings.org).  Singers must be technically proficient.  Dues are $80.  Regular weekly rehearsals are Tuesdays 7:45 PM to 10:00 PM.  There also are two extra Thursday rehearsals in the two weeks preceding the first concert weekend.  Our Winter 2011 performances will occur on the weekends of January 29/30 and February 5/6.  Singers must commit to missing no more than three rehearsals and none of the performances.  There are no obligations to sell tickets or do fundraising.
 
The Winter program will feature works by Darius Milhaud and Michael Praetorius, as well as British folksongs and African choruses.
 
Rehearsals and auditions occur in the basement of:
 
    The Church in Bethesda
    5033 Wilson Lane
    Bethesda, MD 20814
    (Directions available at PolyhymniaSings.org)
 
To get to the basement, auditioners must enter through the back door.  Walk down the driveway to the left of the church.  The back entrance will be well lighted.
 
All auditioners should arrive at 7:45 PM.  You need not prepare a song, and you will not be asked to sight-read anything cold.  Instead, I will rehearse all of you plus Polyhymnia veterans on a piece of music that no one is likely to have seen before.  After I have rehearsed you together for about one-half hour on this piece, we will break the group into quartets that will sing the piece we have just rehearsed.  Auditioners get multiple quartet trials with differing singers on the other parts.  Every effort is made to help the auditioner put his or her best foot forward.
 
If there are further questions, please contact me:
 
    Jim Klumpner, Director
    301.565.0314
    jimelsie@comcast.net
    PolyhymniaSings.org
 
Polyhymnia
Rehearsal and Performance Schedule
 Fall-Winter 2010/2011
 
 

Auditions:

         Tuesday, September 7
         Tuesday, September 14

Rehearsals:

         Tuesday, September 21
         Tuesday, September 28
         Tuesday, October 5
         Tuesday, October 12
         Tuesday, October 19
         Tuesday, October 26
         Tuesday, November 2
         Tuesday, November 9
         Tuesday, November 16
         Tuesday, November 23
         Tuesday, November 30
         Tuesday, December 7
         Tuesday, December 14
         Tuesday, December 21
         Tuesday, January 4
         Tuesday, January 11
         Tuesday, January 18
         Thursday, January 20
         Tuesday, January 25
         Thursday, January 27


Performances:

    Weekends of January 29/30 and February 5/6
 
 
 
]]>Allen H Simonhttp://www.choralnet.org/view/264761Mon, 30 Aug 2010 16:35:57 GMThttp://www.choralnet.org/view/264761



The Covington Catholic High School Chamber Choir stepped into a recording studio in May under stressful circumstances.

At a time when many were preparing for final exams and graduation, they began recording an album to memorialize their friend, Maria Schaffstein, the 17-year-old Notre Dame Academy student killed in a car crash in April.

Within weeks, they completed "To Where You Are," an album of 12 songs, including the songs played at Schaffstein's funeral and covers from artists such as Josh Groban and Billy Joel.

]]>Allen H Simonhttp://www.choralnet.org/view/264659Sun, 29 Aug 2010 00:34:56 GMThttp://www.choralnet.org/view/264659

This fall, Boston area choirs can compete for a chance to sing at the Citi Performing Arts CenterSM Wang Theatre, prior to a performance of America's favorite holiday show, the Radio City Christmas Spectacular, starring the world famous Radio City Rockettes, through the Community Choir Competition.

Beginning September 10, videos of the participating choirs can be uploaded online at the Citi Performing Arts Center website (citicenter.org), where fans can vote for their favorites through October 10. Then, five finalist choirs will duke it out in an acapella sing-off for a panel of judges at the Citi Performing Arts Center Wang Theatre on Monday, October 18. The grand prize winner will perform onstage at the Citi Performing Arts Wang Theatre on Friday, December 3, prior to the opening night performance of the Radio City Christmas Spectacular. Runner up choirs will have the opportunity to perform on alternate dates during the engagement, which runs through December 29. All choirs competing will receive special ticket benefits.

]]>Andrea Goodmanhttp://www.choralnet.org/view/264751Mon, 30 Aug 2010 14:14:12 GMThttp://www.choralnet.org/view/264751
Cantilena Chamber Choir
Announces seventh season
 
LENOX, MA. The Cantilena Chamber Choir has announced a call for singers for its 2010-2011 season. The Berkshire region's premiere a cappella choir is comprised of 24 singers who possess vocal training, good sight-reading skills, and considerable choral experience. Rehearsals will be held in Lenox on Wednesday evenings from 7 to 9:30 p.m. The first rehearsal will be an open sing for new perspective members on Wednesday, Sept. 1st at Trinity Church, 88 Walker Street in Lenox. Singers are invited to sit in on the first rehearsal before committing to an audition, but must call or email to reserve a space. The season will include four programs at Trinity Church in Lenox.
 
The Choir’s website www.cantilenachoir.org contains information on auditions and past and present season’s programs.
  
  Opening the season, the choir will present a concert entitled Emily Dickinson in Song with actor Jonathan Epstein the Trinity Church Choir in Lenox on Sunday, Oct. 10th at 5:00pm. The concert will feature choral settings of the poetry of Emily Dickinson by Aaron Copland, Elliot carter, Samuel Barber and more and Epstein will read selected poems. On Sunday, December 5th the choir will present a Christmas program with the Trinity Church Choir, and the remaining concerts for 2011 will include an all county High School choral festival in March and a concert including John Rutter’s Mass for the Children for chorus and orchestra in May.  
 
   Leading the group is Andrea Goodman, the director of the Saratoga Choral Festival and the Northern Berkshire Chorale. She has directed the New England Conservatory Women’s Choir, the Concord (Mass.) Chorus, the Berkshire Bach Society, Skidmore Choruses, the NYU Choral Arts Society, and has a Doctorate in Conducting from the University of Cincinnati College Conservatory of Music.
    
All accepted members will receive full scholarship, but must purchase their own music. Those interested in more information can visit www.cantilenachoir.org  or email Goodman at satbchoir@yahoo.com. Phone: 518-791-0185.
]]>Chris Fieldshttp://www.choralnet.org/view/264743Mon, 30 Aug 2010 08:55:43 GMThttp://www.choralnet.org/view/264743
Friends,
 
Previously at my middle and high school it has been a tradition that both choral programs perform separate Winter and Spring concerts each season. The high school always performs roughly an hour and twenty minutes on their night and the middle school performs roughly 45 minutes on their night. This school year the new administration has said that the high school and middle school will share concerts. I am not in favor of this new plan as I have several choral ensembles at both schools and this will force me to cut down on the amount of music that I can perform with them. My question is this: are any of you in this situation and if so how much time do you allow each group to perform? I would feel guilty if I held a concert the full length as it would make the concert over 2 hours long with both groups doing their usual amount of music. That is simply too long for people to sit in my opinion. Also, each school alone fills up the auditorium at concerts with parents and friends and there is simply no way that both the middle and high school can fit their families in the auditorium at the same time for a combined concert.
 
My parent booster association is very much angered by this new set up and I was wondering what arguments I could make to convince the administration at both schools that this will simply not work. This is my program and I feel that I should not be told when I will have performances. What would you do in my situation? Please help!
 
Chris  
 
]]>Molly Mattinglyhttp://www.choralnet.org/view/264748Mon, 30 Aug 2010 13:12:21 GMThttp://www.choralnet.org/view/264748Item: "A New Creation: A Cantata for Chorus, Soloists and Orchestra"
Composer/Arranger/Edition: Rene Clausen
Starting: Late October
For: 6 months
Copies: 16 Choral, 2 flute, 1 oboe, 1 bassoon, 2 violin, 1 viola, 1 cello, 1 organ, 1 harp
Willing to rent: Yes
 
I am a graduate student preparing for a joint conducting recital, and don't have the funds to buy new scores for a recital ensemble. Any help would be greatly appreciated!
]]>Emily Sciukashttp://www.choralnet.org/view/264746Mon, 30 Aug 2010 11:17:01 GMThttp://www.choralnet.org/view/264746
Christ the King Lutheran Church in Owings Mills, Md. is seeking a part-time music director with keyboard and choral skills. The position requires approx. six - eight hours per week to include one adult choir rehearsal on Wednesday evenings, two Sunday services (Sept. - May), one Sunday service (June - August) and periodic special evening services during Lent and Advent.   If interested, please contact Rev. Harry Krolus at (410)356-3400 or email the church at ctklc1@verizon.net.
]]>Allen H Simonhttp://www.choralnet.org/view/264641Sat, 28 Aug 2010 17:09:58 GMThttp://www.choralnet.org/view/264641 This post-dated message was mistakenly included in the August 30 ChoralNet Daily. It will be visible tomorrow. Sorry for the confusion. ]]>philip copelandhttp://www.choralnet.org/view/264444Thu, 26 Aug 2010 10:47:45 GMThttp://www.choralnet.org/view/264444 ChoralNet member Steve Szalaj shares this with the choral community:
 
Recently, the New York Times ran an article about the Mormon Tabernacle Choir being a part of the first live international satellite broadcast called Operation Telstar on July 23, 1962. The article relates personal stories and the significant cultural/political/social importance of this event against the backdrop of the Cold War, the Cuban Missile Crisis, the space race and the societal changes soon to begin.
 
With the article, there is a video of a portion of this performance, as well as two other performances and an audio file. It also touches on how technology has always been a significant part of MTC's history.  
 
It was an effort intended to shout to the world "America Can Do It!" and song - choral music - was its heart and voice. With the article are video and audio links of performances by the MTC, including a clip of this first satellite broadcast. As one who lived during this time, this brought back a flood of memories and emotions that probably have a stronger impact on my life today than I am aware of (or perhaps willing to admit...).
 
A link to the article
More about Steve Szalaj
]]>Ben Spaldinghttp://www.choralnet.org/view/264733Mon, 30 Aug 2010 03:00:25 GMThttp://www.choralnet.org/view/264733  
Seeking Professional Singers:
 
I am the founder and conductor of Kansas City's NEW Professional Chamber Choir, Voices of Peace.  The group will function much like Seraphic Fire and Conspirare if you are familiar with them.  Exceptional singers will come Kansas City for a few days of intense rehearsals and then perform a concert(s).  The rehearsals and concerts will take place in the glorious Community of Christ Temple which has a 4 sec reverb and the famous 107-rank Cansavant organ, played by Dr. Jan Kraybill.

The group will specialize in advanced literature from both early and contemporary music and will meet twice a year for the first season.  Our first concert will feature Morten Lauridsen's Lux Aeterna as well as works by Whitacre, Stroope, Rachmaninoff, Tallis, Byrd, etc  

The first dates are: Nov. 19-20 for rehearsals and the concert on Nov. 21 at 3pm.  One thing that is really nice about this gig is the time commitment is very small. 

There are many great singers who are joining the group from the Kansas City Area and beyond! 

If you are interested please contact me asap as auditions are taking place now! 

Contact email: benaspalding@aol.com
 

Ben A. Spalding
Founder, Artistic Director, Conductor
Voices of Peace Symphonic and Chamber Choirs
Kansas City

]]>Mark Schreierhttp://www.choralnet.org/view/264719Sun, 29 Aug 2010 22:53:31 GMThttp://www.choralnet.org/view/264719 Looking for karaoke track (with strings, full orchestra, NO VOICING) of  Sandy Patti's "IN THE NAME OF THE LORD" - please help!  thanks... Mark Schreier   Roanoke, VA   markisnowhome@cox.net  540/343-2293 ]]>Sean Burtonhttp://www.choralnet.org/view/264718Sun, 29 Aug 2010 22:51:10 GMThttp://www.choralnet.org/view/264718
 
...Announcing the formation of…
 
ANIMA IOWA
 
Premier auditioned ensemble for vocally advanced young women between the ages of 13 to 18 serving Northwest Iowa, Eastern Nebraska, and Southern South Dakota.
 
ANIMA IOWA offers vocally advanced young women between the ages of 13 and 18 the following:
 
1.       A commitment to producing concerts of the highest quality treble choir MUSIC. 
2.       A commitment to professional training and music literacy in the form of intensive EDUCATION.
3.       A commitment to engendering and empowering emergent leadership skills in YOUTH.
4.       A commitment to fostering meaningful personal growth and genuine self-esteem in the context of serving the COMMUNITY.
5.       A commitment to enrichment of pre-existing school programs and preparation for All-State and Contest adjudications through attention to the INDIVIDUAL.
 
AUDITIONS BY APPOINTMENT ON SEPTEMBER 10 AND SEPTEMBER 11, 2010
 
Vocal range/quality, aural skills and familiarity with musical notation will be explored during auditions
 
TO SCHEDULE AUDITION E-MAIL DR. SEAN BURTON DIRECTLY AT sean.burton@briarcliff.edu
 
Commitments
 
Schedule:  Saturday morning rehearsals 9:30 a.m. to 12 noon at Meis Recital Hall on the campus of Briar Cliff University in Sioux City and 3-4 performances per season (September 18 through May 14). 
 
Financial: $450 tuition per season includes premier instruction, professional operations, rehearsal and concert venues, and sheet music rental.  Tuition payment plans can be arranged.  Concert attire, to be determined, will be an additional expense.  
 
Artistic Staff
 
Esteemed vocalists and vocal educators Kate Saulsbury and Shannon Salyards will be heavily involved with ANIMA IOWA in multiple roles, including one-on-one vocal coaching and accompanying as well as ensemble coordination and development.
 
ANIMA IOWAwill be led by Dr. Sean Burton, Director of Choral Activities at Briar Cliff University.   From 2006-2010 Dr. Burton was Conductor of the internationally acclaimed Nebraska Children’s Chorus Bel Canto, an ensemble which under his direction was selected for performance at national music educator conventions, international choral festivals, and in major venues such as Notre Dame Cathedral in Paris, St. Peter’s Basilica in Rome, St. Mark’s Basilica in Venice, Salzburg Cathedral, Mexico City’s Basilica de Guadalupe, and Omaha’s Holland Performing Arts Center.  Deeply engaged in the Sioux City musical community, Dr. Burton also serves as Director of Music at Grace United Methodist Church and is the Founding Artistic Director of the Siouxland Choral Artists, the region’s auditioned adult chamber choir. 
]]>Raquel Garciahttp://www.choralnet.org/view/264716Sun, 29 Aug 2010 22:38:59 GMThttp://www.choralnet.org/view/264716 The Philadelphia Chorus(formerly the Philadelphia Chamber Chorus)is holding
auditions for paid Tenor Solo/Core singers.  
To schedule an audition, please call(610)352-3565. Thank you.
]]>Jason Fahrenbachhttp://www.choralnet.org/view/264712Sun, 29 Aug 2010 21:16:24 GMThttp://www.choralnet.org/view/264712 First Presbyterian Church of La Grange is currently accepting applications for the position of Crusader Choir Director. The Crusader Choir consists of youth from 1st to 6th grades. Rehearsals will take place on Sundays weekly with performances once a month and during special holidays. The church is seeking a highly energetic person for this position who has experience in directing children’s choir. Knowledge of current techniques in teaching music to children is strongly desired as well as an ability to recruit and retain members of Crusader Choir.  Please e-mail resume to Jason M. Fahrenbach, Director of Traditional Music at jfahrenbach@fpclg.org. No phone calls please. Salary range 4,000-5,500.   ]]>Lidia Novakhttp://www.choralnet.org/view/264703Sun, 29 Aug 2010 20:23:13 GMThttp://www.choralnet.org/view/264703
The Huntington Choral Society welcomes all voices, and is especially looking for tenors, baritones and basses to sing in our December 11, 2010 performance of Puccini's Messa di Gloria  and Handel's Dixit Dominus and our April 16, 2011 performance of Folk Songs by Famous Worldwide Composers throughout the Centuries (featuring works by Copland, Vaughan Williams, Brahms, Bartok, and more!).

The group's first two rehearsals of the current session on Monday, September 13 and and Monday, September 20 at 7:30 PM are OPEN TO THE PUBLIC. They will be held at Huntington High School, at the corner of Oakwood and McKay Roads in Huntington, NY.  Auditions will be scheduled following the open rehearsals. If you are interested in joining HCS, please attend one of our open rehearsals or contact us at the number/e-mail address below.

Entry into HCS is by audition only. Potential members will be asked to perform a musical piece of their choice and to demonstrate an ability to do simple sightreading. If you would like to schedule an audition or receive more information, please contact our Membership Chairperson, Cherie Cornell, at 631-673-3820 ccornell@suffolk.lib.ny.us, or visit our website at www.huntingtonchoralsociety.org.
 
]]>Lee Bluehttp://www.choralnet.org/view/264702Sun, 29 Aug 2010 20:19:28 GMThttp://www.choralnet.org/view/264702 New Domionion Chorle, under the leadership of its founder and Artistic Director Thiomas Beveridge, inaugurates its 20th season with a program of great opera choruses. On Sunday, October 24, at 4 p.m., the Chorale will join forces with Bel Cantanti Opera Company, whose Artistic Director, Katerina Souvorova, will provide the piano accompaniment. The concert will include famous opera choruses and will feature soloists who perform with the Metropolitan Opera Company, including Shannon Roberts, soprano; Kevin Courtemanche, tenor; and Mikhail Syetlov, bass. Among the works to be performed: "TheEaster Hymn" from Mascagni's Cavaleria Rusticana; the Coronation Scene from Moussorgsky's Boris Godunov; "Nessun Dorma" from Puccini's Turandot,; "Va, Pensiero," from Verdi's Nabucco, and the entire last scene of Gounod's Faust.
 
The concert will take place at the Rachel M. Schlesinger Concert Hall on the Alexandria campus of Northern Virginia Communitiy College, 3001 N. Beauregard St. To learn more about New Domionion Chorale, visit its website, www.newdominion.org. Ticket prices range from $5 to $30 and tickets are qavailable online through our website or by calling 703-442-9404.
]]>Raquel Garciahttp://www.choralnet.org/view/264693Sun, 29 Aug 2010 19:20:14 GMThttp://www.choralnet.org/view/264693 The Philadelphia Chorus is holding auditions for singers on Monday evenings, September 13, 20 and 27. All voices, soprano, alto, tenor, bass, are welcome. For information or to schedule an audition, please call (610) 352-3565 or e-mail at philadelphiachamberchorus@yahoo.com. Thank you. ]]>Michael D. Costellohttp://www.choralnet.org/view/264669Sun, 29 Aug 2010 05:15:41 GMThttp://www.choralnet.org/view/264669
The 40th season of Bach Cantata Vespers at Grace Lutheran Church in River Forest begins on September 25 & 26 with lectures by Dr. Robin Leaver and a performance of Bach's Cantata #19.
 
On Saturday, September 25, Grace welcomes renowned Bach scholar and Reformation specialist Robin Leaver for two lectures on the sacred music of Johann Sebastian Bach. During the 9:30 a.m. lecture Dr. Leaver will address the changing pattern of the Divine Service in Leipzig during the time of J. S. Bach. The 11:00 a.m. lecture will focus on the Latin motets sung by Bach’s choirs in Leipzig. Cost for the lectures, including lunch, is $15 per person in advance; $20 at the door. Register online at www.bachvespers.org/season. Dr. Leaver will also lecture on Sunday morning at 9:45 a.m. on the way that Bach expresses theology in musical terms.
 
On Sunday, September 26 at 4:00 p.m., with cantata #19, Es erhub sich ein Streit
(There arose a great strife), for the Feast of the St. Michael. Grace Cantor, the Rev. Michael D. Costello will lead the Grace Senior Choir and Orchestra with soloists Maura Janton Cock, Christopher M. Cock, and Douglas Anderson. The prelude will begin at 3:45 p.m. with an organ recital by David Christiansen of St. Andrew’s Lutheran Church in Park Ridge, Illinois. The homilist will be the Rev. Dr. Marcus J. Miller, President of Lutheran Theological Southern Seminary in Columbia, South Carolina. A free-will offering will be received.
 
GraceLutheran Church is at 7300 W. Division, one block west of Harlem and Division, in River Forest. For more information on the Bach Cantata Vespers ministry of Grace, visit www.bachvespers.org.
]]>philip copelandhttp://www.choralnet.org/view/264449Thu, 26 Aug 2010 11:17:57 GMThttp://www.choralnet.org/view/264449 All of the record labels turned them down, so they released it themselves.  And now, the recording is tops on iTunes.  
 
Patrick Quigley told ChoralNet about it on Monday.  I thought it needed a little more prominence, so here is the story:
 
From WMU News:

A new compact disc by the Western Michigan University Chorale in collaboration with the professional singing ensemble Seraphic Fire has climbed to the top of the iTunes classical recordings charts, displacing new releases by the likes of Yo-Yo Ma and the London Symphony Orchestra.

 

The recording of Claudio Monteverdi's 1610 masterpiece, "Vespers of the Blessed Virgin," also known as the "1610 Vespers," was released on iTunes last week, immediately landing in the Top 10 classical recordings and prompting National Public Radio to feature the CD and the story behind its creation on the program "All Things Considered."

 

"It's really an amazing story," says Dr. James Bass, who just left WMU after serving as director of choral studies. "I'm so proud of the students at Western."

Here is the NPR story.  
]]>Allen H Simonhttp://www.choralnet.org/view/264658Sun, 29 Aug 2010 00:33:10 GMThttp://www.choralnet.org/view/264658 With their collaborative CD, the Western Michigan University Chorale and a Miami-based professional choir known as “Seraphic Fire” have hit one of the top spots on the iTunes Top 20 classical music chart.

Their performance of Claudio Monteverdi’s “Vespers of the Blessed Virgin,” was at No. 3 on the iTuneschart Tuesday and the album was recently featured on NPR’s “All Things Considered.” ]]>Chris Humphreyhttp://www.choralnet.org/view/264640Sat, 28 Aug 2010 16:52:38 GMThttp://www.choralnet.org/view/264640 There are five sentences I want to set to music.  These five sentences come from a book that is out of print.  The author of the book is dead, and the publisher has been out of business for many years. I have tried to track down the estate of the author but to no avail.  Does anyone know what can be done in this case?
 
Thanks.
]]>Jim Jefferishttp://www.choralnet.org/view/264639Sat, 28 Aug 2010 16:47:57 GMThttp://www.choralnet.org/view/264639 My church (Lutheran, ELCA) will be installing a new head pastor after nearly two years without one.  Can anyone recommend an anthem for the installation service?
 
Thanks.
 
Jim Jefferis
Bethlehem Lutheran Church
Fairport, NY
]]>Farrell Fandhttp://www.choralnet.org/view/264647Sat, 28 Aug 2010 19:04:41 GMThttp://www.choralnet.org/view/264647 The Maplewood Glee Club, a group of approximately 30 male singers, is conducting a search for an accompanist.  We rehearse on Monday nights, from 7:45 to 9:50, at the DeHart Center, in Maplewood, New Jersey.  There are two major concerts per year, one in early December and the other in early May.  In addition, there will be one additional concert as a community service each of the two semester.  This is a paid position.   If interested, contact our President, Erik Solberg, at president@maplewoodgleeclub.org.
You can find out more about our club by going to our website, maplewoodgleeclub.org.
Our conductor is Candace Wicke.
Our first rehearsal is Monday, September 13.
]]>Becki Wilhelmhttp://www.choralnet.org/view/264644Sat, 28 Aug 2010 17:50:25 GMThttp://www.choralnet.org/view/264644Item: showtrax for Classic Cole Porter Medley
Composer/Arranger/Edition: Hal Leonard
Starting: now
For: 2 months
Copies: 1
Willing to rent: Yes
 
We bought the SATB music, then found out the showtrax cassette is out of print. Would be glad to rent or purchase.
]]>Frederick Wolffhttp://www.choralnet.org/view/264633Sat, 28 Aug 2010 13:43:59 GMThttp://www.choralnet.org/view/264633
          Love singing great choral music?   If so, you’re invited to join The Choral Art Society of New Jersey.   Rehearsals for the 2010-2011 season start on Tuesday, September 7, 2010, at 7:30 P.M. (for registration and purchase of music) and are held weekly on Tuesdays from 8:00 to 10:00 P.M., September through May, at The Presbyterian Church in Westfield, located at the corner of Mountain Avenue and East Broad Street.     Rehearsals are held in the church’s choir room.  The entrance is on Mountain Avenue.   Singers interested in joining are invited to attend a rehearsal and meet with James S. Little, the Society’s musical director.  
          The fall semester will be spent preparing for the Saturday, January 22, 2011, performance of Johann Sebastian Bach’s Christmas Oratorio.
           With members from Union, Somerset, Bergen, Hudson and Middlesex counties, The Choral Art Society is a non-profit community chorus dedicated to the study and performance of great choral works.  It originated in September, 1962, as The Suburban Symphony Chorus under the direction of Peter Sozio.  In September, 1963, Evelyn Bleeke became the director and in 1964 the chorus formed an independent organization under its present name.   Mrs. Bleeke served the organization as director for 32 seasons, followed by Thomas Booth and Kathleen Healy-Wedsworth, for two seasons each.  James S. Little is starting his twelfth season as musical director.                               
 
]]>Debbie Woodhttp://www.choralnet.org/view/264632Sat, 28 Aug 2010 13:35:09 GMThttp://www.choralnet.org/view/264632Item: Director's score or kit - any voicing
Composer/Arranger/Edition: arr. Ed Lojeski
Starting: ASAP
For: to be arranged
Copies: 1
Willing to rent: Yes
 
This work is permanently out of print. I have the unison/2-part singers edition but not the accompanying director's score so I do not have any accompaniment written out.  The title description under the title reads  "Featuring 28 Songs From 21 Hit Broadway Shows." The revue is 40 minutes in length and includes "narration outlining the 'ingredients' of a smash Broadway show." It was published by Hal Leonard. Am wlling to rent if not too pricey, but would prefer to borrow or buy if not too pricey.
 
Thanks, Debbie
]]>Deborah Bradleyhttp://www.choralnet.org/view/264627Sat, 28 Aug 2010 11:45:56 GMThttp://www.choralnet.org/view/264627 The Mississauga Festival Youth Choir is holding auditions  for its Level 2 and Level 3 choirs for the 2010-11 season. Founded in 1997, the MFYC has established a reputation for excellence in choral music education through its diverse repertoire of music, ranging from classical to jazz, gospel, Broadway, and with a specialty in world music. MFYC is open to all interested young people ages 10 -19, and welcomes not only treble voices but also changing and changed voices. For more information or to schedule an audition, contact artisticdirector@mississaugafestivalyouthchoir.com or visit the choir's website: www.mississaugafestivalyouthchoir.com ]]>Richard Heinzlehttp://www.choralnet.org/view/264612Sat, 28 Aug 2010 03:49:05 GMThttp://www.choralnet.org/view/264612Item: Down by the Riverside
Composer/Arranger/Edition: John Rutter
Starting: As soon as possible
For: 4 months
Copies: 60
Willing to rent: No
 
]]>philip copelandhttp://www.choralnet.org/view/264446Thu, 26 Aug 2010 10:56:38 GMThttp://www.choralnet.org/view/264446 A Cappella News points us to this:

The A Cappella Condom Song is back! In August 2008, when www.condomcondom.org was launched by the BBC World Service Trust as part of its Condom Normalization mass media campaign, it was primarily to showcase the campaign and enable people to download the ‘Condom a Cappella’ ringtone. Within the first six weeks, the website got over 3.5 million hits. The site needed a revamp to widen its scope and bring it up to date. And that’s where Ideaz Inc came in. They redesigned the site completely and it was relaunched with new content.

]]>Darin Lewishttp://www.choralnet.org/view/264604Sat, 28 Aug 2010 01:10:30 GMThttp://www.choralnet.org/view/264604

St. Francis Episcopal Church in North Stamford, CT is seeking a Bass Section to begin in September 2010.

 

A candidate applicant who possess very strong sight-reading skills, have a warm, collegial spirit and is a person of faith is encouraged to apply.
 
The church places a high value on music and enjoys knowing the section leaders personally; as such, the section leaders are expected to foster and maintain relationships within the congregation.
 
The church is in North Stamford, CT. Metro North in Stamford is about 15 minutes by car.
 
While this is a section leader position, there will be opportunities for solos throughout the year.  Currently we rehearse Thursday, 7:15-9:00 p.m., and Sunday 9:10 a.m., service at 10:00.
 
Pay: $75 per call
 
Those interested in applying should contact Darin Lewis, Minister of Music at darin@lewisinkpress.com with résumé and cover letter describing previous church choir experience, personal goals/desires in this position.
 
 
]]>Laura Shamyhttp://www.choralnet.org/view/264598Fri, 27 Aug 2010 22:47:20 GMThttp://www.choralnet.org/view/264598
Middlebush Reformed Church, located in Somerset, New Jersey, has three part-time positions available to lead its well-established and vibrant music ministry:  Organist, Choir Director (adult and youth) and Handbell Choir Director.  Candidates could fill more than one of these positions.  Position descriptions and an employment application are available on our website: www.middlebushreformedchurch.com.  To apply, submit application, cover letter and resume via e-mail to search committee chairperson Laura Shamy at mrcmusic@middlebushreformedchurch.com, or mail to: ATTN: Laura Shamy, Middlebush Reformed Church, 1 South Middlebush Road, Somerset, NJ 08873. 
]]>Jamie Kirschhttp://www.choralnet.org/view/264600Fri, 27 Aug 2010 23:22:26 GMThttp://www.choralnet.org/view/264600 The Tufts University Concert Choir  (Dr. Jamie Kirsch, conductor) is seeking an experienced accompanist beginning September, 2010. Rehearsals Monday and Wednesday afternoons 4.30-5.45p, Granoff Music Center, Tufts university. Concerts in beautiful Distler Performance Hall. Compensation negotiable. Performance dates: Sunday, 11/21/10, 3pm; Sunday, 12/5/10, 3pm; Sunday, 4/3/11, 3pm.
Please email Jamie Kirsch with letter of interest and CV at jamie.a.kirsch@gmail.com.
]]>Philippe BLONDEAUhttp://www.choralnet.org/view/264591Fri, 27 Aug 2010 21:25:46 GMThttp://www.choralnet.org/view/264591 L’Ensemble choral Jean-Baptiste DAVIAIS a été crée en 1946. Depuis 1997, il est dirigé par Stéphane OSTER. Cet ensemble interprète diverses œuvres de la musique polyphonique.

Son répertoire, varié, est composé
de musique du Moyen Age et de la Renaissance : Josquin des Prés, Janequin, Lassus, Bonnet, Lejeune, Fontana, Fabrianese…
Classique et Romantique : Brahms, Schuman, Mendelssohn…
Musique du XXème siècle : Hindemith, Ligeti, Barber, Bernstein, Toch…

Il peut aussi s’ouvrir vers des répertoires plus populaires comme en 2009-2010 avec l’interprétation de chants de lutte et de révolte en deuxième partie des concerts.
Il participe aussi à des œuvres avec orchestre comme en juin 2008 le requiem de Frigyes Hidas avec la Philar et deux autres chorales …

C’est cette richesse et cette variété que nous vous proposons de partager cette année. L’ensemble accueille toute personne novice ou confirmée désirant pratiquer le chant choral. Les répétitions ont lieu chaque jeudi à l’IUFM, 4 rue Launay-Violette près de l’hippodrome de 20h15 à 22h15. Pour mieux nous connaître, il est possible d’assister à celles-ci à partir du jeudi 2 septembre 2010 à 20h10.

Pour tout contact :             le chef de chœur Stéphane OSTER
Tel : 02/51/70/51/22
Mel : fls.oster@orange.fr
Site internet : chorale.jbd.site.voila.fr ]]>philip copelandhttp://www.choralnet.org/view/264595Fri, 27 Aug 2010 22:07:16 GMThttp://www.choralnet.org/view/264595 Three music teachers, none with experience teaching high school choral music, have been hired to replace choral directors at Grant, Cleveland and Wilson high schools.
 
The teachers' names haven't been released. the three had more seniority in the district than the teachers they replaces, said district spokesman Matt Shelby.
 
Facing budget cuts, Portland Public Schools earlier this month laid off Katy Wagner-West , choral director at Grant High School. She had taught two years at Grant, which has an 84-year tradition of choral music, and is one of the city's shining examples of a program that offers leadership, community and the profound experience of learning about oneself in the world. District policy allows a teacher with more siniority to bump a less-experienced one. Wagner-West's supporters are rallying to save her job. She writes:
 
"Many of you have heard of the drastic cuts in music education throughout PPS over the last 2 weeks. Due to these cuts at the elementary and middle school levels, this has resulted in Human Resources "bumping" me from Grant due to my 2 years seniority in PPS (although I had 4 previous years in Beaverton). As of this morning, Human Resources has involuntarily placed a K-5 music teacher with no choral teaching experience in the Grant Vocal Music Teacher position.
 
The other high school choir positions have also been placed with other teachers from throughout the district - all of them being elementary teachers, many with no choir experience... "The District may elect to retain a less senior member based upon a determination that the less senior member has greater competence. Competence shall be defined as the ability to teach an “area of endorsement” or grade level based on recent teaching experience related to that “area of endorsement” or grade level within the last five years, but not based solely on being licensed to teach. Grade level shall mean the grade levels PK-8, or 6-12.
]]>Kayla Werlinhttp://www.choralnet.org/view/264593Fri, 27 Aug 2010 21:39:08 GMThttp://www.choralnet.org/view/264593 Colleagues,
 
There have been many times I wished my choirs had in repertory some sort of simple, short "thank you" song - the kind of thing we could sing on tour, in restaurants, etc. Nothing fancy or too serious. A unison song or round would be ideal. Ideas?
 
Thank you!
]]>Rebecca Kenneallyhttp://www.choralnet.org/view/264588Fri, 27 Aug 2010 18:53:26 GMThttp://www.choralnet.org/view/264588Item: Sleigh Ride SSA
Composer/Arranger/Edition: Leroy Anderson, arranged by Michael Edwards
Starting: Sept 15
For: Thru Dec 15
Copies: 30
Willing to rent: Yes
 


]]>John Cookhttp://www.choralnet.org/view/264585Fri, 27 Aug 2010 18:10:18 GMThttp://www.choralnet.org/view/264585 Hi all I have a used Wenger cabinet that our church no longer needs and we are selling for a 100 dollars. The cabinet is is great shape and is avalable for pick up at your convienience. Local intrest only please shipping is not available.
 
Thanks.
 
Please call me at the church (303) 794-6851 or email john@sjpres.org
 
John Cook
Director of Worship and the Arts
St. James Presbyterian Church
Littleton, CO
 

 
 


 
]]>Dennis Harrisonhttp://www.choralnet.org/view/264578Fri, 27 Aug 2010 17:27:23 GMThttp://www.choralnet.org/view/264578
Chancel Choir Accompanist
Qualifications
 
The accompanist shall be a person who possesses a Christian character and who desires to provide ministry to Our Redeemer's United Methodist Church through music. This person is deemed proficient in sight reading, playing parts in open and closed score, following a conductor, and accompanying a variety of styles of choral music ranging from traditional to contemporary. Accompanist must be able to work with others in a position of responsibility.


Hours Expectations
- Weekly choir rehearsals, Wed. night 7:30 - 9:00pm, Sunday 7:45 - 8:45am
- Nine months working, September through May, usually 6 services per month, 4 9:00am services and 2 10:30am services, with additional special services (IE. Thanksgiving, Lenten Season, Advent) as required.
- Rehearsal time as needed to perform all pieces in a professional manner.

For more information please contact:
Dennis Harrison
Staff Parish Committee
Our Redeemers United Methodist Church
raysun2be@yahoo.com
847-592-7452
]]>Allen H Simonhttp://www.choralnet.org/view/264571Fri, 27 Aug 2010 16:47:05 GMThttp://www.choralnet.org/view/264571 J. W. Pepper announced today the launch of Editors’ Choice Online.  This free web viewer enables music directors to preview sheet music, listen to recordings, read product information, make notes, and purchase their selections.  Available on http://ec.jwpepper.com, this new feature gives music directors greater access to Editors’ Choice music and provides the convenience of browsing from a computer or web-enabled phone.  
 
Editors' Choice Online is being launched in time for the back to school rush, as Pepper aims to help music teachers prepare for the school year ahead.  Customers are able to page freely back and forth and listen to the recordings.  The magnify feature allows music to be viewed closely on all sizes of screens.   The ‘Share This’ option makes it easy to recommend music or get a second opinion from friends and colleagues on social networking sites. These services are free to everyone with an active Pepper account and will preview as much music as publishers permit.  
 
By utilizing new technology, Pepper hopes to build on its 134-year tradition of empowering music directors to spend their budget dollars wisely. Each year the Editors’ Choice selections are hand-picked by Pepper’s editorial team from thousands of newly published band, orchestra, jazz and choral works. By providing a greater ease of access to this series Pepper hopes to help music directors begin the new semester on the right note. 
 
Each year Pepper sells printed preview choral books as well as CDs for band, choir and orchestra.  According to Kathy Fernandes, Pepper’s Vice President of Marketing, "We believe Editors’ Choice Online is a key service built so directors can preview music for free, wherever they are." Further, "We know music directors are really busy people. We sort through a ton of music to help them locate good new material quickly. They can certainly order any music they want from us, but directing them to our Editors’ Choice recommendations gives them a head start in finding great new music."  
]]>Jessica Goodyearhttp://www.choralnet.org/view/264562Fri, 27 Aug 2010 15:21:35 GMThttp://www.choralnet.org/view/264562
AUDITIONS FOR EXPERIENCED CHORAL SINGERS
THE CANTATA SINGERS 2010-2011 SEASON
 
Who:             
The Cantata Singers
David Hoose, Music Director
 
What:           
Auditions for experienced choral singers for the Cantata Singers’ 2010-2011 season
 
When:          
Tuesday, September 7, 2010, beginning at 7:00 p.m. 
Wednesday, September 8, 2010 beginning at 7:00 p.m.
 
Where:         
Brookline, MA.  Please call or email for location and appointment.
 
Appointment required: 
Call 617-868-5885 or email jgoodyear@cantatasingers.org
                               
Requirements for audition:                     
* One prepared piece in English (no arias please)
* One German Sight reading
 
About the Cantata Singers:     
* Under the direction of David Hoose, this critically acclaimed 44-voice chorus will perform a four-program series in New England Conservatory’s Jordan Hall and First Church in Cambridge.
* The Cantata Singers’ 47th season centers on the works of Ralph Vaughan Williams.
* Paid opportunities include solos roles (chosen at the discretion of the music director), teaching/performing in Cantata Singers’ “Classroom Cantatas” in-school music composition and performance program, as well as touring possibilities of shows connected to the education program.
* Rehearsals generally fall on Wednesday nights in Brookline.
* For more information, visit www.cantatasingers.org.
 
Cantata Singers  · 161 First Street · Cambridge, MA 02142 · 617-868-5885  www.cantatasingers.org
]]>Jumol Royeshttp://www.choralnet.org/view/264556Fri, 27 Aug 2010 14:08:17 GMThttp://www.choralnet.org/view/264556
Though we may be in the throes of a seemingly never-ending summer heat wave, it’s never too early to start counting the days until the holiday season is upon us.
 
With that in mind, the Toronto-based and world-renowned Amadeus Choir (www.amadeuschoir.com) is launching its 24th annual Christmas Carol and Chanukah Song Writing Competition.  Established in 1987 by the choir and its celebrated Conductor and Artistic Director, Dr. Lydia Adams, the competition’s goals are threefold:  to provide a forum for new compositions to be created, to motivate composers to develop their craft and to augment the existing choral repertoire for Christmas and Chanukah. 
 
The international competition is open to children and youth (in odd numbered years, the competition is open to all composers regardless of age or level of experience).  Entries must be original, unpublished music compositions and can be submitted under any of the following Composer Categories:  Individual Compositions – Child (under 10 years, 10-12 years and 13-14 years), Individual Compositions – Youth (15-17 years and 18-20 years) or Group Compositions (group of two or more individuals and small class or smaller group of children).  Voicing Categories include:  Unison unaccompanied, Unison with accompaniment by organ or piano, Harmony (e.g. SATB, SSA or other combination) unaccompanied and Harmony (e.g. SATB, SSA or other combination) with accompaniment by organ or piano.   
 
“The Christmas Carol and Chanukah Song Writing Competition is an opportunity for talented young composers from around the world to add their voices to Canada’s rich choral tradition, and we are thrilled to be able to provide them with this unique platform to promote their works,” said Lydia Adams, Conductor and Artistic Director, the Amadeus Choir.
 
Compositions must be submitted by October 15 and winners will be selected by a judging panel of internationally acclaimed choral conductors and composers.  The first place winner in each category will receive a cash prize of $100 and the winning compositions will be performed by the Amadeus Choir at their December 18 concert, Sing with the Angels, in Toronto.
 
For a complete listing of competition rules and regulations, please visit: www.amadeuschoir.com.
 
About the Amadeus Choir
The Amadeus Choir opens its 2010/11 season with a profound and powerful program Through the Eyes of Childrenon November 6 and continues through the holiday season on December 18 with Sing with the Angels, a joyous celebration featuring the Bach Children’s Chorus and the winning compositions from the choir’s 24th annual Christmas Carol and Chanukah Song Writing Competition.  The season climaxes with more inspirational choral works: The Legendary Haydn and Mozarton April 9, and Our Home and Native Landon May 14, where the winners of the Amadeus Choir’s new Competition for Young Composers will be featured.
 
Founded in 1975, the Amadeus Choir is celebrating its 36th year and is under the direction of Dr. Lydia Adams, Conductor and Artistic Director.  The Amadeus Choir performs a regular series of concerts, presenting well-known artists in works by Canadian and international composers, including major works with instrumental ensembles or full orchestra, as well as challenging a cappella performances.
]]>Frederick Backhaushttp://www.choralnet.org/view/264549Fri, 27 Aug 2010 13:39:01 GMThttp://www.choralnet.org/view/264549
Schola of St. John's Basilica, Stamford, CT
 - 8 paid staff singers
 - $125 per call (plus train transportation, easy walk from station)
 - Noon Mass each Sunday-11 am warmup (October through June), plus Christmas Eve & Day, Holy Week
 - Weekly Thursday night rehearsal (also $125 per call as above), 7-9 pm
 - Complete polyphonic mass, Latin motets, Latin Gregorian Chant propers
 - Comfortable with straight tone
 - Looking for singers with strong commitment to ensemble work
 - Excellent sight-reading skills
- Experience reading chant notation helpful, but not required ]]>Jumol Royeshttp://www.choralnet.org/view/264555Fri, 27 Aug 2010 14:06:24 GMThttp://www.choralnet.org/view/264555
Though we may be in the throes of a seemingly never-ending summer heat wave, it’s never too early to start counting the days until the holiday season is upon us.
 
With that in mind, the Toronto-based and world-renowned Amadeus Choir (www.amadeuschoir.com) is launching its 24th annual Christmas Carol and Chanukah Song Writing Competition.  Established in 1987 by the choir and its celebrated Conductor and Artistic Director, Dr. Lydia Adams, the competition’s goals are threefold:  to provide a forum for new compositions to be created, to motivate composers to develop their craft and to augment the existing choral repertoire for Christmas and Chanukah. 
 
The international competition is open to children and youth (in odd numbered years, the competition is open to all composers regardless of age or level of experience).  Entries must be original, unpublished music compositions and can be submitted under any of the following Composer Categories:  Individual Compositions – Child (under 10 years, 10-12 years and 13-14 years), Individual Compositions – Youth (15-17 years and 18-20 years) or Group Compositions (group of two or more individuals and small class or smaller group of children).  Voicing Categories include:  Unison unaccompanied, Unison with accompaniment by organ or piano, Harmony (e.g. SATB, SSA or other combination) unaccompanied and Harmony (e.g. SATB, SSA or other combination) with accompaniment by organ or piano.   
 
“The Christmas Carol and Chanukah Song Writing Competition is an opportunity for talented young composers from around the world to add their voices to Canada’s rich choral tradition, and we are thrilled to be able to provide them with this unique platform to promote their works,” said Lydia Adams, Conductor and Artistic Director, the Amadeus Choir.
 
Compositions must be submitted by October 15 and winners will be selected by a judging panel of internationally acclaimed choral conductors and composers.  The first place winner in each category will receive a cash prize of $100 and the winning compositions will be performed by the Amadeus Choir at their December 18 concert, Sing with the Angels, in Toronto.
 
For a complete listing of competition rules and regulations, please visit: www.amadeuschoir.com.
 
About the Amadeus Choir
The Amadeus Choir opens its 2010/11 season with a profound and powerful program Through the Eyes of Childrenon November 6 and continues through the holiday season on December 18 with Sing with the Angels, a joyous celebration featuring the Bach Children’s Chorus and the winning compositions from the choir’s 24th annual Christmas Carol and Chanukah Song Writing Competition.  The season climaxes with more inspirational choral works: The Legendary Haydn and Mozarton April 9, and Our Home and Native Landon May 14, where the winners of the Amadeus Choir’s new Competition for Young Composers will be featured.
 
Founded in 1975, the Amadeus Choir is celebrating its 36th year and is under the direction of Dr. Lydia Adams, Conductor and Artistic Director.  The Amadeus Choir performs a regular series of concerts, presenting well-known artists in works by Canadian and international composers, including major works with instrumental ensembles or full orchestra, as well as challenging a cappella performances.
]]>Carol Schochhttp://www.choralnet.org/view/264538Fri, 27 Aug 2010 07:56:52 GMThttp://www.choralnet.org/view/264538 ANNOUNCING

TOURING CHOIR AUDITIONS
Open to
ALL DETROIT AREA CHILDREN
AGES 8 - 14

Saturday, September 11, 2010
9:30 am  - 12 noon
Pincus Music Education Center
at the Max M. Fisher Music Center
3711 Woodward Avenue
Detroit, MI  48201

ALL interested singers MUST phone
Director, Mrs. Carol Schoch
@ 248.819.7191
for an audition appointment time.

Rehearsals will be held weekly beginning on
Saturday, September 18th
9:30 - 11:30 am

For more information about Detroit Children’s Choir please visit our website at
www.DetroitChildrensChoir.org ]]>philip copelandhttp://www.choralnet.org/view/264340Tue, 24 Aug 2010 21:43:26 GMThttp://www.choralnet.org/view/264340 My new graduate student Peter Haley keeps pushing new sites my way.  First it was the "Sing and Compose" pen and now it is Forvo.
 
Forvo describes themselves as the "largest pronunciation guide in the world."
 
From their website:  
Ever wondered how a word is pronounced? Ask for that word or name, and another user will pronounce it for you. You can also help others by recording your pronunciations in your own language.
Forvo is an online service that claims to have 741,998 words, 659,314 pronunciations, and 258 languages represented.  
 
Check it out and see what you think.
]]>David Toppinghttp://www.choralnet.org/view/264532Fri, 27 Aug 2010 05:51:57 GMThttp://www.choralnet.org/view/264532Item: A Medieval Bestiary
Composer/Arranger/Edition: R. Murray Schafer
Starting: ASAP
For: until mid-November
Copies: 30
Willing to rent: Yes
 

 
]]>Merit Celairehttp://www.choralnet.org/view/264522Fri, 27 Aug 2010 01:48:35 GMThttp://www.choralnet.org/view/264522 Hi there, everyone, it's M. C. again -- still trying to get started in doing the chorus music writing/arrangment process and join the ranks of other great writers/arrangers in the U.S. and the world.
 
Okay, scenario is this -- a few months ago, I thought I saw on the Hal Leonard site a place to insert information on pieces which we might possibly get permission from respective copyright owners so that we can proceed doing choral arrangments of pieces known from TV shows, movies, etc. Can someone confirm if this is really the case?
 
My target is that I'm hoping I can join other chorus music writers in doing arrangements of this stuff -- and I am well aware that along with having to get proper authorization, I have to make sure to acknowledge who originally wrote the piece itself. The roadblock (and question) is this -- where IS the starting point for this process? I want to be sure that when I proceed, I still stay within the law.
 
Thanks for your help, everyone.
]]>Merit Celairehttp://www.choralnet.org/view/264521Fri, 27 Aug 2010 01:40:07 GMThttp://www.choralnet.org/view/264521 Hi there, everyone,
 
I was checking through my choral music catalogs (both church and school) from JW Pepper (thank you folks; you're always an encouragement to me in trying to join the chorus music writer ranks) -- and I noticed that in this year's listing, I don't see the piece "Rejoice!" (written by Jeffrey Ames) on the list. Does anyone know what happened to it by any chance?
 
I have a high interested in purchasing this piece along with a few others that he has done (I remember singing the "Rejoice!" piece in my college choir years ago, as well as "Let Everything That Hath Breath" and "I've Been in the Storm So Long"); I seriously hope and pray that this addictive piece is not out of print.
 
All right; thanks, everyone.
]]>Mary Superakhttp://www.choralnet.org/view/264526Fri, 27 Aug 2010 04:03:41 GMThttp://www.choralnet.org/view/264526 Hi,
 
I am looking for a classroom set of Barred instruments yet would love to find any barred instruments for an elementary school choir.   
 
Thank you,
Mary
]]>Valerie Paytonhttp://www.choralnet.org/view/264515Thu, 26 Aug 2010 23:47:15 GMThttp://www.choralnet.org/view/264515 Is there an online source where one might order conductor's clothing?]]>Catherine Campbell-Nesbithttp://www.choralnet.org/view/264488Thu, 26 Aug 2010 19:30:43 GMThttp://www.choralnet.org/view/264488 I need a baritone soloist or tenor with low notes for a patriotic concert who is or has been in any branch of the military and could perform in their uniform.  The job is Saturday, Nov. 6th in Sleepy Hollow, New York.  The pay is $200 for one rehearsal and the performance. 
Please contact me via e mail at :
cdcn@aol.com
if you are interested in this performing opportunity.
Thank you.
Catherine Campbell Nesbit
Music Director - Scarborough Singers
]]>Gina Chacon http://www.choralnet.org/view/264509Thu, 26 Aug 2010 22:18:04 GMThttp://www.choralnet.org/view/264509 Jurupa Unified School District is searching for an experienced High School Music: Choir/Vocal teacher. This is a full time position that includes choir and vocal instruction to grades 9 through 12.  Our web page www.jusd.k12.ca.us has a certificated application available for your convenience.  The credential requirements are a valid teaching credential with authorization to teach music.  Candidates must have authorization to teach English learners in grades 9-12.  Applicants must meet NCLB teacher requirements.  The salary is $43,593 - $80,852 with an annual choral music stipend of $3245.  Our current work year is 179 days, which includes 6 furlough days.                                                                                                                                
 
Qualified, interested applicants must apply to: Jurupa Unified School District, Personnel Services, 4850 Pedley Road, Riverside, CA  92509.  You may contact us at 951-360-4124 between the hours of 8am - 4:30pm PST. 
 
]]>Zack Uzzlehttp://www.choralnet.org/view/264507Thu, 26 Aug 2010 21:53:06 GMThttp://www.choralnet.org/view/264507
Shepherd of the Hills Presbyterian Church in Southwest Austin seeks 4 singers to fill newly created staff singer positions (SATB). These are contract positions that will run from September – December 2010. SHPC is looking for individuals who not only have strong musical abilities, but also have a servant’s heart and attitude to match those of our current choir members. Time commitment includes weekly rehearsals on Thursday evening from 7-8:30, Sunday morning rehearsal and worship from 10:15-12:00, and a few extra rehearsals for our Christmas Cantata in December. Compensation is $200 per month.
 
Auditions will be held at the church on Thursday evening September 2nd. You will need to prepare a short solo piece and be prepared to sight-read from the choir’s repertoire. In addition there will be a brief informal interview with our selection committee. If interested please contact SHPC’s choir director, Zack Uzzle, zack@shpc.org, or you may reach him at
512-305-3145 ]]>Blake Rileyhttp://www.choralnet.org/view/264481Thu, 26 Aug 2010 17:32:23 GMThttp://www.choralnet.org/view/264481 I have a friend that is interested in renting out choral music, but doesn't know what standard rates might be. Is there anywhere that  I could find a general pricing guage for such a thing? Any help would be appreciated..... ]]>Larry Longhttp://www.choralnet.org/view/264486Thu, 26 Aug 2010 18:05:09 GMThttp://www.choralnet.org/view/264486 Update: these went in the first five minutes after this ad was posted. Sorry.
 
We no longer use this choral music filing system and would like to offer the entire batch to anyone who wants them.
 
Qty : Size (Order number)

33  :  7-1/2x10x1   (80-1)
13  :  7-1/2x10x2   (80-2)
8  :  7-1/2x10x3   (80-3)
2  :  9x12x5/8   (60-1)
3  :  9x12x1   (60-2)
8  :  9x12x1-1/2   (60-3)
 
If you can arrange to meet for a hand-off, they're available for free.
 
Larry Long, Organist & Choirmaster
Church of the Epiphany
1393 York Ave. (at E. 74th St.)
New York City
]]>Willow St. Singershttp://www.choralnet.org/view/264479Thu, 26 Aug 2010 17:15:23 GMThttp://www.choralnet.org/view/264479
The Willow Street Singers is a friendly laidback community choir made up of people who love to explore all forms of choral music. We meet at the Douglas Park Community Centre (Willow Street and W. 22nd Ave) on Tuesday nights from 7 – 9 pm.
 
Under the direction of professional conductor, pianist and vocalist, Leah Hokanson, we’ll be singing an eclectic mix of classical, modern, folk, jazz, a cappella, and world music in beautiful 4-part harmony! Sopranos, altos, tenors, basses...we want you!
 
While we are more recreational than performance-oriented, there will be an informal audition at the first class for new members to determine vocal range and ability to sing on pitch.
 
Improve your tone and breath control in a supportive, no-stress environment. Cheaper than private voice lessons and way more fun!
 
New term begins Tuesday Sept. 21. 
 
For more information see, DOUGLAS PARK COMMUNITY CENTRE FALL 2010 BROCHURE
Adult courses: Willow Street Singers
http://vancouver.ca/parks/cc/douglas/DPCCfall2010.pdf
 
or email: willowstsingers@gmail.com
 
]]>Michael Patchhttp://www.choralnet.org/view/264477Thu, 26 Aug 2010 16:54:22 GMThttp://www.choralnet.org/view/264477 Oakland-East Bay Gay Men's Chorus is requesting resumes for the director of its small ensemble.  On Q is the 12 voice select ensemble of the larger chorus. 
 
On Q Mission Statement:
 
“Inspired by fellowship discovered in the celebration of choral music, the members of On Q engage, entertain and are the outreach ambassadors to the community.”
 
Purpose of On Q:
The members of On Q perform at various venues throughout the year with the goals of offering entertainment, bringing favorable recognition to OEBGMC, and generating revenue. 
 
Expectations for Members of On Q:
1. Arrive on time for all rehearsals
2. Strive to attend all performances: all large ensemble seasonal concerts, plus any possible day, evening and weekend performances
3. Conduct oneself in a manner befitting an ambassador of OEBGMC
4. Strive to attain the highest quality of musical performance
 
Music Director of On Q Job Description
Reports to:
OEBGMC Artistic Director, or designee
 
Music Director of On Q Duties:
1. Arrive prepared and on time to all rehearsals and performances, utilizing the highest quality of professionalism.
2. Arrange hours as needed to accommodate attending evening/daytime rehearsals and performances.
3. Arrange for qualified substitute for any absence, with AD’s prior agreement.
4. Utilize rehearsal time efficiently to maximize the ensemble’s preparedness and morale for optimal performance quality.
5. Work under the AD’s direction to plan ensemble’s performances.
6. Order, obtain, distribute and collect music for ensemble, as directed and approved by AD.
7. Accompany ensemble during rehearsals and performances, directing ensemble from the keyboard as necessary.
8. Set ensemble rehearsal and audition schedules, with AD prior approval.
9. Actively work to bring in performance opportunities for On Q that engage the community, advocate the organization and/or bring in monetary contributions.
10. Direct and frequent communication with the AD is a must – meeting with the AD on a monthly basis at minimum. AD will occasionally sit in on On Q rehearsals, offer suggestions for improvement, give guidance and direction, and make sure the best interests of OEBGMC are upheld.
 
Compensation:
Independent Contractor Part-Time Position.
$420/mo (salaried position based on $35/hr, 12/hrs per month)
A performance review will be conducted by the AD in conjunction with the Personnel Committee annually in June.
A written 30 day notice to OEBGMC is requested prior to contractor resigning from this position.
 
Applying:
Send cover letter, resume and supporting materials electronically to:
michaelpatch@mac.com
 
Questions? Contact Michael Patch @ 816-517-5044, or michaelpatch@mac.com
 
]]>Adam Egglestonhttp://www.choralnet.org/view/264471Thu, 26 Aug 2010 16:22:27 GMThttp://www.choralnet.org/view/264471 Auditions are now open for the inaugural season of the Astoria Symphonic Choir!
All voice parts are needed. No prior experience is necessary.

The choir's 2010-11 season will include performances of Handel's Messiah in December and Haydn's Lord Nelson Mass in May. Each performance will be in collaboration with The Astoria Symphony. Rehearsals will take place in Astoria on Monday evenings, 7-9pm, beginning September 13.

Auditions are being held by appointment, afternoons and early evenings, between now and September 10. All interested singers should send an email to AstoriaChoir@gmail.com to set-up an appointment.

Don't miss this opportunity to make great music in Astoria!
 
https://sites.google.com/site/astoriasymphonicchoir/
]]>Ashley Overholthttp://www.choralnet.org/view/264468Thu, 26 Aug 2010 15:36:41 GMThttp://www.choralnet.org/view/264468 I am teaching at a school with extremely limited resources and I am in need of perhaps a teacher's edition and maybe a few student texts of a curriculum. At my old school we had so many old music books that no one used and I'm hoping someone may have something in their storage closet that they don't mind getting rid of...I'm teaching prek-8th grade.
 
If you have any information or would like to donate, please contact me: Ashley Overholt at ashleyoverholt@gmail.com. Thank you so much!
]]>Ceci Dadismanhttp://www.choralnet.org/view/264466Thu, 26 Aug 2010 15:14:43 GMThttp://www.choralnet.org/view/264466 Masterworks Chorus of the Palm Beaches will be holding auditions for prospective chorus members on Tuesday, September 7 and September 14 beginning at 7:00 p.m. at Palm Beach Atlantic University in West Palm Beach.  Interested singers with previous choral experience should fill out the audition form at http://masterworkschorusofthepalmbeaches.com/?page_id=121 to schedule an audition time. ]]>Janet Lanierhttp://www.choralnet.org/view/264463Thu, 26 Aug 2010 14:51:48 GMThttp://www.choralnet.org/view/264463 Amarillo Master Chorale, directed by Dr. Steven Weber has a new website.  Please visit them and browse through their photos and information. ]]>Randi Carphttp://www.choralnet.org/view/264460Thu, 26 Aug 2010 14:12:36 GMThttp://www.choralnet.org/view/264460 I'm looking for choral folio cabinets within driving distance of the Chester County, PA area.  For sale or donation.  Please let me know if you have any you're interested in parting with.
 
Randi Carp
]]>Scott Buchananhttp://www.choralnet.org/view/264456Thu, 26 Aug 2010 12:40:35 GMThttp://www.choralnet.org/view/264456Item: FROM OUT OF A WOOD
Composer/Arranger/Edition: arr. Arnold Freed
Starting: ASAP
For: until December 15, 2010
Copies: 25
Willing to rent: No
 
]]>philip copelandhttp://www.choralnet.org/view/264442Thu, 26 Aug 2010 10:28:39 GMThttp://www.choralnet.org/view/264442 Covey tells us we must "seek to understand" before we can be understood as teachers.  With that in mind, I share this list that I found referenced on Jeff Carter's blog - the mindset for this year's freshmen student:
 

1. Few in the class know how to write in cursive.

 

2. Email is just too slow, and they seldom if ever use snail mail. 

and . . . 

10. Entering college this fall in a country where a quarter of young people under 18 have at least one immigrant parent, they aren't afraid of immigration...unless it involves "real" aliens from another planet.

 

11. John McEnroe has never played professional tennis. 12. Clint Eastwood is better known as a sensitive director than as Dirty Harry.

 

13. Parents and teachers feared that Beavis and Butt-head might be the voice of a lost generation.

 
It is a long list, available here.
]]>Andrea Elwesshttp://www.choralnet.org/view/264429Thu, 26 Aug 2010 01:25:24 GMThttp://www.choralnet.org/view/264429 I teach in a very large school with what has traditionally been a very strong Performing Arts program. Our school went to block scheduling several years ago (before I joined the team) and, quite honestly, implemented a fairly effective system. Music classes are on "mini blocks" for first and fourth block - meeting every day for 50 minutes each - we start and end the day ten minutes before/after the rest of the building. Second and third blocks meet every other day for 95 minutes.
 
For the first three or four years, English and Math were offered on mini's as well (which apparently was promised when they designed the initial block schedule) so that our students didn't have to give up a class in order to take band, choir or orchestra. Within the last two years they have taken away these other classes (due to enrollment and FTE's)  and our music students are now having to give up two class blocks in order to take one class. This is especially tricky for the students participating in the advanced groups because they must be in the larger ensemble in order to participate in any select group, therefore giving up three blocks to take two classes. I have not known a program were students we able to be in the chamber/show/jazz choirs without supporting the larger choirs.
 
My questions are:
1) What are your thoughts on allowing the advanced students to only be in the select ensembles? Have you seen it before? How might it work without bloating egos and creating a "good" choir vs. "bad" choir? (I have worked with that mentality before and don't want to go back there!) I have never known it any other way, so I feel that I would be sacrificing much if I change my program to make it fit the current schedule.
 
2) Our parents and students are very frustrated with this situation, as is our department, because we are seeing great kids walk out the door (what does that say to all of the students we are trying to recruit). It has been a topic of concern for two years now, we've talked with departments, we've discussed it with administration without any change. So, do I give in? Say, "It is what it is - wish you could make it work... my hands are tied." Or, do I fight it, get the parents involved and risk shaking the boat... a lot.
 
What would you do or what have you done to fight for your students to be able to make it all work together? It's possible, right? I am feeling quite defeated and that is no way to start the year. :)
 
Thank you for your ideas!
]]>Ben Spaldinghttp://www.choralnet.org/view/264428Thu, 26 Aug 2010 01:25:11 GMThttp://www.choralnet.org/view/264428 Dear Colleagues: 
 
I am conducting Rachmaninoff's Vespers for the first time and was wondering if there is a IPA transcription out there.  I would also welcome a literal translation of the text!
 
Thank you!
Ben A. Spalding
]]>kathy kibbey cushmanhttp://www.choralnet.org/view/264430Thu, 26 Aug 2010 01:49:14 GMThttp://www.choralnet.org/view/264430 Needed:  A strong accompanist with choral accompanying experience.  Variety of styles, including classical, music theatre, and jazz/pop.
 
Where:  Small, private high school in Katonah, NY area.
 
Time of Day:   Varies with the rotating schedule.  Approx. 3 times per week, in various time blocks.  40 minutes per rehearsal, except when there is a Double Period occasionally. 
 
Payment:   $50 per rehearsal....performances and dress rehearsals are paid more.
 
Two large concerts per year, plus some additional possible duties.  Also, there is a possibility of developing private piano students and a few other opportunities at the school.  In-person interview/audition required.  Contact me privately for more details or to schedule an interview.   kcushman@harveyschool.org
]]>Donald Boyerhttp://www.choralnet.org/view/264425Thu, 26 Aug 2010 00:29:10 GMThttp://www.choralnet.org/view/264425

Grace Episcopal Church in Middletown, NY (75 miles NW of New York City) is seeking

a Choir Director. This part-time position directing the Adult Choir is available January 2,

2011 or sooner. The choir currently consists of 16 singers, including several professional

musicians. Repertoire tends toward classical and traditionally Anglican music, recently

including Anglican Chant, Choral Evensong and Advent Lessons & Carols services. We

are looking for an energetic choral musician with an appreciation and knowledge of the

Episcopal liturgy and the role of music in it. Keyboard skills desirable. Compensation

will be commensurate with experience and ability.

 

Grace Church is located at the heart of Middletown and is locally known for presenting

beautiful liturgy and music in a wonderful, vaulted sanctuary. An excellent Steinway

grand piano and Austin pipe organ are available and the choir seating area was recently

renovated with risers added for excellent sight lines. The parish is also known for its

Guild of St. Margaret Soup Kitchen which serves about 150 hot meals every day of the

year. Visit www.gracechurchmiddletown.org for further information.

 

Send resume to Claire Newquist, Senior Warden, Grace Episcopal Church, 58 North

Street, Middletown, NY 10940.

]]>Shaune Whaleyhttp://www.choralnet.org/view/264421Wed, 25 Aug 2010 23:30:35 GMThttp://www.choralnet.org/view/264421
Arch Street Presbyterian Church, corner of 18th and Arch Streets, Center City, Philadelphia, seeks Mezzo, Tenor and Bass soloists to join its expanding choir.  Must be comfortable singing non-classical worship music (gospel, spirituals, world music, etc.) as well as classical church repertoire.  Must sight read well.  Weekly pay is $100 ($25 for Thursday evening rehearsal plus $75 for Sunday morning service).  Please contact me at <swhaley707@comcast.net> if you would like to audition for our music director, J. Donald Dumpson, and I will forward your information to him.  Thanks!
 
- Shaune Whaley
]]>Deborah Kinghttp://www.choralnet.org/view/264419Wed, 25 Aug 2010 21:54:55 GMThttp://www.choralnet.org/view/264419 Colleagues:  Does anyone have access to Robert Evett's 4 Marian Antiphons?  Would love to see a copy.  By extension, out of curiosity, what are your favorite sets of these texts?  Thanks, in advance, for your input.
Respectfully,
Deborah
 
Dr. Deborah Simpkin King
Artistic Director and Founder, Schola Cantorum on Hudson
Director and Founder, Project Encore™ of Schola Cantorum on Hudson
    . . . transcending the ordinary.
Director of Music, First Presbyterian Church, Ramsey, NJ
Owner, Voice and Conducting Studio, northern NJ
Coordinator, NJACDA High School Choral Festival
office:  888-407-6002 x4
]]>Justin Wardhttp://www.choralnet.org/view/264417Wed, 25 Aug 2010 21:24:35 GMThttp://www.choralnet.org/view/264417 The Cathedral of Saint John Berchmans continues to seek candidates for the full-time position of Associate Director of Music. The ideal candidate will have a teachable spirit and a good understanding of the nature the Church and her liturgy, especially at a Cathedral standard. The Associate Director of Music will assist with the planning, organizing, conducting, and evaluation of a comprehensive music ministry including choirs and instrumental ensembles. He/She will also serve as the Associate Cathedral organist as well as the principal accompanist to all Cathedral choirs includes the Cathedral Girls' Choir Cathedral Boys' Choir, Saint Ignatius Loyola School Youth Choir and the Cathedral Adult Choirs. There is also substantial opportunity for private teaching or teaching music in the Cathedral schools. The Cathedral Parish also has numerous weddings and funerals throughout the year for additional compensation. Currently the Cathedral is in the construction process for Parkey Organ Builders Opus 12 of 3M/55 Ranks.

Resume and three letters of reference should be sent to:

Justin Ward, Director of Liturgy and Music
Cathedral of Saint John Berchmans
939 Jordan Street
Shreveport, LA 71101
jward@sjbcathedral.org  ]]>Thomas Colohanhttp://www.choralnet.org/view/264416Wed, 25 Aug 2010 21:19:11 GMThttp://www.choralnet.org/view/264416
All Souls Church, Unitarian
Washington, DC
 
The renowned All Souls Church, Unitarian seeks a dynamic choral director with brilliant keyboard skills and a vibrant multiracial, multicultural choral repertoire to accompany and conduct the skilled, 40-voice All Souls Choir on selected Sunday mornings.  Fluency is essential in Gospel, Broadway, Jazz, Pop and Classical styles.
 
Duration:11 month Interim Contract.
September 15, 2010 – August 15, 2011
 
The position is open until filled. The church seeks to fill this position immediately.
 
Schedule: Every Thursday night Sept-June 2010 
 
3 Sundays each month during 4-week months
4 Sundays each month during 5-week months
2 services per Sunday appearance.
 
The director will have one Sunday each month off.
 
Salary: $10-$15,000 depending on duties andqualifications.  
 
The director will be fully supported in administrative matters by a staff librarian and the Music Director
 
Duties
 
1. Direct and accompany the 40 voice All Souls Choir (including four professional section leaders) on Thursday evenings September 16, 2010 –June 16, 2011.
 
2. Direct the All Souls Choir on Scheduled Sunday mornings September 19, 2010 – June 19, 2011, and on Christmas Eve.   The Choir will sing 2 or 3 Sundays each month, depending on the Worship Schedule
 
3.  Choose and accompany four professional section leaders in various solos and duets throughout the year.
 
4.  Accompany Provide hymn support all Sundays each month except one.
 
5. Select anthems and hymns in collaboration with Worship Planning Team
 
6.  Attend regular worship planning meetings throughout the year. 
 
7. Provide piano accompaniment for funerals and weddings as directed by the Music Director 
 
8. In collaboration with the Music Director and Music staff, plan, conduct, and accompany one major concert in the spring of the year comprised of piano works, hymns and anthems.
 
9. Maintain and minister to the morale and communal life of the All Souls Choir, by building lay leadership and creating opportunities for members connect with one another in a mutually supportive environment. 
 
10. Maintain the musical excellence of the choir, and the multiracial, multicultural diversity of the choir’s repertoire.
 
While the choir director will be supervised by the Music Director,
there is a high degree of autonomy associated with this professional position.
 
Interested candidates should send a letter of interest, resume and recordings (or links to recordings) to Thomas Colohan, Interim Director of Music, All Souls Church Unitarian.  tcolohan@allsouls.ws
]]>Tricia Clark Neffhttp://www.choralnet.org/view/264410Wed, 25 Aug 2010 20:09:25 GMThttp://www.choralnet.org/view/264410Item: Vivaldi Gloria, orchestration and score
Composer/Arranger/Edition: Martens
Starting: December 2010
For: through - Feb. 2011
Copies: 1
Willing to rent: No
 
]]>Lauren Carleyhttp://www.choralnet.org/view/264407Wed, 25 Aug 2010 18:49:39 GMThttp://www.choralnet.org/view/264407
 
 
VARIETY PACK! Artistic Director                     Lauren Carley       510  652-1298
Librarian                                                     Judith Morton      925  457-9440
 
Rehearsals: Thursday nights, 7:00 - 9pm, off Piedmont Ave., in Oakland. 
Concerts: December and June
 
Would you like to sing with a warm and welcoming chorus to sing and perform traditional, southern gospel, classical, world, pop, and theatre music with a professional director?
 
You may learn by ear or read music notation, have lots of experience or very little.  There is no audition, but you do need to be able to sing in tune and be willing to work hard, have fun and expand your music skills.  Perks include increasing your vocal range and projection, learning to sing harmony, sharpening your music literacy, gaining performance skills and making new friends.
 
We’d like to hear from you. Call 510 652-1298 or e-mail  lacarley@gmail.net with questions.
 
Lauren Carley Biography – www.lcarley.com
Carley directs community choruses in Oakland, is a vocal ensemble instructor at UC-Berkeley's Osher Lifelong Learning Institute, Joy of Singing retreat leader in Italy and the US, past Vocal/Choral Studies Director at the Oakland Public Conservatory of Music, conductor for the Oakland Youth Chorus, Visiting Drama Faculty at Colorado College, Adjunct Professor of Voice at New York University and NYC's American Musical and Dramatic Academy.  Carley collaborates with composers for stage, concert, screen and theatre directors to create new work.  She performs locally with jazz and classical artists.
]]>Roxie Zeekhttp://www.choralnet.org/view/264403Wed, 25 Aug 2010 18:27:04 GMThttp://www.choralnet.org/view/264403

Our Performing Arts Company, now in it’s 5th year, is seeking talented musical theatre performers ages 11-18 who can sing, dance and act, and are looking to use their talent to better the community! This musical troupe represents the Theatre by performing Broadway-style musical numbers at community events, fundraisers, hospitals, special events and festivals around New Jersey. This is a great opportunity to sharpen your skills, gain exposure and help those in need.

Auditions: Sunday, September 19th 1:00 – 4:00 p.m. (sign up begins at 12:30 p.m.)
The Community Theatre at Mayo Center for the Performing Arts 100 South Street, Morristown (please use our 9 Pine Street entrance) Please prepare an uptempo song that shows off your vocal range and personality. Be prepared to dance.

Rehearsals: Tuesdays 6 – 8 p.m. and some Sundays 1-4 p.m. Performances: Varies (mostly weekends and Thursday evenings)

Questions?: e-mail pas@mayoarts.org or call 973.539.0345x6582

]]>Sean Berghttp://www.choralnet.org/view/264395Wed, 25 Aug 2010 16:48:10 GMThttp://www.choralnet.org/view/264395
Manhattan Concert Productions is currently looking for groups to participate in our 2011 EXCEL A Cappella Academy - Nashville. I hope that this event fits into your goals for the 2011 year.
 
First and foremost, the nature and philosophy of this event is friendly, cooperative, educational and NON-COMPETITIVE. This is great for groups preparing to enter their competition season or preparing for recording sessions by allowing them to workshop their set with some of the best clinicians in the business.  Participation in this festival allows group to hone their skills and get valuable experience and feedback. 
 
It's a great event for established semi-pop, collegiate, and high school groups and for director's and groups wanting to expose their students to the genre or begin a contemporary a cappella ensemble at their school. It's a very nurturing festival and and caters to all performance levels.
 
Here are some of the highlights that I think make this event unique:
 
This event is a weekend-long a cappella academy geared towards preparing groups for spring competition season and annual recording sessions.   The festival is packed with Performances, Clinics, and Master Classes led by some of the most respected voices in the ACA world. We invite you to join us this year in MUSIC CITY - Nashville, TN, January 28-30, 2011
 
The EXCEL A Cappella Academy brings together top industry professionals, collegiate and professional a cappella groups, and fans in a unique, educational atmosphere.
 
Opening Gala Event - The Wildhorse Saloon
Collegiate/Professional Showcases - The Ryman Auditorium
*A culminating public performance featuring a professional A Cappella group at the Ryman Auditorium, one of the most outstanding performance venues in Nashville. 
Saturday/Sunday Classes (TBA) - Gaylord Opryland Hotel
 
Master-class and clinic sessions are individualized, hands-on workshops in which your group works privately with a guest instructor or instructors. This is a chance to receive constructive guidance and instruction from a cappella's best and brightest!  Refine your competition set; tweak your arrangements; prepare for your recording session; learn mic and vocal percussion techniques.
 
Master-classes and Clinic Sessions will be available all weekend during class times (Saturday 9:00-5:30, Sunday 10:00-12:00).
 
Classes:
Performance Techniques
Voice placement
Stage Presence
Movement/Choreography
Mic Technique
Vocal Percussion
Beginner/Novice
Advanced
Arrangements
Refining for polished and noteworthy arrangements
Taking them to the next level for competitions and recording sessions
Making an Album           
Everything you need to know or want to ask

 

Please respond by email at seberg@manhattanconcertproductions.com or call me at 212-279-1147 x12 to discuss this, and other performance and tour opportunities.

Regards,
Sean
]]>Elizabeth Goodhttp://www.choralnet.org/view/264393Wed, 25 Aug 2010 16:39:38 GMThttp://www.choralnet.org/view/264393 Westmont Hilltop High School Choral Department would like to purchase 9 copies of "Basics of Singing" by Jan Schmidt (4th edition, please).  ]]>Sean Berghttp://www.choralnet.org/view/264394Wed, 25 Aug 2010 16:41:37 GMThttp://www.choralnet.org/view/264394
Manhattan Concert Productions is accepting registration for vocal and instrumental jazz ensembles to join us for our 2011 NYC Jazz Fest @ Lincoln Center. Steve Zegree serves as the Artistic Director of this annual event. We are hopeful that this event fits into your goals for the 2011 school year.
 
First and foremost, the nature and philosophy of this event is friendly, cooperative, educational and NON-COMPETITIVE. This is great for groups preparing to enter their competition season by allowing them to workshop their set with some of the best clinicians in the business.  Participation in this festival is not limited or specific to "Vocal Jazz or Jazz Bands." It's a great event for director's and groups wanting to expose their students to the genre or begin a jazz ensemble at their school. It's a very nurturing festival and and caters to all performance levels.
 
Here are some of the highlights that I think make this event unique.
 
1) A culminating public performance featuring Western Michigan University's Gold Company and Jazz Orchestra at the Allen Room in Frederick P. Rose Hall, Home of Jazz at Lincoln Center, one of the most outstanding performance venues in New York City. 
 
2) Participating ensembles will perform on a public concert – with full audience – that will feature all of the participating groups, and include positive feedback and comments from all of our wonderful clinicians. Each group receives solo stage time
 
3) Ensembles will also receive a private clinic with one of our clinicians that can be focused on educational experiences and tailored to what you would like your students to receive. I find this one on one experience to be invaluable and one of the highlights of the festival. Vocal Clinicians: Duane Davis, Ly Tartell, Kurt Elling and Steve Zegree; Instrumental Clinicians: Scott Cowan and Bob Mintzer.
 
4) In addition to all of our musical activities you and your students will also be given free time for touring, sightseeing and perhaps even catching a Broadway show or a jazz concert.
 
5) We also have a very special MEET THE ARTIST Q&A session and special performance with Kurt Elling and Bob Mintzer.  In the past this session has been given by Janis Siegel, from the acclaimed Manhattan Transfer, and Terell Stafford, jazz trumpeter. I think your students will really enjoy the "up close and personal" time with a professional artist.
 
 
NYC Jazz Fest
March 4-7, 2011
New York City
The new Jazz at Lincoln Center, Columbus Circle & Central Park
 
PACKAGE INCLUSIONS: 
3 nights lodging in a Midtown Manhattan Hotel (Park Central or similar)
Ticket to the Top of the Rock Observation Deck at Rockefeller Center
Ticket to a 2-hour Post-Concert Reception Cruise with food, dancing, and spectacular views or the Manhattan Skyline and the Statue of Liberty
Private Clinic Sessions
Solo Ensemble Performance
Participation in the MCP Jazz All-Stars Festival Chorus under the direction of Dr. Steve Zegree
Complete state-of-the-art venue and sound system provided for the performance at the Allen Room in Frederick P. Rose Hall, Home of Jazz at Lincoln Center
Ensemble directors receive a complimentary package
Non-performing participants receive a $100 discount and all inclusions
 
NOT INCLUDED:
Meals
Transportation to NYC
 
Tentative Itinerary:
Friday, March 4 - arrival and Mass Choir Rehearsal with Dr. Zegree - 7pm-9pm (vocal groups only)
Saturday, March 5 - Morning/Afternoon individual ensemble clinics with 1 of the 3 clinicians
Sunday, March 6 -  Concert Day - AM/Early Afternoon sound checks at the Allen Room; 1pm Concert showcasing all participating ensembles in a solo capacity (6 minutes in length with taped and written comments from the 3 clinicians); 8pm - Evening Gala Concert featuring the Mass Festival Chorus under the direction of Steve Zegree and Western Michigan's Gold Company and Jazz Orchestra. Special Guests will also appear on the evening concert; 2-Hour Post-Concert Reception NY Harbor Cruise
Monday, March 7 - Return Home
 
Please respond to this email or call me at 212-279-1147 x 19 to discuss this, and other performance and tour opportunities.
 
Regards,
Sean
 
]]>Eugene Eustaquiohttp://www.choralnet.org/view/264381Wed, 25 Aug 2010 09:43:57 GMThttp://www.choralnet.org/view/264381 Hello Friends,
     I'm looking for a Classical Christmas Repertoire for 3 voices ( Sop, Alto, Men). Basically we have a pretty much equal numbers of sopranos and altos but our tenor and bass is very little. So im thinking for only 3 voices. Some of them can read notes but 60 percent cant read and some are really new to choral singing. It's quiet hard to decide. Any Advise?
 
Also, I'm looking for a complete music score of Carribean Mass by Glenn McClure. I don't where we can buy the music score.. Pls advise..
 
Thanks...
Eugene
]]>Philip Steinbacherhttp://www.choralnet.org/view/264376Wed, 25 Aug 2010 07:34:10 GMThttp://www.choralnet.org/view/264376 I have four singing ensembles at school and am constantly updating seating/standing charts.  Does anyone know of any software for making chorus seating charts - for classroom seating and also for standing arrangements on risers?  If not software, then some computer templates compatible with MS Office and/or Open Office products?  Something like this could save me hours of work.  Thank you! ]]>Philip Steinbacherhttp://www.choralnet.org/view/264375Wed, 25 Aug 2010 07:29:19 GMThttp://www.choralnet.org/view/264375 I've sung the Deo Gracias from Ceremony of Carols on several occasions with different directors, often with varying pronunciations.  I'm now approaching it with my HS chorus and am wondering if anyone knows of a "definitive" pronuciation guide.  Could anyone steer me in a direction?  A contemporary English paraphrase would help, too!  Thank you. ]]>philip copelandhttp://www.choralnet.org/view/264118Sat, 21 Aug 2010 08:00:27 GMThttp://www.choralnet.org/view/264118 Finally, a vibrato controversy I can sit back and enjoy:

Performance practice covers countless topics, most of which have been written about extensively, but there’s one issue which I’d like to raise here: orchestral string vibrato.  It has become commonly accepted in the 21st century that until the post-war period string players did not use much vibrato – that wiggle of the fingers on the string which produces a quiver of pitch in the note being played. The evidence for this comes almost exclusively from early recordings from the first decades of the 20th century. There is no doubt that string sections back then did not have the same constant vibrato that we tend to hear in present-day performances.

Read the whole story here.
H/T Alex Ross
]]>Allen H Simonhttp://www.choralnet.org/view/264373Wed, 25 Aug 2010 06:37:31 GMThttp://www.choralnet.org/view/264373

A retired Utah music and fine arts teacher has been named a 2010 inductee into the National High School Hall of Fame.

George Welch, of Murray, is the seventh Utahn to be inducted into the hall since 1983. Welch spent more than 35 years working as a teacher and administrator for schools in Utah and Wyoming.

]]>Allen H Simonhttp://www.choralnet.org/view/264374Wed, 25 Aug 2010 06:42:19 GMThttp://www.choralnet.org/view/264374

He was flying into New York to appear in front of his many fans at a Mozart festival.

But when British conductor Paul Hillier arrived at the airport, the police were waiting for him instead.

And rather than relaxing in preparation for his performance at the renowned Lincoln Centre in New York, the 61-year-old Grammy winner was taken to jail.

And he had to arrange to pay £58,000 to his children by first wife Lena-Liis Kiesel to gain his freedom, it is said.

Prosecutors claim Mr Hillier, who is from Dorchester, Dorset, had been ducking payments to his daughters, 24 and 19, for four years.

]]>Brian Butlerhttp://www.choralnet.org/view/264364Wed, 25 Aug 2010 02:54:39 GMThttp://www.choralnet.org/view/264364 Hello all,
   This is my 2nd year directing Middle School Chorus (6-8).  I have 2 choirs, a mostly 7-8 mixed chorus and a mostly 6-7 mixed chorus.  My groups are separated based on ability and changed vs unchanged voices.  I also lead an after schooI mixed chorus one day per week for those band and orchestra members who like to sing, but who can't be in chorus during the school day because of scheduling.  I was approached today by my only true baritone in the 7/8 chorus asking if it would be okay for him to leave the daytime chorus and participate in chorus via the after school group.  He sighted interests in other classes that he is unable to take while being in chorus.
   I am very torn about what to do.  He is a good, hard-working, student, and I feel that he would attend after school rehearsals on a regular basis.  Also, I want to be seen as a supportive teacher.  BUT... as I said earlier, he is the one true baritone that I have, and I know that he voice will only get stronger if it is used every other day.  Also, as he has almost completed the voice change, I'm hoping that as the year progresses and other students change, that he could be somewhat of an anchor to the baritone section.  Any advice given would be appreciated.  Thank you all, and have wonderful, musical, school years (and liturgical years).
   ~Brian
 
Brian P. Butler
Robert Goddard French Immersion, Lanham, MD
www.tinyurl.com/rgfichorus
]]>Georgina Philippsonhttp://www.choralnet.org/view/264361Wed, 25 Aug 2010 02:25:39 GMThttp://www.choralnet.org/view/264361 I conduct an auditioined 40-voice community choir.  We are doing a concert in collaboration with taiko and koto in the spring of '11.  We perform literature between 4-14 part (SATB) and I am looking for a few songs in English that are based in Japanese themes.  We have five songs in Japanese to learn and I am interested in finding more titles like:  Moonlight on Mt. Fuji, A Feast of Lanterns (either on Japanese landmarks or culture)  Our themes are nature, flowers and drums. 
 
Any ideas are greatly appreciated!
]]>Mary Neumannhttp://www.choralnet.org/view/264360Wed, 25 Aug 2010 02:13:50 GMThttp://www.choralnet.org/view/264360 The Halalisa Singers, a 30 voice SATB world music vocal ensemble announces auditions for its 2010-2011 concert season.
We are seeking experienced singers in all sections, especially tenors, who enjoy the challenge of singing in diverse languages and styles.  
Audition Night by appointment: Monday, September 6th 7:30PM
Open Rehearsals: Mondays, September 13, 20, 27 &:30-9:30 PM
 
Come join us for this exciting 2010-2011 Concert Season.
"It Takes a Village" including "Ben Allaway's major work based on African themes "Bandari".
Saturday, January 22nd and Sunday, January 23rd 
 
"Walking In The Cradle of Our Land"
Saturday, April 30th and Sunday, May 1st 
 
Monday evening rehearsals in Lexington, MA.
Contact Mary Neumann, Artistic Director for more information and appointment: 781-862-6353, marykcn@gmail.com.
]]>Steven Edwardshttp://www.choralnet.org/view/264362Wed, 25 Aug 2010 02:32:05 GMThttp://www.choralnet.org/view/264362
Symphony Chorus of New Orleans
Steven Edwards, Music Director
 
2010 – 2011 Season
 
August 24 – September 7
Auditions by appointment
 
October 2: Annual Choral Workshop
Alissa Mercurio Rowe, Clinician
 
October 20: SING FOR THE CURE: A Proclamation of Hope
Steven Edwards, Conductor
 
December 16, 17: Louisiana Philharmonic Orchestra, Carlos Miguel Prieto, Music Director
Baroque Christmas (Bach Christmas Oratorio Cantata Two and Handel Messiah Part One)
 
February 21-25: Singers of United Lands (SOUL) Residency
Education Outreach and Concert
 
March 27: Karl Jenkins The Armed Man: A Mass for Peace
Steven Edwards, Conductor
 
Saturday, April 2: Symphony Chorus of New Orleans Annual GALA
 
May 12, 13: Louisiana Philharmonic Orchestra James Paul, Guest Conductor
Gilbert & Sullivan HMS Pinafore
 
June 27, 30: Carol Barnett The World Beloved: A Bluegrass Mass
Steven Edwards, Conductor
]]>Kyle Wearyhttp://www.choralnet.org/view/264351Wed, 25 Aug 2010 00:47:45 GMThttp://www.choralnet.org/view/264351 Hello friends!
 
I am looking for a few good pieces for my women's vocal jazz ensemble.  I typically have 6-8 singers in my group (1-2 on each part).  I need to find some rep that is acapella.  It doesn't have to have a theme.
 
Thanks in advance!

Kyle
]]>Joy Sampsonhttp://www.choralnet.org/view/264357Wed, 25 Aug 2010 01:46:33 GMThttp://www.choralnet.org/view/264357 We're looking for a rehearsal accompanist for Monday nights from 7-9:30 pm.  Rehearsals start Sept. 20 and we go through May.  This would be for rehearsals only; we already have a pianist to play for our performances.  You should have good sight reading skills, be able to read open score and be comfortable with lighter repertoire.  Pay is $50/rehearsal, snacks included!  Perfect spending money for a music student.  Out Loud Chorus is Washtenaw County's original, mixed LGBT chorus.  Our group is comprised of singers of all skill levels and backgrounds. ]]>Brian Russellhttp://www.choralnet.org/view/264354Wed, 25 Aug 2010 01:24:09 GMThttp://www.choralnet.org/view/264354 First Federated Church (PC-USA and UCC) seesk four Soloists/Section Leaders to sing with the Chancel Choir.  Job responsibilities include:
1.      Sing as a member of the Chancel Choir all service music for the 10:00 weekly worship service on Sunday mornings during the Program Year (September through May).
2.      Attend two weekly choir rehearsals during the Program Year, currently scheduled for Thursday evening from 7-8pm and Sunday morning from 9-10am.  As major musical events in the church arise, these rehearsals might be elongated; the section leader/soloist will be expected to stay for the entire scheduled time.
3.      When needed, run sectionals at Chancel Choir rehearsals.
4.      When solo opportunities arise within the Chancel Choir repertoire, learn and perform said selections as assigned by the Director of Music.
5.      Sing for other services within the Liturgical Year as scheduled, currently including Maundy Thursday and Christmas Eve.  As major musical offerings arise for the Chancel Choir (currently Advent and Lenten major works), the section leader/soloist will be expected to attend and perform.
6.      Thoughtfully program (according to scriptural references for a given service), prepare, and perform sacred vocal solos during the church service on a rotational basis with other section leaders/soloists as scheduled by the Director of Music, currently scheduled once every 5-6 weeks.
 
$40/week.
 
Contact Dr. Brian Russell at briantrussell@msn.com or 615.945.1825 for more information.
]]>Javier Martin Arita Fernandez-Davilahttp://www.choralnet.org/view/264350Wed, 25 Aug 2010 00:46:46 GMThttp://www.choralnet.org/view/264350  
Il Coro Lirico Quadrivium dell'Associazione Spettacolo Cultura di Genova organizza l'audione per tutte le voci (Soprano I e II, Mezzosoprano,Tenore I e II, Baritono, Basso) il mercoledì 6 ottobre 2010 dalle ore 20 alle ore 23 nella sede Sala Quadrivium in via XII ottobre, 16 Genova Italia.
Gli interessati possono contattare i numeri (+39)3397506125 Sig.ra Annamaria Massari, (+39)3405572679 Sig. Martin Arita o visitare il sito http://www.associazionespettacolocultura.com.
 
L'audizione è gratuita e si svolgerà come segue
 
• Vocalizzi
• Semplice e facile lettura cantata
• Eventuale esecuzione di un'aria solistica a scelta del candidato (per verificare la possibilità di utilizzare l'elemento anche come solista in opere e concerti).
Il candidato ha la facoltà di portare, a sue spese, un propio accompagnatore al pianoforte.
 
Il Direttore Artistico (M° Marco Ghiglione )
]]>Daniel Wagnerhttp://www.choralnet.org/view/264345Tue, 24 Aug 2010 23:26:38 GMThttp://www.choralnet.org/view/264345 Friends - our United Methodist Bishop of Eurasia will be with us in worship in October and I'd like to prepare a couple of pieces form the Russian Sacred Choral tradition (i.e. Orthodox)
 
I have a Lord's Prayer (Oche Nash) I think we'll do that's already transliterated.
 
I'm looking at "From the Rising of the Sun - for the greeting of the Bishop" from cpdl but it uses the Cyrillic alphabet.  It's a short piece, and I wonder if anyone on the list could transliterate it to the latin-based alphabet.
Here's the link:
 
 http://www.rocm.org/scores/vigil/FromTheRisingOfTheSun.pdf
 
The text translates:  "From the rising to the setting of the sun, is the name of the Lord to be praised. Blessed be the name of the Lord, from henceforth and forevermore."
 
Thanks,
 
Dan Wagner
Grace UMC
Naperville, IL
]]>John Alfordhttp://www.choralnet.org/view/264342Tue, 24 Aug 2010 21:56:14 GMThttp://www.choralnet.org/view/264342 www.birminghamchildrenschoir.org]]>Susan Sevierhttp://www.choralnet.org/view/264336Tue, 24 Aug 2010 21:11:24 GMThttp://www.choralnet.org/view/264336

 

Calvary Baptist Church www.calvarydc.org (Chorus-$25,000-$49,999) Church/Temple audition Unknown level Section Leader/Soloist role contact Dr. Cheryl Branham, Music Director cbranham@calvarydc.org

TENOR SOLOIST / SECTION LEADER CALVARY BAPTIST CHURCH WASHINGTON, DC Weekly commitment on Sunday mornings: 9:15 AM Call for rehearsal, Music Suite 11:00 AM Choir leads in worship, Sanctuary Start date: Sunday, September 12, 2010 Wednesday evening rehearsals: Scheduled seasonally for Christmas & Easter prep Duties include Sanctuary Choir, Calvary Chamber Singers (with other section leaders), Festival Choir (Christmas and Easter), worship leader / cantoring, and solo opportunities Calvary Baptist Church www.calvarydc.org 755-8th Street NW Washington DC 20001 Gallery Place Metro Contact Dr. Cheryl Branham, Director of Music cbranham@calvarydc.org or  202.347.8355  202.347.8355 , X136 (Last update: 2010-08-24)

]]>Mary Hamlin-Spencerhttp://www.choralnet.org/view/264335Tue, 24 Aug 2010 21:07:54 GMThttp://www.choralnet.org/view/264335 Epiphany Episcopal Church in Timonium, Maryland is auditioning applicants for alto (or mezzo) and bass/baritone section leaders for the Epiphany Choir. Rehearsals are on Thursday evenings from 7:30-9:30 and Sunday service is at 10 am with brief warm-up rehearsal beforehand.  Good sight-reading skills are essential. Some extra services at Christmas, Ash Wednesday and Holy Week. Please contact Music Director Mary Hamlin-Spencer at music@qis.net  ]]>Larry Longhttp://www.choralnet.org/view/264334Tue, 24 Aug 2010 20:49:15 GMThttp://www.choralnet.org/view/264334 The Church of the Epiphany in NYC (Manhattan) is seeking additional volunteers to sing with its Epiphany Choir on a regular basis. In particular we are in need of basses, however all voice parts are welcome. Currently there are fourteen volunteers and four paid professionals who serve as section leaders. While previous choral experience is helpful, it is not required. Please contact Organist & Choirmaster Larry J. Long at long@epiphanynyc.org for more information. To find the music section at the church website, click on the “Ministry” tab, then “Music at Epiphany”. Choir schedules are listed, as well as a schedule of service music. ]]>Marie Grass Amentahttp://www.choralnet.org/view/264325Tue, 24 Aug 2010 18:53:44 GMThttp://www.choralnet.org/view/264325 Fellow ChoralNetters,
 
I have an interesting opportunity on Friday and wanted your input.  My husband is the president of the board of a small local professional orchestra.  As many arts groups are, they are doing many things to stay afloat financially.  The Development Committee wants new ideas on how to gain new donors--"development" in their world really means beating the bushes for folks to donate money! This committee is having a "brain-storming" cocktail party on Friday and have invited all board members and their spouses.  I am told my ideas will be listened to for a change, since they are desperate. In the spirit of cross-exchange of information of the performing arts, I would like to hear others opinions, experiences, ideas, etc. etc. on this subject.  What works, what doesn't in your situation and community.
 
Please realise this is a professional orchestra, with a fairly good rep--they are the 2010 Illinois Professional Orchestra of the Year--but they are not the Chicago Symphony!
 
Thanks for your help and I look forward to reading your ideas.
 
Marie Grass Amenta, founder and music director
the Midwest Motet Society
]]>Dean Rishelhttp://www.choralnet.org/view/264327Tue, 24 Aug 2010 19:24:36 GMThttp://www.choralnet.org/view/264327
The Philadelphia Voices of Pride, Philadelphia's only mixed-voice (SATB) chorus to serve the Gay and Lesbian community and it's supporters, is offering an opportunity for an unpaid intern to experience the work of the chorus and it's mission.  The chorus is 5 years old, about 35-40 members, and presents two major concerts a year in center city Philadelphia - in November and April.  The intern would be expected to sing with the chorus as s/he observes the musical preparation process as well as the personnel interaction.  S/he work with the Artistic Director, who would serve as a mentor. The intern would  be guaranteed face-time in front of the chorus doing  warm-ups, rehearsal, sectionals,some attendance at administrative and meetings, and if deemed qualified, s/he would conduct one or more songs in performance with the chorus. Interested candidates, local to the Philadelphia area and with at least two years of college musical training in choral music and/or conducting, should contact the Artistic Director at
deanrisihel@gmail.com.
This poisition is ready to be fillled immediately and the first rehearsal of the season is August 31.
]]>Liz Millerhttp://www.choralnet.org/view/264326Tue, 24 Aug 2010 18:57:29 GMThttp://www.choralnet.org/view/264326 Middleham & St. Peter's Parish in Lusby, Maryland is currently looking for a part-time choir director and/or organist.  Choir direction would include a weekly rehearsal and one service on Sunday morning.  Additional services through the church year would be required (i.e. Christmas, Easter...)  The organist position includes playing a tracker Noack organ (Middleham Chapel) and a Wick pipe organ at St. Peter's Chapel.  Salary is negotiable.  Please contact the parish office at 410-326-4948, email middlehamandstpeters@comcast.net.  The positions may be split between two qualified people. ]]>Nathaniel Chesherhttp://www.choralnet.org/view/264312Tue, 24 Aug 2010 15:24:35 GMThttp://www.choralnet.org/view/264312 I am the vocal music director at East Buchanan schools in Winthrop, IA.  We have light blue choir robes with red stoles that are available for a donation. Our music faculty is brand new this year and we are looking to 'clean house."  We also would like to give out our old marching band uniforms with a donation. The marching band uniforms are red coats with a white front panel with columbia blue accents, white pants and matching hat. The shoulders have EB on them as well.  There are also color guard uniforms with a white dress and red sequin top.  
 
None of these items need to be a set. If you want just the pants, they're yours.  Donations are always welcome.  If you are interested please contact either of us at:
 
Than Chesher
Director of Choral Activities
East Buchanan Schools
319.935.3367
nchesher@east-buc.k12.ia.us
 
or 
 
Cory McBride
Director of Bands
East Buchanan Schools
319.935.3367
cmcbride@east-buc.k12.ia.us
 
Thank you in advance!
]]>Tom Tropphttp://www.choralnet.org/view/264310Tue, 24 Aug 2010 15:11:37 GMThttp://www.choralnet.org/view/264310 Friends, several years ago, I produced a CD for conductor Simon Carrington, which was a compilation CD of his seven years as Director of Choral Activities at the University of Kansas.  The CD is just wonderful, with great literature and pristine choral singing.  However, since I'm now taking SoundByte Studios in a new direction and ultimately closing down the retail operation, I need to clear up the shelf space.  Therefore, Simon and I have agreed to put these CDs on "sale" for $7.00 each.
 
Please consider popping over to the web site, where you can see a track list and order a copy.  As I said, they're all on the shelf, so CDs will ship within a day or so of ordering.
 
Thanks!
 
Tom Tropp
SoundByte Studios
Lake Forest, Illinois
]]>Diane Meredith Belcherhttp://www.choralnet.org/view/264306Tue, 24 Aug 2010 14:37:33 GMThttp://www.choralnet.org/view/264306 Auditions for professional singers ( regular and sub list) are now being held for the Choirs of Old St. Paul's Church, Charles Street at Saratoga, in downtown Baltimore.  Singers need not be professional soloists nor voice majors; musicians who are good sight readers or quick/responsible learners, and have a pleasant voice will be considered.  Thursday evening rehearsals for ATB men (7-9 pm); ~ monthly rehearsals for SATB octet (TBA.)  Octet sings at the 9am service; ATB men sing at the 11am service with the Choir of Boys and/or the Choir of Girls.  Contact Diane Meredith Belcher:  diane@osp1692.org.   Please give brief description of musical training/experience (especially choral), and voice part(s) sung.
  ]]>Susan Younghttp://www.choralnet.org/view/264303Tue, 24 Aug 2010 13:34:48 GMThttp://www.choralnet.org/view/264303 Choral volunteers needed for Evanston (IL) Symphony Orchestra Christmas Concert.  All voice parts welcome.  Repertoire: Haydn "Te Deum" (Hob. XXIIIc:2); Wilberg "The First Nowell"; Rush "Angels in the Snow" (combined with Evanston Children's Choir); a singalong; "Hallelujah" from the "Messiah" by Handel.  No auditions necessary-just alove of singing and willingness to work hard.  Concert Dec. 5th-rehearsals commence Sat. morning Oct. 2nd from 10-12 at the Pres Home in Evanston.  More information:phone 847-625-8888.  Choirmaster is Susan Young. ]]>Helene Whitsonhttp://www.choralnet.org/view/264302Tue, 24 Aug 2010 13:22:21 GMThttp://www.choralnet.org/view/264302 The San Francisco Lyric Chorus, under the direction of Music Director, Robert Train Adams, invites singers to join us for our Fall 2010 trimester. We have openings in all parts.

Tenors and Basses especially are needed.

Program: Christmas Music for Chorus, Brass, and Organ
Guillaume Dufay—Gloria Ad Modem Tubae
Giovanni Gabrieli—Hodie Christus Natus Est
Giovanni Gabrieli—In Ecclesiis
Heinrich Schütz—Jauchzet dem Herren
Daniel Pinkham—Christmas Cantata
Robert Train Adams—Christmas Fantasy
Joaquin Nin-Culmell—La Virgen Lava Pañales
and other Christmas Music from the Hispanic World

Rehearsals begin Monday, September 13, 2010

Rehearsals are held on Monday nights from 7:15-9:30 p.m. at:
Macondray Hall
First Unitarian Universalist Church
1187 Franklin Street
San Francisco

To arrange for an audition (ability to blend and sing in tune, some sight reading skill expected) or obtain further information, contact Music Director Robert Train Adams at 415-721-4077 or radams@sflc.org.

For further information about us, check our website at http://www.sflc.org

Our concerts will be held on Saturday, December 4, 2010 at 7 p.m., Mission Dolores Basilica and Sunday, December 5, 2010 at 3 p.m., St. Stephen’s Episcopal Church, Orinda

For our Fall 2010 trimester, we will perform music by two masters of the Venetian polychoral style—Giovanni Gabrieli, and his student, the German composer Heinrich Schütz.  In addition, we will sing French Renaissance composer Guillaume Dufay’s wonderful Gloria Ad Modem Tubae (the ‘trumpet Gloria’), American composer Daniel Pinkham’s delightful Christmas Cantata, a variety of Christmas music from the Hispanic world, including Joaquin Nin-Culmell’s La Virgen Lava Pañales, concluding with Robert Train Adams’ Christmas Fantasy.
 
]]>Aaron Pikehttp://www.choralnet.org/view/264295Tue, 24 Aug 2010 05:52:33 GMThttp://www.choralnet.org/view/264295
Hi everyone!
    I am new to ChoralNet and would just like to introduce myself and some of my music to you. My name is Aaron Pike, a composition student of David Conte at the San Francisco Conservatory of Music and would love to have the opportunity of having some of my music programmed by any of you choral directors that might be interested! 3 of the works are religious, commissioned by BYU-Idaho and the 3rd is a moving acapella piece that is soon to be published through Santa Barbara Music Publishing entitled Peace. Please click on the links to listen and watch performances of the works. 
 
I look forward to becoming an active member of the ChoralNet society!
 
1) Peace
 
http://www.youtube.com/watch?v=KxTzCTo5Vsw
 
2) God of our Fathers:
 
http://www.youtube.com/watch?v=GvK_UPHMfcU
 
3) Christ the Lord: A Sacred Overture
 
http://www.youtube.com/watch?v=O5stnz5CGLU&;
 
 
4) There is a Green Hill Far Away
 
http://www.youtube.com/watch?v=poWFdcUTOe0&;
 
If you are interested in any of my works please e-mail me at: info@aaronpike.com or visit my website: www.aaronpike.com    
 
Thanks everyone!!
Aaron Pike
 
]]>Kal Sostareczhttp://www.choralnet.org/view/264301Tue, 24 Aug 2010 13:03:11 GMThttp://www.choralnet.org/view/264301Item: Messiaen Cinq Rechants
Composer/Arranger/Edition: Olivier Messiaen
Starting: Immediately
For: Permanent
Copies: 16
Willing to rent: Yes
 
Does anyone have any copies of the Messiaen Cinq Rechants they are willing to sell?  We ultimately need 16, but could do with less from multiple sources.
 
We would be willing to borrow, however, purchase is preferred.
 
Thanks!
]]>william moorehttp://www.choralnet.org/view/264299Tue, 24 Aug 2010 12:32:48 GMThttp://www.choralnet.org/view/264299 The Church of the Incarnation is one of the most respected church music
programs in the Metroplex, and prides itself on its Anglican choral music
tradition. We are seeking to fill a vacant 1st tenor Section Leader Position.

• Salary: $400 monthly which includes Wednesday evening rehearsals and
two Sunday morning services. $40 for each Evensong (sung every
Sunday during the academic year) and for occasional Holy Day services.
In addition, the section leader will travel with the choir (with travel and
lodging provided) to England from July 18-August 1, 2011, where the
ensemble will be in residence at Canterbury Cathedral, St. George’s
Windsor Castle, and Westminster Abbey.

• Qualifications: Must be an excellent sight-reader, experienced in the
Anglican choral tradition, a team player, and willing to give elementary
vocal help to amateur singers within the section.

• Requirements: Attendance (with music carefully prepared) at a weekly
rehearsal on Wednesday from 7-9:15 pm. Two Sunday morning services
(9 am and 11:15 am), and one Sunday Evensong (5 pm). The Choir sings
occasional concerts at Incarnation and at other venues. The Choir has
recorded several nationally-distributed CDs and plans to continue this
work. Section leaders will be expected to participate.

• To apply: Contact Christopher Berry, Organist & Choirmaster, at
cberry@incarnation.org or 214-217-5652
]]>Andrew Kilkennyhttp://www.choralnet.org/view/264290Tue, 24 Aug 2010 04:57:53 GMThttp://www.choralnet.org/view/264290
An all new music season begins in September, which isn’t too far away! Our welcome back party is going to be held on Thursday September 9th, 2011 at 7:30pm at Saint James Episcopal Church Located in Ridgefield, NJ. We will have food, drinks, and most importantly, this will give us an experience for new and existing choir members to share great fellowships, and hopefully build long lasting friendships, while having a great time! If you have a desire to sing, have fun, learn about different composers, and genres, than this is definitely a group for you.
 
St. James Parish Choir is currently and all volunteer choir which is comprised of a mixed voice group looking to expand membership. We are always looking for new members to attend and if you like, you can join our most faithful group. You do not need to make any commitments! Come to rehearsal, see what all were about. We are a very diverse group of colleagues, professionals, friends, and young adults. Our choir covers a wide range of music from the Early Practices to Contemporary. Our current composers list we have sang in the past years are works from: Bach, Byrd, di Lasso, Gibbons, Greene, Handel, Palestrina, Wesley, Wood, etc.
 
The Parish Choir currently sings at the 10am Services, plus all major Feasts and Holidays. Our rehearsals are held on Thursday nights from 7:30pm-9pm in the Parish building. The call on Sunday is at 9:30am! This schedule is based on the Academic year (September - June) in which you would receive all necessary information about performances and rehearsals.
 
If you have any questions, interested in participating, or just want more information, please feel free to email me at: musicatsaintjames@gmail.com, speak with me on any Sunday morning during the service, or on Thursday afternoons during rehearsal times. If you need to reach me, you can leave a message for me at the church office. (201) 945-0079.
 
We have fun, we share stories, we keep the laughter going, and most of all we have a great time! I hope you can sing with us!
 
Many blessings,
Andrew Kilkenny
Director of Music
514 Abbott Ave Ridgefield, NJ 07657
www.stjamesridgefield.org
]]>Evanne Brownehttp://www.choralnet.org/view/264291Tue, 24 Aug 2010 05:02:25 GMThttp://www.choralnet.org/view/264291
Saturday, October 23 at 7:30 PM
First United Methodist Church
1421 Spruce Street
Boulder CO
 
Sunday, October 24 at 4:00 PM
Bethany Lutheran Church
4500 E. Hampden Avenue
Cherry Hills Village (Denver) CO
 
Attend Colorado's only production of Claudio Monteverdi's Vespers in the 400th anniversary year of the work's publication. The music marks a turning point from the polyphony of the Renaissance to the melodic and virtuosic music of the early Baroque, and this thrilling and glorious work will be performed by a period instrument orchestra of sackbutts, cornettos, recorders, baroque strings, continue and choir. Presented with internationally known early music specialists under the direction of Evanne Browne, Director of Music at First United Methodist Church of Boulder, conducting the Chancel Choir and a select group of area choristers.   
 
Soloists are soprano Amanda Balestrieri; mezzo soprano Marjorie Bunday; alto MB Krueger ; tenors Daniel Hutchings, Paul Stuber, and Philip Fryer; baritone Robert Gardner; bass Paul Munsch.  Period orchestra is led by Baroque violinist Mimi Mitchell (Amsterdam, Netherlands), and features James Miller (New York), William Adams, cornetto; and Michael Holmes and Davie Searle (Washington DC) sackbutts; Linda Lunbeck and Michael Lightner, recorders; Ben Cohen, theorbo; Lara Turner, Baroque cello; Debra Throgmorton, harpsichord, and Gerald Holbrook, portative organ.  
 
For information on the artists or to obtain tickets, please visit www.EarlyMusicColorado.org under Events/Monteverdi.  For further information, contact Evanne Browne at 303-442-3770 x139 or ebrowne@fumcboulder.org. 
 
]]>Tim Sharphttp://www.choralnet.org/view/263957Thu, 19 Aug 2010 14:08:08 GMThttp://www.choralnet.org/view/263957

The choral conductor by definition has stepped into a highly visible position of leadership. A worthy leader is not satisfied with doing only good work--it is our desire to move from good to great. In Jim Collins' writing on moving good organizations to great organizations, he offers key ideas for moving in this direction.

• Leaders channel their ego needs away from themselves and into a larger goal of building a great organization.

The goal of every conductor must be to create a performance representing a composer's intentions, that brings inspiration to performing musicians and audience, and that contributes to the vitality and continuity of the artistic mission. The conductor's personality must disappear into the desired goal of a worthy performance in which the music can be truly heard and experienced. Within the boundary of a composer's intentions, performance practice, and refined musicianship, there is indeed room for interpretation on the part of the conductor--that is without question. Collins' definition of great leaders is reserved for those that channel their own ego needs.

• Leaders first ask Who, and then What, by getting the right people doing the right job.

In previous posts I stated we are motivated by the why of our work. To Collins' point, the conductor must build an ensemble of good musicians, and must choose quality and appropriate musical literature for the ensemble to perform their best. Both who and what are integrally related to best performance. Who for the conductor means sopranos, altos, tenors, basses, string players, wind players, brass players, and percussionists. What for the conductor means the musical score, the musical program, and the acoustic space.

• Leaders are brutally honest about the situation and current reality.

The conductor must first analyze and identify every potential problem, every weakness, and every flaw, which determines the course of action that will follow. Every detail must be analyzed, and a proper course of action identified that leads to correction, improvement, and finally worthy performance.

• Leaders realize that they are the best at what they do, and are doing what they are best at doing, doing what they are deeply passionate about, and doing what is best to move their organization forward.

It is easy to identify the conductor-she or he is the person in front, and standing upright. They are there because they have the preparation and skills to lead, and they are best at conducting the ensemble. In my book on conducting (Precision Conducting, Roger Dean/Lorenz), as a forward I quote words from the Hebrew scripture book of I Chronicles 15:19 that I believe speak to this topic of choral leadership: "The musicians Heman, Asaph and Ethan were to sound the bronze cymbals; Zechariah, Aziel, Shemiramoth, Jehiel, Unni, Eliab, Maaseiah and Benaiah were to play the lyres according to alamoth, and Mattithiah, Eliphelehu, Mikneiah, Obed-Edom, Jeiel and Azaziah were to play the harps, directing according to sheminith. Kenaniah the head Levite was in charge of the singing; that was his responsibility because he was skillful at it." (my bold italics).

• Leaders build the vision for the organization.

The conductor is the artistic director for the ensemble, charting a course for the performances by the organization. The conductor develops a direction for the organization. Our performers are focused on the present, as they should be. The conductor is working in the present, but focused on the future.

• Leaders create and affirm a core ideology and an envisioned future.

The conductor not only gives a faithful and inspired interpretation of the musical score, but also participates in sustaining the mission of the ensemble as it remains relevant in concert seasons yet to come.

These are the qualities we want to embrace as we move our choral organizations from good to great.

]]>Kwasi Noelhttp://www.choralnet.org/view/264286Tue, 24 Aug 2010 03:49:13 GMThttp://www.choralnet.org/view/264286 Hello,
 
My boys' choir has an engagement where they have to sing something on the theme of "hope". I want a song with a nice big finish where the four parts hold out a note and crescendo as the song draws to an end (A concert closer type with the theme of hope)
 
Any advice?
 
Kwasi
]]>Elizabeth Bakerhttp://www.choralnet.org/view/264288Tue, 24 Aug 2010 04:25:01 GMThttp://www.choralnet.org/view/264288

Westwood Presbyterian Church in Los Angeles, CA seeks SATB section leaders/soloists for adult Chancel Choir. Competitive Salary. Positions available immediately. Candidates must be classically trained and possess a strong sacred music repertoire. Duties include Thursday evening rehearsals and two morning services on Sundays. Many solo opportunities available. Christmas Eve, Good Friday and Easter Services as well as participation in major performances during year are required. Activities for the music program run year-round. We are a well-established, vibrant Church with a strong history of classical music performance and a welcoming congregation.

Contact John-Kevin Hilbert for further information or to schedule an audition: (310) 474-4535.  Email: jkhilbert@westwoodpres.org

]]>Evanne Brownehttp://www.choralnet.org/view/264289Tue, 24 Aug 2010 04:44:02 GMThttp://www.choralnet.org/view/264289
Friday, October 22, 2010 at 7:30 pm
St. John's Episcopal Cathedral
1350 Washington Street in Denver, CO
 
Virtuosic singers and period-instrument players perform Italian music of the early 1600s, including Frescobaldi canzonas, Castello sonatas, Monteverdi madrigals and works by Cima and Cesare. Renown early music specialists, The Monteverdi Soloists, are soprano Amanda Balestrieri; mezzo soprano Marjorie Bunday; tenor Daniel Hutchings; baritone Robert Gardner; Baroque violinist Mimi Mitchell from Amsterdam; James Miller from New York, cornetto; and Michael Holmes from Washington DC on sackbutt.  The concert is prelude to Colorado's only scheduled performance of the Monteverdi Vespers of 1610 this same weekend in Denver and Boulder.
 
For information on the artists or to obtain tickets visit www.EarlyMusicColorado.org under Events/Monteverdi or contact Evanne Browne at 303-4442-3770 x. 139
]]>Jasmine Barronehttp://www.choralnet.org/view/264283Tue, 24 Aug 2010 02:48:54 GMThttp://www.choralnet.org/view/264283 LARA: LGBT Academy of Recording Arts and Sciences, is  The alliance of "OUT" LGBT Recording Arts and Performers. 
 
LARA and Traverse Arts Project announce an invitation for community choirs and chorusters to join them for a monumental occasion.
On December 1, 2010, World AIDS day, LARA presents the 20th Anniversary OUTMusic Awards.
 
A celebrity lineup is scheduled featuring some of the worlds legendary and successful Musicians, (including Grammy winners) both representing the LGBT community, and "straight allies". will make for a stellar event. Press Conferences are already set for Los Angeles, New York., Chicago, Philadelphia, and Atlanta.
 
The event will open with a performance of Classical Music featuring Organist T. Desiree Hines with the Traverse Arts Chorale. The 20-voice  Professional Chorus seeks additiona volunteers to make this a most memorable event.
 
ALL SOLID CHORAL SINGERS INTERESTED IN VOLUNTEERING TO BE AMONG THE ADDITIONAL SINGERS ARE WELCOMED TO BE PART OF THIS EVENT.
 
YOU DO NOT HAVE TO IDENTIFY AS GAY, LES, BI, OR TRANS FOR THIS EVENT. ALLIES ARE HEARTILY WELCOMED!!
 
f you or your choir is interested in participating in this event, please contact us ASAP at festivalenews@gmail.com
]]>Rob Khttp://www.choralnet.org/view/264260Mon, 23 Aug 2010 20:03:55 GMThttp://www.choralnet.org/view/264260 How would you like to have a recording of your choir online?

I have the following songs on my sibeliusmusic.com music page.  (and have advertised them in the "New Print Publications" of choralnet) They each have an mp3 available but, as some of you know, the voices are synthesized by a computer.  Great intonation and rhythm but definitely lacking in warmth and pronunciation. 

What I propose is a contest.  Send me an mp3 of your choir or quartet performing one of these songs.  I will pick what I think is the best one and replace the synth choir with your choir's rendition and an acknowledgment of your group in the song description.

By your submission you would be giving me permission to post your song and by my posting it, I would be giving you permission to have your group singing my song posted online. (I believe that  you cannot put a performance online without the permission of the copyright holder).  Those of you who have already purchased the music would NOT have to repurchase it.  Those who have not yet purchased the music would have purchase it to participate but, since it’s a “buy one- print what you need transaction- it’s not that expensive.”

Personally,  I kind of like the synth voices, but I though this might be fun!

Rob K

Songs with synthesized choir.
The Day that Jesus Died-SAB and Piano
Pink Flamingos Male Quartet
He(She) Looks Like Me- Male Quarter
Lord, the Mountains Sing Your Glory SATB Piano
The Final Day of School SATB + Piano

Actually, you could do any of the others too, and I’d be happy to plug in the winner! ]]>Linda Nasonhttp://www.choralnet.org/view/264282Tue, 24 Aug 2010 02:29:02 GMThttp://www.choralnet.org/view/264282Item: Practice Trax for Mary, Did You Know? A Christmas Musical
Composer/Arranger/Edition: David Guthrie & Bruce Greer
Starting: ASAP
For: Immediate use
Copies: 1
Willing to rent: No
 
]]>Jasmine Barronehttp://www.choralnet.org/view/264281Tue, 24 Aug 2010 02:28:39 GMThttp://www.choralnet.org/view/264281 LARA: The LGBT Academy of Recording Arts, Producers of the OUTMusic Awards, announces its 2010 Membership Drive.
The only organizationof its kind, LARA supports the viabile establishment of successful recording careers of  "Out" Gay, Lesbian. Bi, And Trans Musicians, and ensembles primarily representing the LGBT Community.  "Straight Allies" are alsy welcomed to be Associate Members of OutMusic.
LARA also has an OutMusic Award Category called "Best Humanitarian Songwriter of the Year" which may be given to an individual or Group who does not idenitfy as Gay, Lesbian, Bi or Trans, but supports the LGBT Community.
 
LGBT Choirs and Choirs with strong LGBT Contingencies are strongly encouraged to join OutMusic and LARA Particularly in this year!
For the first time in the history of the OutMusic Awards, there will be the presentation of an award for Best Classical Music Performance. Choirs who are members of LARA are able to submit to be nominated for this award.
 
This will also mark the start of a new initiative by LARA and OutMusic to increase the presence and support of "Out" Classical Musicians and ensembles among its membeship.
 
The 20th Anniversary OutMusic awards, to be aired of LOGO TV,  will open with a Classical Music performance featuring Organist T. Desiree Hines with the Traverse Arts Chorale.  They are excited in reminding all musicians and people in attendance that Classical Music is the beginning of all Music.
 
visit www.outmusic.org for more information on membership.
]]>orfeo duohttp://www.choralnet.org/view/264276Tue, 24 Aug 2010 01:01:40 GMThttp://www.choralnet.org/view/264276COMPOSING THE WORLD WE LONG TO LIVE IN
Composers from Urbana, Illinois, and West Harlem
at St. Mary’s Episcopal Church, October 10 & 13


What a Neighborhood! presents “Composing The World We Long To Live In,” an inspiring free concert of visionary music by composers from the School for Designing a Society in Urbana, Illinois, and members of the St Mary’s Gospel Choir, Wednesday October 13 at 7:30 pm at St Mary’s Episcopal Church, 521 West 126th Street, ½ block west of Amsterdam, near the #1 subway (125th Street stop) and the M104 bus (127th Street stop). A reception will follow. For more information, please call 212-222-2101.
The public is also warmly invited to take part in the creative process in a free open rehearsal at St Mary’s on Sunday October 10 from 1-3 pm.
The composers, Elizabeth Adams, Jacob Barton, Mark Enslin, Andrew Heathwaite, Susan Parenti, Lysander Puccio, and the St. Mary’s Gospel Choir, will all perform, along with the Orfeo Duo (Vita Wallace, violin, and Ishmael Wallace, piano), actor Keith McKinney, and the Hullabaloo Chorus.
What a Neighborhood! is a concert series founded in 2003 by the Orfeo Duo. It celebrates Morningside Heights and West Harlem primarily by showcasing the music of living local composers, developing grassroots support for their work and drawing neighbors together.


]]>Ariel Quintanahttp://www.choralnet.org/view/264273Mon, 23 Aug 2010 23:54:05 GMThttp://www.choralnet.org/view/264273Item: Walton's Belshazzhar's Feast
Composer/Arranger/Edition: Walton
Starting: Now
For: 6 months
Copies: 120
Willing to rent: No
 
Does anyone have choral/piano scores of Walton's Belshazzhar's Feast that we can borrow/rent?

Thank you,

Ariel Quintana

mail@arielquintana.com
818-681-9187
Cathedral Choir Conductor (First Presbyterian Church of Hollywood)
]]>Dianne Smithhttp://www.choralnet.org/view/264268Mon, 23 Aug 2010 22:23:11 GMThttp://www.choralnet.org/view/264268Item: Missa Brevis
Composer/Arranger/Edition: Zoltan Kodaly
Starting: Spring 2011
For: Approx 5 months
Copies: 45
Willing to rent: No
 
]]>Larry Ryanhttp://www.choralnet.org/view/264267Mon, 23 Aug 2010 22:05:58 GMThttp://www.choralnet.org/view/264267Item: Sheet Music
Composer/Arranger/Edition: a military tribute, by the Ten Tenors
Starting: ?
For: ?
Copies: 1
Willing to rent: No
 
Need some assistance on this request.  Larry
]]>Cynthia J Powellhttp://www.choralnet.org/view/264261Mon, 23 Aug 2010 20:15:25 GMThttp://www.choralnet.org/view/264261

 

The Stonewall Chorale (NYC) the nation’s first gay and lesbian chorus has openings for singers in all voice parts for its upc fall seas.  Rehs Tue eves 7–9:30pm in the West Village, beginning Tues., Sep 14. Auds held by appointment (Aug 1 thru mid Sept). Requirements are knowledge of music notation, devotion to the choral art, and the desire to be part of a singing, gay community (gay-friendly folks welcome, too!). Members pay dues. Rep for Holiday Concert incl Lauridsen, MidWinter Songs, more. For more info, and to sched an aud, email us at auditions@stonewallchorale.org. To hear and see the chorale go to:  www.stonewallchorale.org

]]>Michael Haydenhttp://www.choralnet.org/view/264250Mon, 23 Aug 2010 17:57:38 GMThttp://www.choralnet.org/view/264250 Greetings everyone,
 
I am needing to purchase 4' x 8' choral riser platforms for my classroom and wondered if anyone has any suggestions other than Wenger's product.  I am needing three levels.......  8's, 16's and 24's, 5 of each.  Thanks!
 

Best Regards,
 
Michael Hayden
]]>Dean Rishelhttp://www.choralnet.org/view/264256Mon, 23 Aug 2010 18:38:23 GMThttp://www.choralnet.org/view/264256 The Greater South Jersey Chorus, an 85-voiced all-volunteer community cnorus, is currently auditioning singers for the 2010 - 2011 season. Repertoire for the season includes, in December,  Rouse's Karolju  (with piano) along with other seasonal pieces and the May concerts will feature Handel's Dixit Dominus, to be perforfmed with string orchestra and professional soloists.  Each concert is performed twice in different venues. The chorus is made up mostly of residents from Burlington, Camden, and Gloucester counties but is open to anyone with the basic musical skills to learn the repertoire and the ability to make Monday evening rehearsals and at least one of  two Saturday rehearsals.  For more information or to schedule an audition please contact Rose Boland at roseboland6@comcast.net or by phone at 856-858-0987 or 856-979-6892. Auditions are currently going on so reserve your audition space asap.  ]]>LaNell Martinhttp://www.choralnet.org/view/264255Mon, 23 Aug 2010 18:38:00 GMThttp://www.choralnet.org/view/264255 The Oakland Youth Chorus is now holding auditions for the Concert Chous (9th-12th grades) and Middle School Magic Chorus (6th-8th grades). We perform a wide variety of music, with an emphasis on mulitcultural music. For more information contact La Nell Martin at (510)287-9700 ext 102. or lanell@oaklandyouthchorus.org ]]>Patrick Quigleyhttp://www.choralnet.org/view/264235Mon, 23 Aug 2010 15:44:32 GMThttp://www.choralnet.org/view/264235  
Dear All,
 
Just sharing a choral success story that happened over the weekend. Two weeks ago Seraphic Fire and the Western Michigan University Chorale self-released our new recording of Claudio Monteverdi's "Vespers of the Blessed Virgin 1610."  Over the next thirty six hours, the disc rose from obscurity to the top 10 bestselling Classical albums on iTunes (solely through word of mouth and Facebook buzz).  Jeff Lunden at NPR (himself a wonderful choral musician who performs regularly with the Dessoff Choirs) noticed the story as it was happening and pitched it to his editor at NPR.
 
On Saturday, Lunden's piece on Seraphic Fire, WMU and Monteverdi ran at the end of "Weekend All Things Considered," and an hour later the disc was the number one bestselling Classical album on iTunes, and briefly overtook Lady GaGa's newest album in the All Genre list on iTunes. 
 
Jeff's piece on NPR is here: http://www.npr.org/templates/story/story.php?storyId=129321950
 
Glad to be able to share such good news on a Monday morning!
 
Sincerely,
 
Patrick Dupre Quigley
Founding Artistic Director
Seraphic Fire & Firebird Chamber Orchestra
http://www.seraphicfire.org
]]>John Sumnerhttp://www.choralnet.org/view/264244Mon, 23 Aug 2010 16:51:05 GMThttp://www.choralnet.org/view/264244 If you have even one copy of this "out-of-print" piece, please let me know.
Thanks, John
]]>Stephen Edwardshttp://www.choralnet.org/view/264245Mon, 23 Aug 2010 16:52:26 GMThttp://www.choralnet.org/view/264245 We are looking to purchase new or used Orff Instruments for our church Children's Music Ministry.  We are looking for the following:
 
1-2 Child-size Djembes (Remo Kids Percussion)
1 Set of Soprano Xylophone mallets
2 Sets of Soprano Glockenspiel Bars (GB)… Or purchase new Soprano Xylophones
1 Soprano Glockenspiel
1 Set of Soprano Glockenspiel Mallets
New pegs and tubing for all Glockenspiels (or purchase new Alto Glockenspiels!)
 
 
1 Bass Xylophone & Mallets
1 Alto Xylophone & Mallets
1 Soprano Xylophone & Mallets
1 Alto Metallophone & Mallets
1 Bass Metallophone & Mallets
1 Gathering Drum (Remo Kids Percussion)
Handful of Recorders (soprano and alto)
1 Large Hand Drum
1 Small Hand Drum
 
Please contact me if you have any of the items above for sale or to donate.
 
Thanks,
 
Stephen Edwards
Director of Music and Worship
Community UMC - Naperville, IL
sedwards@communityunitedmethodist.org
773.314.3698
]]>crista murphyhttp://www.choralnet.org/view/264239Mon, 23 Aug 2010 16:29:41 GMThttp://www.choralnet.org/view/264239
The Mel-O-Chords of the Montclair Operetta Club have extended their search for an experienced choral conductor/director. We are a non-profit, SATB chorus. Our repertoire includes musical theatre, American standards and contemporary pop compositions. Rehearsals are Monday nights (7:30-10:00pm) in Montclair. Concerts and performances are throughout the year. The applicant needs to be proficient in piano. Love of musical theater a plus. If interested in an interview and audition, please contact Crista Murphy at 973-943-6610 or cristatr@yahoo.com. For more information about the Mel-O-Chords, please visit www.melochords.org.  
]]>Jason Thomshttp://www.choralnet.org/view/264238Mon, 23 Aug 2010 16:27:10 GMThttp://www.choralnet.org/view/264238 The Concordia College-New York Camarata will be performing the Monteverdi Vesper of 1610 on October 23 at 6:00pm.  The Camarata is a semi-pro group that is made up of a core of singer and supplemented by volunteers.  This year the choir will participate in three seperate concerts:
 
Monteverdi Vespers of 1610
Rehearsals
October 9 and 16 from 5-8 pm
October 22 from 7-9 pm
Performance
October 23, 2010 at 6:00 pm
 
Handel Messiah
Rehearsal
November 20 from 9 am - 5 pm
Performance
November 21 at 4:00 pm
 
Mendelssohn Elijah
Rehearsal
March 20 and April 3 from 5 - 8 pm
April 9 from 2 - 5 pm
Performance
April 10 at 4:00 pm
 
We are looking for volunteers who are willing to learn their music on their own and then come to all of the rehearsals.   Music will be lent to volunteers at no cost.  Anyone interested in auditions should contact Dr. Jason Thoms, Director of Choral Activities at 479-445-3795 or at the e-mail link above.   Please e-mail a brief singing history and specifically tell if you have experiences especially with the three pieces in our repertoire.
 
 
]]>Gary Weidenaarhttp://www.choralnet.org/view/264230Mon, 23 Aug 2010 15:32:23 GMThttp://www.choralnet.org/view/264230
The Central Washington University Chamber Choir sings O Vos Omnes by Renaissance composer Tomás Luis da Victoria on a video recorded in June of 2010. 
 
The Choir is in the CWU Music Building Concert Hall with a four camera setup.  The audio portion is unedited.
 
Uploaded to YouTube, the URL of the video is:
http://www.youtube.com/watch?v=uV78v1B1OSE
]]>Daniel Shawhttp://www.choralnet.org/view/264229Mon, 23 Aug 2010 15:01:13 GMThttp://www.choralnet.org/view/264229
The Composer's Choir is holding auditions for all voice parts through the end of August.
 
The Composer’s Choir is a new, unique ensemble that exclusively performs and records works by living composers. The Choir is a mixture of volunteer and paid singers from CT and NYC. We rehearse in Middlefield, CT  (close to Middletown) on Tuesday Evenings, hold a concert typically the last Sunday of the month at 4:00 PM and record the following Tuesday evening. Composer’s from around the country are working with us and often come to our events.
 
Auditions will be held through the month of August by appointment, preferably on Wednesdays or Sundays. In auditions, singers are asked to sing a 1-2 minute selection unaccompanied and then sing a brief sight-singing exercise.
 
To sign up for an audition or to ask questions about the group, please contact artistic director Daniel Shaw at composerschoir@gmail.com
]]>Paul Nealhttp://www.choralnet.org/view/264226Mon, 23 Aug 2010 14:18:49 GMThttp://www.choralnet.org/view/264226
Would you like to perform onstage with the Valdosta Symphony Orchestra this year? 

Both men and women are needed in the chorus.  Rehearsals will be on Tuesday nights from 7:00-8:30 at Park Avenue United Methodist Church.
 
On Saturday, November 20, the VSO Chorus will join the Valdosta Symphony Orchestra in a performance of Mozart’s Grand Mass in C minor, under Dr. Neal's direction.  The Mass in C Minor is the one of the most ambitious and elaborate of Mozart’s church works, planned on a scale comparable to that of Bach's Mass in B minor.
 
On Saturday, April 30, the VSO Chorus will again join with Valdosta Symphony Orchestra to perform Mahler’s Symphony No. 2, under the direction of Maestro Hsu.  Mahler’s 2^nd Symphony is an intense emotional workout which captures the full realm of human passion.
 
The VSO Chorus will also participate in a choir tour to NYC to sing the Faure Requiem in Lincoln Center, May 2011.
 
Hearings will take place on Tuesday, August 31 at Park Avenue Methodist Church.
 
For more information, or to schedule a placement hearing:
 
Dr. Paul Andrew Neal
Associate Conductor
Valdosta Symphony Orchestra
1500 N. Patterson Street
Valdosta, GA 31698-0115
229.333.5812 office
229.259.5578 fax
paneal@valdosta.edu
www.paulneal.org
]]>Robert Lucehttp://www.choralnet.org/view/264225Mon, 23 Aug 2010 13:56:37 GMThttp://www.choralnet.org/view/264225Item: Missa Solemnis
Composer/Arranger/Edition: Hummel
Starting: Sept. 7
For: 5 months
Copies: 30
Willing to rent: No
 


]]>Jennifer Whitinghttp://www.choralnet.org/view/264222Mon, 23 Aug 2010 12:57:06 GMThttp://www.choralnet.org/view/264222
The DeKalb Festival Chorus welcomes new singers to join our exciting season! We are a volunteer, auditioned chorus of 55 voices. We rehearse Monday evenings on the campus of Northern Illinois University.
 
Our holiday concert on Sunday, December 12, at 3 p.m. at the Evangelical Lutheran Church of St. John in Sycamore features William S. Lloyd Webber's Born a King, as well as two gorgeous movements from Rachmaninoff's Liturgy of St. John Chrysostom.
 
Please call 630.453.8006 or email <festivalchorus@gmail.com> to schedule an audition with the director, Jen Whiting.
]]>Joan Winter Skerritthttp://www.choralnet.org/view/264216Mon, 23 Aug 2010 10:01:52 GMThttp://www.choralnet.org/view/264216 Under the direction of Dr. Kenneth Nafziger, Voce Chamber Singers, a 24-28 voice mixed choral ensemble is holding auditions by appointment for the 2010-2011 season. Voce is unusual in that all soloists for concerts throughout the season are selected from within the ensemble.

Voce's mission is to provide the highest caliber of chamber choral music for the metropolitan Washington area, to provide educational outreach, and to commission and present new choral works. The accomplished singers of Voce annually perform a diverse concert series featuring chamber choral music from around the globe, from early chant to newly commissioned works. The Washington Post has proclaimed Voce "Northern Virginia's premier choral ensemble."

Voce rehearses September through May on Monday evenings in Herndon, Virginia. Auditions will be scheduled by appointment. For more information, visit voce's website at www.voce.org or email auditions@voce.org.

Voce's 2010-2011 Concerts:

José María Vitier’s Misa Cubana & Ave María por Cuba, Nov. 6 & 7, 2010

Home for Christmas, Dec. 11 & 12, 2010

 

Flowers in Song, March 19 & 20, 2011

 

Music by Women Composers, May 21 & 22, 2011
]]>Danica Buckleyhttp://www.choralnet.org/view/264223Mon, 23 Aug 2010 13:09:38 GMThttp://www.choralnet.org/view/264223 Join the Choral Art Society! Sing with us!

Choral Art Society, Danica A. Buckley, Artistic Director
Nancy Boehne, Membership Director: 781-925-3638.
A community chorus of the South Shore since 1958. There is no audition, but you do need to be able to sing in tune and be willing to work hard and have fun.
Rehearsals Mondays, 7:30-9:30pm
Concerts and Events (A broad view - there are more!)
The major concerts:
Dec. 5, 4PM: Bach Magnificat, Selections from Messiah, and Holiday Sing; St. Luke’s Episcopal, Scituate.
May 14, 7:30PM: Mozart Requiem;Bach Christ Lag in Todesbanden, Location TBA.
Both concerts with orchestra and pro soloists. Solo and small group opportunities are available in each concert.
Other:
March 5, Cabaret au Chocolat. www.choralartsociety.org ]]>philip copelandhttp://www.choralnet.org/view/264112Sat, 21 Aug 2010 07:38:33 GMThttp://www.choralnet.org/view/264112
 
I was delighted to receive a message from Martin Morrel, who sent me this note after reading my previous posts on Monteverdi:

I happened to run across your interesting post, which prompts me to call your attention to my Web site, www.italianmadrigal.com. I have made available quite a number of transcriptions of Monteverdi madrigals, including "Ecco mormorar l'onde" and the sestina "Lagrime dell'amante al sepolcro dell'amata," both of which you mention. The madrigals may be downloaded as scores in PDF format or as MIDI files; text and translations are also available.

Martin has developed a beautiful site and I encourage you to look into it.  
 
He lists these goals for the project on the first page:

This site has both an immediate and a longer-term objective. The immediate objective is to make generally available a large number of modern transcriptions of Italian madrigals that I have produced over the last several years. The longer-term objective is to serve as a resource center and focal point for like-minded people who may be seeking, for example, additional information about the repertoire, assistance with texts and translations, or help in locating singers to form or supplement madrigal groups.

Congrats, Martin, and please continue developing the site!
]]>denise maffitthttp://www.choralnet.org/view/264209Mon, 23 Aug 2010 03:23:36 GMThttp://www.choralnet.org/view/264209
The Rockland County Choral Society begins rehearsals for the Winter 2010 season starting Monday, September 13, 2010. This Winter's concert is titled: Glory, Hallelujah! A Choral Celebration with Organ and Brass featuring works by Bach, Handel, Rossi, Pinkham, Hagemann, and Hurd. 
 
Rehearsals are held Monday nights at 7:45 and the first rehearsal will be held on Monday, September 13 at Felix Festa Middle School, Room B116. Since music needs to be handed out at the first rehearsal please arrive by 7:30PM. For more information please check out our website: www.rocklandchoral.org, email: info@rocklandchoral.org, or call 845-41-VOCAL. (418-6225).
 
The Rockland County Choral Society (RCCS), a not-for-profit organization, is the second oldest continuing musical association in Rockland County, NY. Originally formed in 1937 as part of the Rockland County Adult Education Program, the organization has evolved into one that offers a full spectrum of choral music. RCCS concerts have featured choral masterpieces, selections from opera, Americana, and even commissioned works. Professional musicians and soloists accompany the chorus at each concert. Numerous professional musicians and vocalists have performed with the RCCS, many of whom have been featured performers on many of the grandest stages in the world.
 
]]>Chris Humphreyhttp://www.choralnet.org/view/264200Mon, 23 Aug 2010 00:28:29 GMThttp://www.choralnet.org/view/264200 My apologies for the incorrect link.  Please use this one to check out samples of my choral anthems for Christmas (and other seasons):
www.redhouseartspace.com.
 
And thanks to the kind person who pointed out the error!
 
Chris
]]>Ben Kenhttp://www.choralnet.org/view/264196Sun, 22 Aug 2010 22:48:19 GMThttp://www.choralnet.org/view/264196 I'm planning on making a conductors baton as a gift for my good friend, but I have no experience with them. I was wondering if you'd help me by answering a few questions I have about batons:
 
1. I'm thinking of carving it from deer antler, would this be a suitable material? Do you think it might be too heavy?
2. Where should the balance point of the baton be?
3. Should the handle be made of a different material, or can the baton be a single piece?
4. I presume the baton should be white?
 
If used, it would be for conducting large choirs, jazz bands and orchestras. If you have any other tips I would love to hear them.
 
Thanks so much for the time taken to read this, and responses will be greatly appreciated.
]]>Rand Wentworthhttp://www.choralnet.org/view/264195Sun, 22 Aug 2010 22:45:19 GMThttp://www.choralnet.org/view/264195 Seeking a tenor for a 12 voice ensemble specializing in a capella sacred music from the Renaissance. Join a group of professionally trained singers that have fun making beautiful music. We are looking for singers with good sight reading skills and experience with the Renaissance repertoire. Must be able to control vibratto and sing with a straight tone. Rehearsals Sunday evenings in Annapolis. Please respond with a summary of your singing experience. Audition involves singing with the group for a rehearsal to see how our voices blend.
  ]]>Christopher Borgeshttp://www.choralnet.org/view/264192Sun, 22 Aug 2010 21:06:12 GMThttp://www.choralnet.org/view/264192 ...with a theme of unity, hope, peace, etc.  This is for our Winter Concert.  Can be uptemp or slower/contemplative, but we'd like to run multimedia while it is being performed (film, slides, etc.).  Something sophisticated but accessible (for choir and audience).
 
Thank you all in advance!
]]>Simon Carringtonhttp://www.choralnet.org/view/264190Sun, 22 Aug 2010 21:03:56 GMThttp://www.choralnet.org/view/264190
The concert at the close of the Norfolk Choral Conducting Course week took place yesterday afternoon.
The repertoire and conductors were as follows:
 
Alma Redemptoris Mater                                                                          Herman Contractus (1013-1054)
Alma Redemptoris Mater                                                                          Francisco Guerrero (1528-1599)
SATB
Conductor:       John Cox                     DMA candidate, University of Illinois
 
Te Deum in A major                                                                                  G.F. Handel (1685-1759)
SATB soloists, choir and orchestra
Conductors:     Lauren Fowler-Calisto    Director of Choral Activities: Christopher Newport University
                           Arni Ingolffson,                  Freelance conductor, Reykjavik, Iceland
 
Einkehr (Sechs Gesitliche Lieder No.2)                                               Hugo Wolf (1860-1903)
150th anniversary of Wolf’s death      
Conductor:       Joy Berg                      Choral Faculty, Concordia University, Alberta, Canada
 
Litaniae de Beata Virgine in B flat K109                                             W.A.Mozart (1756-1791)
SATB soloists, choir and orchestra
Conductors:     James Niblock             Director of Choral Activities, Colgate University
                           John Cox
 
Cicada Songs (2000)                                                                            Charles Hoag  
SATB, Clarinet & Marimba
Conductors:     Christopher Nickelson  Choral Director, Winchester High School, MA
                           James Niblock
                            Cheryll Chung,               Freelance Conductor, Toronto
 
La Mort d’Ophelie                                                                                  Hector Berlioz (1803-1869)
SA/Piano
Conductor:       Joseph Baldwin MM candidate, University of Michigan
 
Speaker (World Premier)                                                                   Sam Adams
SATB, string quintet; harmonium, percussion, computer effects
Conductor:       Simon Carrington
 
Heaven-Haven                                                                                    Samuel Barber (1910-1981)
100th anniversary of Barber’s birth                                                     
Conductor:       Cheryll Chung
 
Egressus Jesus                                                                                  Pero de Gamboa (d.1638)
SATB
Conductor:       Simon Carrington
]]>Allie Kirkhttp://www.choralnet.org/view/264184Sun, 22 Aug 2010 17:57:03 GMThttp://www.choralnet.org/view/264184 I am starting a brand-new show choir. We have purchased some used tops to use for our fall performance, but I would like to have dresses for our spring performance. We were going to raise money to purchase new dresses, but recently, our music room had a fire so now all of our fundraising efforts have to be spent on basic supplies that we lost or repairs for things.  I would like to consider the following options:
 
1)purchase used show choir dresses at a cheap price
 
2)Rent a set of dresses from your school that you're not using at a cheap rental price, and return immediately after performance
 
3)Borrow at no cost (of course we would pay shipping) and return immediately after performance.
 
Any color or pattern is fine; we just want the skirts that flare out when they turn.
 
If you can help, please message me at allenekirk@gmail.com
 
If you can help, it would mean a great deal to me and my kids.
]]>Ernest Graingerhttp://www.choralnet.org/view/264183Sun, 22 Aug 2010 17:56:42 GMThttp://www.choralnet.org/view/264183 Have a church job, want more choral gigs.  Experienced choral singer, good reader, love choral music, available for your choral group.  Resume & references available. ]]>Steven Olbashhttp://www.choralnet.org/view/264182Sun, 22 Aug 2010 17:09:34 GMThttp://www.choralnet.org/view/264182 Music at Notre Dame des Victoires announces auditions for our first concert of the 2010-11 season, Monteverdi's Mass for Four voices.  All voice parts will be heard on Thursday September 2nd or Thursday September 9th.  Rehearsals will be held Thursday evenings, 6:30-8:30 beginning September 16th with performances November 19th and 20th.
 
Each section in our mixed, unaccompanied chamber chorus is led by a member of Les Choristes, the professional vocal quartet in residence at the French National Church.  However, volunteer chorusters must be able to read music and to hold their own with 3-4 voices on a part.
 
To schedule an audition, contact Steven Sven Olbash, director of music - olbash@comcast.net.
]]>Alexander Ruggierihttp://www.choralnet.org/view/264180Sun, 22 Aug 2010 17:06:09 GMThttp://www.choralnet.org/view/264180

FOR SALE

Complete set of Barenreiter orchestra parts for ST MATTHEW PASSION by J.S. Bach, brand new, never used.

3-2-2-2-1 strings for each choir

full winds

organ part

$600.00 total / plus shipping costs.

Alexander Ruggieri

bachlvr@aol.com

]]>Alexander Ruggierihttp://www.choralnet.org/view/264178Sun, 22 Aug 2010 16:35:39 GMThttp://www.choralnet.org/view/264178 The 30-year old University Campus Choir in Westwood, CA, under the direction of Alexander Ruggieri, is looking for volunteer singers for the 2010-11 season.  The season includes performances of Dvorak's "Mass in D," Schubert's "Mass in G," a holiday program including Vaughan William's "Fantasia on Christmas Carols" and our annual Cabaret/Silent Auction fundraiser.  Singers may choose to sing part of the season or all. Ability to read music notation is required, as well as previous choral experience.  This is a fun group for singers of all ages (we rehearse across the street from UCLA), 4-time recipient of LA County grants.
 
If you are interested, or have a vocal student who might be, please contact:
 
Claudia Hinnebush, President
310-826-6319
hinnebug@ucla.edu
]]>Steven Olbashhttp://www.choralnet.org/view/264177Sun, 22 Aug 2010 16:29:46 GMThttp://www.choralnet.org/view/264177 Les Choristes, the professional vocal quartet-in residence at the French National Church in downtown San Francisco, is seeking a bass (or low baritone) for the '10-'11 season and beyond.  Quartet members also serve as paid section leaders for the volunteer choir.  Our concerts this season include Monteverdi's Mass for Four Voices and motets by Alessandro Scarlatti, as well as the Messe en style ancien of Langlais, with medieval chant and organ music of Charles Tournemire.
 
Rehearsals are Thursday evenings, with two Masses on Sunday: 10:30 (French) and 12:15 (English).  Pay is $150 per week.
 
To schedule an audition, please forward your professional and artistic resumes (as a .pdf with your name as the file name) to Steven Olbash, director of music - olbash@comcast.net.
]]>Nancy Menkhttp://www.choralnet.org/view/264173Sun, 22 Aug 2010 15:54:43 GMThttp://www.choralnet.org/view/264173
SOUTH BEND CHAMBER SINGERS
Nancy Menk, Music Director
Kathleen Keasey, Accompanist
 
AUDITIONS
22nd Concert Season, 2010-2011
 
The South Bend Chamber Singers, Michiana’s premier vocal chamber ensemble, announces auditions for experienced singers.
 
The South Bend Chamber Singers will perform in the world premiere of IUSB composer Jorge Muñiz’s new Requiem for the Innocent, with the South Bend Symphony Orchestra under the baton of Maestro Tsung Yeh on Saturday, October 2 at the Morris Performing Arts Center. The annual Christmas at Loretto concert on December 19 features the world premieres of new works written for the Singers by American composers Elizabeth Alexander and Derek Healey. On March 27, the Singers will present Howls and Meows!, Choral Music for our Furry Friends, a benefit concert for the Humane Society of St. Joseph County.  The program features music about cats, dogs, (and a few fleas!), including a newly commissioned work by Edie Hill. In May the Chamber Singers have the honor of presenting the world premiere of Indiana composer Howard Terrell’s oratorio, Sing a New Song. The Heartland Chamber Chorale of Fort Wayne will join with the Chamber Singers to present Terrell’s oratorio for the first time on Friday, June 3 at Plymouth Congregational Church in Fort Wayne, with repeat performances on Saturday June 4 at Bouton Auditorium on the campus of Howe Military Academy, and on Sunday, June 5 at 7:30 p.m. in the Church of Loretto on the Saint Mary’s College campus.
 
Auditions will be held August 29-September 3 in Room 309 Moreau Center for the Arts on the 
Saint Mary's College campus. Singers should bring a prepared solo, and sight-reading 
and aural abilities will be tested.  An accompanist is provided.
 
Please call 284-4632 or 233-6927 to schedule an audition time.
For more information please visit our web site at 
www.SouthBendChamberSingers.org
 
]]>Craig Tocherhttp://www.choralnet.org/view/264172Sun, 22 Aug 2010 15:45:08 GMThttp://www.choralnet.org/view/264172 The Congregational Church of Manhasset, Long Island, NY is seeking 2 bass/baritone section leaders beginning September 2010. Rehearsals are Thursday evening from 8:00 to 10:00pm. There is one rehearsal on Sunday morning at 9:15am with one service at 10:00am. $80 per session. Good sight reading skills essential. Occasional solos, three concerts a year plus seasonal services (Christmas Eve, Easter). For further information or submit a resume, please email Craig Tocher at CST10D@aol.com ]]>Deborah Bradleyhttp://www.choralnet.org/view/264168Sun, 22 Aug 2010 12:18:04 GMThttp://www.choralnet.org/view/264168 St. John's United Church in Oakville, Ontario, is looking for one tenor and one soprano paid section lead. Strong sight reading skills required, as well as an enthusiasm for church music of all styles, including world music and contemporary genres. Section leads will sing one solo per month. Time commitment: Thursday night rehearsal (2 hours), one Sunday a.m. service, and occasional special services throughout the year (Christmas candlelight service, Christmas Eve, Holy Week, etc.). For more information please contact debbradley42@gmail.com ]]>philip copelandhttp://www.choralnet.org/view/264119Sat, 21 Aug 2010 08:25:15 GMThttp://www.choralnet.org/view/264119 It isn't the latest story, but it is still great news that Chanticleer will sing in Chicago at the ACDA National Conference.
 
From December 2008:
 


[video]

]]>Barbara E. Pinto-Choatehttp://www.choralnet.org/view/264164Sun, 22 Aug 2010 03:40:59 GMThttp://www.choralnet.org/view/264164
Bella Voce Women's Ensemble invites you to audition for this versatile choir.
Made up of eight women's voices, they sing a wide variety of choral music.
Rehearsals are twice per month twice on Sunday afternoons. The Women's ensemble will
also sing with an eight voice men's ensemble. For more information,
please contact Barbara Pinto-Choate at pintochoate1@comcast.net .
]]>Barbara E. Pinto-Choatehttp://www.choralnet.org/view/264163Sun, 22 Aug 2010 03:35:39 GMThttp://www.choralnet.org/view/264163 Bella Voce Men's Ensemble invites you to audition for this versatile choir.
Made up of eight men's voices, they sing a wide variety of choral music.
Rehearsals are twice per month twice on Sunday afternoons. The Men's ensemble will
also sing with an eight voice women's ensemble. For more information,
please contact Barbara Pinto-Choate at pintochoate1@comcast.net .
]]>Jessica Corbinhttp://www.choralnet.org/view/264162Sun, 22 Aug 2010 01:11:39 GMThttp://www.choralnet.org/view/264162Item: Ceremony of Carols
Composer/Arranger/Edition: Benjamin Britten
Starting: ASAP
For: through December 13
Copies: 30
Willing to rent: Yes
 
Hello,
 
The Bella Voce Singers are looking to borrow 30 copies of Britten's Ceremony of Carols (SSA) for the fall semester.  Please contact me at the below email or phone if you have some you are willing to lend to us!  I can pick up in the NYC area.
 
Thanks very much!
 
Jessica Corbin
Bella Voce Singers
jacorbin@gmail.com
917-501-0338
]]>Aaron Pikehttp://www.choralnet.org/view/264156Sat, 21 Aug 2010 21:56:30 GMThttp://www.choralnet.org/view/264156 Here are 3 choral works that might interest you.
 
The first two are for wind ensemble/chorus that were commissioned by Brigham Young University-Idaho and the last piece is an a cappella work for SATB (published through SBMP) and the last is for SATB chorus with Organ accompaniment 
 
1) God of our Fathers:
http://www.youtube.com/watch?v=GvK_UPHMfcU
 
2) Christ the Lord: A Sacred Overture
http://www.youtube.com/watch?v=O5stnz5CGLU&;feature=related
 
3) Peace
http://www.youtube.com/watch?v=KxTzCTo5Vsw
 
4) There is a Green Hill Far Away
http://www.youtube.com/watch?v=poWFdcUTOe0&;feature=related
 
If you are interest in any please e-mail me at: info@aaronpike.com or visit my website: www.aaronpike.com    
 
Thanks everyone!!
Aaron Pike
]]>Amanda LeMarierhttp://www.choralnet.org/view/264141Sat, 21 Aug 2010 16:35:31 GMThttp://www.choralnet.org/view/264141 The South Coast Community Chorale is looking for new members for our Fall 2010 season! Open Rehearsals September 8th, 15th, and 22nd.

Join us as we present two concerts this December!

December 12, we will be performing a Christmas POPS concert with the Fall River Symphony Orchestra.

December 19, we will present our annual Christmas Concert, featuring selections from Handel's Messiah, as well as other holiday favorites.

The SCCC rehearses on Wednesday evenings from 7:30-9:30 p.m. at United Parish Church, 745 Wilson Road, Fall River, MA.

We will be holding open enrollment rehearsals on September 8th, 15th, and 22nd. Come see what we're all about, preview our upcoming musical selections, and meet new people!

THE SCCC is a choral group based out of Fall River, Massachusetts. We perform 2 major programs a year, a holiday concert in December and a spring concert in May. Other performance opportunities and special events may arise throughout the year as well. The group performs a variety of music ranging from classical pieces to patriotic songs to show tunes to contemporary works.

There are no auditions necessary. We are looking for people who love to sing and can match pitch and blend with other singers. Members attend Wednesday night rehearsals and pay a small fee for membership dues and music. Ability to read music is not required, as rehearsal CD's are provided to all members.

If you enjoy singing and want to make music with a fun, relaxed group, please join us!

For more information, please visit our website at www.sccchorale.com. ]]>Patrick K. Freerhttp://www.choralnet.org/view/264134Sat, 21 Aug 2010 15:15:04 GMThttp://www.choralnet.org/view/264134Item: "Mister Touchdown U.S.A."
Composer/Arranger/Edition: barbershop arrangement
Starting: ASAP
For: through November 2010
Copies: as many as possible up to 40
Willing to rent: Yes
 
My University is launching it's first-ever football season this fall, and this piece would make a great encore for our Men's Chorus.  I'm having great difficulty locating a copy (or copies).  Can anyone help?  Thanks!
 
Patrick Freer
Georgia State University Men's Chorus
]]>Chris Humphreyhttp://www.choralnet.org/view/264146Sat, 21 Aug 2010 17:57:10 GMThttp://www.choralnet.org/view/264146 I would like to invite you to check out samples of my Christmas anthems at www.redhouseartspace.com/choral-html in the hopes that you might find something your choir would enjoy singing this holiday season.  Thanks.  Chris Humphrey ]]>Claire Smithhttp://www.choralnet.org/view/264137Sat, 21 Aug 2010 16:09:26 GMThttp://www.choralnet.org/view/264137 Open rehearsals in Cirencester, Cricklade and Lechlade
Wessex Male Choir is looking for new members to join its ranks and is holding a number of open rehearsals and mini concerts throughout Gloucestershire, Oxfordshire and Wiltshire.
 
Sessions will be held in Cirencester, Cricklade and Lechlade.
 
 
 
 - Lechlade Memorial Hall on 21 September
 
 
 - Cricklade United Church on 19 October
 
 
 - Cirencester Baptist Church on 23 November
 
Anyone is welcome to come along, there is no need to book, and the open rehearsals will include a ‘mini concert’ by the choir so you can see the guys perform.  The evenings will give potential members the opportunity to meet the choristers in an informal setting and afterwards have a chat over a drink at a local hostelry.
 
Wessex Male Choir performs at venues throughout the UK including the prestigious Westminster Central Hall in London. Earlier this year the choir also went on tour to Devon and sang at Buckfast Abbey and the Plymouth Guildhall.  The choir has also had success on the competitive stage and was awarded the "Best Male Choir" and "Best Ensemble" at Bath's Mid Somerset music festival in April.
 
Next year also promises to be an exciting time for the choir as it has had the honour of being invited to take part in the 2011 International Eisteddfod and we will begin preparing for this event from September 2010. 
 
So this is the perfect time for new members to join us!
 
For further information about the open evenings, or about the choir, please call 07939 249021 or visit www.wessexmalechoir.co.uk
]]>Averill Summerhttp://www.choralnet.org/view/264127Sat, 21 Aug 2010 14:01:50 GMThttp://www.choralnet.org/view/264127 I am looking for a piece for children's chorus and orchestra that is not terribly difficult for either ensemble, short, and not too slow (per conductor's request). And, it must be secular. I would appreciate your ideas.
  ]]>Beth Syversonhttp://www.choralnet.org/view/264107Sat, 21 Aug 2010 05:32:52 GMThttp://www.choralnet.org/view/264107
UNISON Interfaith Choir is made up of about a dozen singers from all different faiths, and we sing music from all different faiths.  Our mission is to  to foster harmony and mutual understanding between faith communities of Southern California through thecollaborative creation of interfaith musical presentations, educational programs, and recordings.
 
We are looking for 2-3 more tenors and basses.  It's preferred that they would be able to read music.
 
Open rehearsals serve as auditions.   The 2010-2011 season will include 3 concerts, several appearances at festivals and events, and a recording.
 
Please contact Beth Syverson, Artistic Director, to get the details about the open rehearsals.
 
director@UNISONchoir.org
714-376-6666
 
http://www.UNISONchoir.org
]]>philip copelandhttp://www.choralnet.org/view/264116Sat, 21 Aug 2010 07:54:08 GMThttp://www.choralnet.org/view/264116 A virtual choir festival in Estonia:

Thousands of people across Estonia on Friday took part in a landmark virtual choir festival, gathering in front of big screens to sing the small Baltic state's cherished anthems. Organisers said crowds massed at over a hundred open-air locations in this nation of 1.3 million people to perform eight songs under the baton of conductors -- one per song -- beamed from a real concert venue in Poltsamaa, central Estonia. Footage from the locations was also fed via the Internet, in a nod to Estonia's thriving hi-tech industry which has won it the nickname "E-Stonia".

H/T A Cappella News.

Photo credit and news item:  AFP
]]>Danielle Kastnerhttp://www.choralnet.org/view/264104Sat, 21 Aug 2010 03:38:43 GMThttp://www.choralnet.org/view/264104 I am in need of assistance please!
 
My choir is running extremely short on funds and I am not able to order the music that I had hoped for our December concert. It is for this reason that I am seeking any suggestions of free music that has some sort of theme. I was considering carols, but the lists on cpdl are so extensive that my vision is getting blurry!  I am open to anything fitting a small SATB ensemble.
Any ideas?
 
Thanks!
 
Danielle Kastner
Community Choral Society
Vernon, NJ
]]>Paul Martinhttp://www.choralnet.org/view/264105Sat, 21 Aug 2010 03:50:56 GMThttp://www.choralnet.org/view/264105 Thank you for your interest in the choir robes.  At this time, I have had several emails regarding them and so I am posting to say that they are now not available.  If for some weird reason they do, I will repost again.  Again, Thank you and sorry if we weren't able to fulfill your needs.  God Bless! ]]>Robert Barbarinohttp://www.choralnet.org/view/264103Sat, 21 Aug 2010 03:06:55 GMThttp://www.choralnet.org/view/264103 Shrine of the Little Flower is in need of two bass/baritones and one tenor for the coming choir season. Sunday call with twice monthly mid-week rehearsal. ]]>Michael Enrighthttp://www.choralnet.org/view/264098Fri, 20 Aug 2010 23:34:32 GMThttp://www.choralnet.org/view/264098

 

Essential Voices USA (EVUSA), formerly The Clurman Singers, is a vibrant and innovative organization whose mission is to promote the love of music and further the art of ensemble singing.  Led by world-renowned music director Judith Clurman, the group is a unique blend of volunteer, professionals (vocal fellows) and school-age singers that perform a wide range of musical genres. EVUSA appears with major orchestras and at prestigious venues, and is currently in residence at Carnegie Hall with the New York Pops. This year’s fall schedule includes an exciting mix of concerts, recordings, and broadcasts, including participation in Symphony Space’s October 22 Celebration Concert for Leonard Bernstein and three concerts with the New York Pops: Stephen Sondheim 80th Birthday Celebration on November 19, Holiday Concerts with Brian Stokes Mitchell on December 10 and 11, and Carnegie Hall’s Family Concert: How the Grinch Stole Christmas, with Mr. Stokes Mitchell, on December 11.

 

Participation in EVUSA requires previous choral experience, sight-reading skills, a willingness to memorize music, and the ability to attend rehearsals. A commitment to joining an exciting musical community and the desire to have fun are also key!    

 Auditions for EVUSA are by appointment only! The auditions for the 2010-11 season will be held on September 1st, September 13th and throughout the fall. Singers should prepare one solo art-song or aria of their choice.  To obtain an appt. please forward a resume to  EVUSAauditions@gmail.com. Once received, singers will be notified via email about the time and location for their audition.

]]>Larry Smithhttp://www.choralnet.org/view/264088Fri, 20 Aug 2010 19:44:39 GMThttp://www.choralnet.org/view/264088 Hello listers,
 
My choirs are touring to Rome and Assisi in May and that inspired me to seek out settings of texts by St. Francis.
 
I have already chosen the following:
Laudes creaturarum - Carl Orff
Illumine le tenebre - Joan Szymko (very artful piece just published by Santa Barbara Press)
 
I am looking for arrangements for SATB, accompanied or a cappella of:
Prayer of St. Francis (Lord, Make Me an Instrument of Thy Peace)
All Creatures of our God and King
 
I know there is a Randol Alan Bass setting of the Prayer and also one by Rene Clausen.  I can't accommodate much divisi in the men's parts and I don't have copies of those two settings to consider them.  Anyone had any experience with them or can recommend other good settings of that text?  I will be preparing this with a college choir so I want something challenging but also appealing to a range of audiences.  
 
The Orff and Szymko pieces are striking in contrast with one another and yet both chant-like in their own ways.
I would like to have a strong setting of All Creatures of Our God and King, using piano or a cappella. I will be preparing this program with a touring group and good organs are fairly rare in most of the churches we frequent.  I would prefer to use the familiar hymn tune LASST UNS ERFREUEN for at least most of the piece.
 
Since both the Orff and Szymko are in Latin I would prefer the others be in English.
 
If there are St. Francis texts beyond these four that have been set for chorus, I would be happy to know of them.
 
Grace and peace,
Larry Smith
Missouri Baptist University
One College Park Drive
St. Louis MO 63141
smithl(a)mobap.edu
]]>Thomas Clark-Joneshttp://www.choralnet.org/view/264065Fri, 20 Aug 2010 15:47:27 GMThttp://www.choralnet.org/view/264065Item: Brass parts for Magnificat, Opus 108
Composer/Arranger/Edition: Flor Peeters, McLaughlin & Reilly, Boston
Starting: asap
For: through July 1, 2011
Copies: single set
Willing to rent: No
 


]]>Gene Robersonhttp://www.choralnet.org/view/264077Fri, 20 Aug 2010 16:57:24 GMThttp://www.choralnet.org/view/264077 Hello all,
I had many emails from choir directors around the country concerning the music library I was offering.
It is already gone. Thanks for your understanding. If anything is left, I will post.
Thanks for your understanding,
Gene Roberson
Mission Viejo, Calif.
]]>Gene Robersonhttp://www.choralnet.org/view/264078Fri, 20 Aug 2010 16:59:07 GMThttp://www.choralnet.org/view/264078 Black robes sold
Gene Roberson
]]>PAPA Internationalhttp://www.choralnet.org/view/264075Fri, 20 Aug 2010 16:35:24 GMThttp://www.choralnet.org/view/264075 Auditions for the Pennsylvania Academy of Performing Arts' Masterworks choir are being held on Wednesday, August 25th from 7-9pm at Paoli United Methodist Church.

Our Fall 2010 concert series, "Something Wicked This Way Comes," will be performed Halloween weekend with concerts on Saturday, October 30th (7:30pm) and Sunday, October 31st (2pm). We'll also be joining the Chester County Choral Society, the Brandywine Singers, and.the Immaculata Symphony in a performance of Beethoven's 9th Symphony on Saturday, November 6th.

Rehearsals are held weekly on Sunday afternoons from 4-6pm at Paoli UMC, with occasional Wednesday evening rehearsals at the same location, 7-9pm. The first rehearsal of the season is Sunday, August 29th.

Auditions consist of vocal exercises to assess range, tonal memory, and sight-singing skills. We'll also ask you to sing America the Beautiful acapella (music/lyrics provided) to get an idea of your overall tone quality. Singers DO NOT need to prepare a piece to perform at their audition. Auditions are by appointment only. Please contact director Kate Mikijanic to sign up for a 10 minute audition time slot. skshealy@gmail.com ]]>Dail Richiehttp://www.choralnet.org/view/264070Fri, 20 Aug 2010 15:59:56 GMThttp://www.choralnet.org/view/264070
Berks Classical Children’s Chorus, Reading, PA, seeks a qualified Choral Director to assume the duties of Director of the MasterSingers, a highly skilled, auditioned, mixed chorus (SATB), with singers in grades 8 through 12.

The qualified candidate for this part-time, salaried position will hold a Masters Degree in choral conducting, voice, or appropriate related field, or be currently enrolled in a graduate program in the field.
 
Highly desirable skills include a solid understanding of the young voice, good conducting skills, good interpersonal skills, and a broad knowledge of the choral repertoire. The Director of MasterSingers will interface with the directors of the organization’s three other ensembles and the Executive Director. This position involves weekly rehearsals, various concerts, and staff meetings, approximately ten months a year. Job will begin May 2011.

Founded in 1992, BCCC is recognized as an outstanding choral education organization working annually with 110 singers, grades 3 - 12, in 4 choir levels.

Resumes and cover letters may be sent to SEARCH COMMITTEE, Berks Classical Children’s Chorus, 201 Washington Street, Suite 529, Reading, PA 19601. Please do NOT SEND CDs with initial inquiries. Deadline for receipt of applications is October 31, 2010.
]]>Mark Merritthttp://www.choralnet.org/view/264064Fri, 20 Aug 2010 15:45:09 GMThttp://www.choralnet.org/view/264064

At historic First Presbyterian Church in Mount Airy, North Carolina, we are “the little granite church on the corner of Church and Main,” however, we strive to offer “big things” as we lead God’s worshipping congregation in music that is second to none, and all to the glory of God.

We have a rich heritage singing the music of the “great masters” as well as the finest in sacred choral music of today’s composers and arrangers, with the pipe organ as the primary liturgical instrument.

 

We are not here to entertain. Our goal is to offer music in worship which causes the singer and the hearer to meditate and reflect on the majesty and awe of God.

 

Several times throughout the year we offer major works and other programs, joining forces with professional orchestral players to enrich the worship experience.

 

If you live nearby, and this sounds like the kind of church choral group that you would like to be a part of, we would love to have you visit for worship or a choir rehearsal.

 

Our Schedule:

 

Sunday – 9:45 AM Sunday school; 10:30 AM – Choir Warm-up; 11:00 AM – Worship

 

Wednesday – 7:30 – Choir Rehearsal

 

Audition is for part placement only.

 

If you are interested or simply would like to talk about it, please contact Mark Daniel Merritt, Conductor of the Chancel Choir at 336-280-0450 (home) or 336-830-5383 (cell). Or you can email – mmer9@roadrunner.com.
]]>PAPA Internationalhttp://www.choralnet.org/view/264076Fri, 20 Aug 2010 16:38:28 GMThttp://www.choralnet.org/view/264076 Saturday 8/21 @ 7:30 pm - Calvary Lutheran Church 730 S. New St. West Chester, PA 19382

Sunday 8/22 @ 2:00 pm - Paoli United Methodist Church 81 Devon Rd. Paoli, PA 19301

Come hear Ariana Women's Choir and Orpheus Men's Choir team up for our fourth concert series, The Tree of Life. Led by S. Katherine Mikijanic and Christopher G. McGinley, these choirs have reached new heights of artistic excellence this season, tackling increasi...ngly challenging, exciting, and beautiful music.

We are excited to share our music and hope you will join us on Saturday or Sunday. Tickets are $10, or $8 for students/seniors. Groups of 10+ are $5 per ticket. Tickets may be purchased at the door or reserved by emailing papachoir@gmail.com ]]>City Chorushttp://www.choralnet.org/view/264058Fri, 20 Aug 2010 14:15:54 GMThttp://www.choralnet.org/view/264058
City Chorus is celebrating its 90th birthday season in 2010-2011 and we have planned an exciting concert schedule. If you would like to join us, we are holding a special Open Evening at 6 pm on Tuesday, 21st September 2010.
 
We welcome new singers in all voice ranges. If you are enthusiastic and can attend rehearsals regularly, then come and give us a try! Best of all, there are no auditions[*]: some choral singing experience and music-reading ability would be an advantage, but not essential, as all works are thoroughly rehearsed over the course of each term. Wherever possible, we make recordings or sound files available, to help with the learning process; and we also offer opportunities for individual vocal tuition with guest singing teachers. We perform in a wide range of styles and languages.
 
Our forthcoming concerts will be:
 
10th December 2010:Christmas Concert (music by Mozart and Hadyn)
1st April 2011: Celebration of Motherhood
8th July 2011: 90th Birthday Concert (Music by Charles Ives and Ralph Vaughan Williams)
 
The musical director of the choir is Paul Ayres, who also conducts the London College of Music Chamber Choir and the Walbrook Singers. He is associate accompanist of the Crouch End Festival Chorus, and works extensively as a composer and arranger.
 
Rehearsals are held on Tuesdays, 6.15-8.15 pm at the NatWest building, 1 Princes Street (EC2R 8BP), right next to Bank station (Exit 1).
 
For more information or to join the choir, please go to our website www.londoncitychorus.comor contact our Membership Secretary Helen Lewis: membership@londoncitychorus.com.
 
 


---
[*]membership of City Chorus is open to all, without audition, at the
  discretion of the musical director
  
]]>Nathan Zullingerhttp://www.choralnet.org/view/264048Fri, 20 Aug 2010 12:59:58 GMThttp://www.choralnet.org/view/264048
PROVIDENCE SINGERS YOUNG ARTISTS VOCAL PROGRAM 2010-2011
The Providence Singers (RI) is seeking four professional vocalists for the inaugural year of its Young Artists Vocal Program. The Young Artists will begin their work with the Providence Singers, Inc., in late September and continue through June 2011. This job is ideally suited to a singer with at least a baccalaureate degree in vocal performance. The individual should exhibit excellent vocal technique, communication in performance, and have a strong interest in educating young singers.
Tenors and Basses are particularly encouraged to audition.
Upon successful completion of an audition, each singer will be expected to:
-Serve as section leaders for rehearsals and performances of the Junior Providence Singers to provide mentorship, vocal leadership, and model ideal ensemble skills (Sept. – Nov.)
-Participate in the Providence Singers performances of Missa Solemnis (October) and Carmina Burana (April)
-Understudy the professional soloists for Providence Singers concerts (Messiah and Carmina, excluding Missa Solemnis).
-Participate as soloists and ensemble members in a fundraising concert in February
-Form the professional core for a chamber chorus drawn from the Providence Signers membership for a June performance
-Perform other duties, including educational outreach and for-hire performances as needed for additional remuneration
Young Artists will be paid $1,250 per year in monthly installments. They will be expected to be available regularly on Tuesday evenings from September 21 - December 7 and from January 4 to June 7, as well as for dress rehearsals and performances.
For more information or to schedule an audition, please email a cover letter and current resume to Nathan Zullinger, Assistant Conductor and Director of Education for the Providence Singers, at nz1150@hotmail.com. The deadline for materials is August 31, 2010.
 
]]>philip copelandhttp://www.choralnet.org/view/264056Fri, 20 Aug 2010 13:49:05 GMThttp://www.choralnet.org/view/264056
Ah the joys of a new year!
 
We are all in that mode, aren't we?  Read here how Terminal Degree sees the first few days:

There's fear in the eyes of the freshmen and transfers. They're walking around with crumpled schedules, asking for directions, and wandering into the wrong classrooms. One young man was frantic yesterday when I explained that there was no room 110 in the music building. He insisted that his schedule had MUS 110 on it. I had to explain that 110 was the course number, not the location. Other students showed up twenty minutes early to Musical Basketweaving and kept trying to walk into the previous class, which was still meeting. My colleague finally had to lock the door to keep them out, and then they panicked that they wouldn't be able to get into my class in time.

 

In another blog, Terre Johnson gives us a fine essay on remembering why we do what we do:

Readers of this blog will all have similar stories of music educators they know. These teachers change lives by infusing them with beauty, and with the ability to create beauty. They teach because they can't stop teaching. And in a world where education statistics and test scores are most often used as weapons in a war of blame, music educators make schools better and students purposeful.

 

I have two college-aged daughters who are majoring in education, which makes me incredibly proud. As I helped one of them move back to school last week, I noticed a saying she had placed above her desk. It said: "The two greatest days in your life are the day you are born, and the day you find out why." As school is starting, I am grateful for the music educators I know, and for the day they realized their high calling.

 

Read the whole thing here.
]]>Jeanette Singletonhttp://www.choralnet.org/view/264029Fri, 20 Aug 2010 01:49:48 GMThttp://www.choralnet.org/view/264029 How do you balance rote learning and sightreading within regular concert literature? Is there a system that you like? I want my students to understand the connection between "regular music" and all the sightreading work they do. As a kid, the only time my choir director made me sightread was during sightreading practice.  I want to stay away from teaching music by rote all the time, but still not bore or overwhelm them with sightreading in their concert music.  My students are in 7th and 8th grade. ]]>Jane Moneyhttp://www.choralnet.org/view/264025Fri, 20 Aug 2010 00:17:42 GMThttp://www.choralnet.org/view/264025

Managing Director – new position
Available now
 
Boston City Singers
The mission of Boston City Singers is to unite children and families from all neighborhoods, ethnic and socio-economic groups through the power of music, 340 singers in FY10. We believe that by exploring the world of singing, our singers develop stronger leadership and teamwork skills, experience the power of self-esteem and self-discipline, enjoy the beauty of artistic expression, and develop the heart to live in a world of differences.Since our founding in the Dorchester neighborhood of Boston in 1995, we have established an extraordinary track record of achievement.  Highlights include:
 
v    Excellent, intensive training to 800+ diverse young people, ages 4 – 18
v    Over 400 performances including collaborations with Boston Ballet, Revels, Coro Allegro,  Toronto Children’s Chorus and international groups from Ireland, Australia, Belgium, Finland, France and South Africa
v    Major tours to Australia/New Zealand, Newfoundland, Ontario, and Denver; accepted invitations to perform at many prestigious festivals and occasions
v    Commissioned music including 7 pieces on themes appropriate for a culturally diverse youth choral repertoire
v    Strong youth development program – including job preparedness training, mentoring and leadership development
v    Extremely high retention rate – 80+% of singers participate for 2+ years; 9 graduating seniors this year average 6 years in BCS
v    100% of all BCS graduates attend college; this year all 9 graduating seniors were accepted to first choice colleges; assisted many to win scholarships
v    Provides 1,000 service hours annually performing at benefit programs, dedications, and free community concerts.
 
Managing Director
Boston City Singers has experienced considerable growth over the past two years.  During its first seven years, BCS has had one Executive/Artistic/Educational Director.  Given our growth, we are now creating this new position to further develop the administrative operations of the organization to meet the high standards of our artistic and educational operations.  We seek a Managing Director who will manage administrative functions including fundraising, p.r. and marketing, financial management, and H.R. The Managing Director will work in close collaboration with the Artistic Director and other senior staff and key volunteer leadership to achieve the goals of the organization. We seek an individual with an inspired and strategic outlook, who is articulate, persuasive, and passionate about Boston City Singers, and has an entrepreneurial and creative approach to development, as well as a genuine affinity for themission and values of the organization
 
RESPONSIBILITIES
The Managing Director is responsible for overseeing the operational management of Boston City Singers, including:
 
• Fundraising – building on a strong foundation of multiple existing revenue streams
-   Individual donors
§       schedule, manage and oversee fundraising and donor appreciation initiatives and events in collaboration with Board, staff and families
§       manage and build database
-   Foundations and Corporate Sponsors
§       research and cultivate potential government, foundation and corporate funders
      and sponsors, write proposals and related reports and/or supervise grant writer
-     Earned income
• collaborate with Artistic/Educational Director to generate fee for service performance opportunities
 
• Financial Management
-   monitor expense and revenue actuals and manage accordingly
-   oversee financial reporting for Board, funders, and staff
-   lead annual budget development process
-   facilitate CPA to conduct annual financial review
 
• Human Resources
-   develop job descriptions as needed, and support hiring process
-   maintain employee files, and conduct CORI compliance
-   develop and manage organization’s annual process of setting performance goals, supervision and evaluation
 
• Manage annual operational calendar
 
• Supervise Business Manager and contractual administrative staff
QUALIFICATIONS
Training and Experience
Non-profit management– demonstrated experience with organizational planning; staff hiring and supervision. Knowledgeable of current best practices and resources in non-profit management
·      Fundraising - at least three years of professional fundraising experience with demonstrated results, including individual, earned and/or foundation/corporate solicitations;
·      Financial management- demonstrated experience in planning and managing budgets in a hands-on environment;
·      Communications- experience with P.R. and marketing, website, and social networking technology. Excellent writing and communication skills are critical.
·      B.A./B.S. and M.A. or MBA preferred
Personal Qualities
§       A disciplined, self-starting strategist who is adept at planning, prioritizing, multi-tasking, organizing and following through while remaining highly energetic and focused;
§       Ability to effectively gain the respect and support of various constituencies, including board and staff members, parents and volunteers, donors and foundation and civic leaders;
§       Works well independently and as part of a team;
§       A sense of humor, confidence, and openness;
§       Committed to and enthusiastic about Boston City Singer’s mission and programs, including an appreciation of a diverse community where respect of difference defines relationships.
 
HOW TO APPLY
Please submit a letter of interest and resume, with your name in the subject line, to
office@bostoncitysingers.org. We are unable to accept phone call inquiries.            
]]>Dr. Anne Kilstoftehttp://www.choralnet.org/view/264024Thu, 19 Aug 2010 23:52:35 GMThttp://www.choralnet.org/view/264024
Job title: Choral Director
Organization name: ProMusica Arizona
Chorale & Orchestra
Category: Artistic
 
The primary responsibility of the choral director is auditioning, rehearsing, scheduling performance opportunities, and leading the PMAZ Chorale in performances.  The PMAZ Chorale will perform frequently out in the community and with the PMAZ Orchestra.. 
 
Responsibilities:
• Provide dedicated and appropriate musical talents in both rehearsal and performance with the ProMusica Arizona Chorale.          
• Audition and train highly motivated singers.
• Select music, prepare, rehearse and conduct performances of the Chorale.
• Assist in preparation of the annual budget line items specific to the Chorale.
• Coordinate Outreach Concerts wherever possible to build community awareness and support.
• Work with the Artistic Director to plan joint concerts.
 
Requirements: 
Education:        Undergraduate degree in music or music education
Experience:       At least five years experience in conducting choral music.
 
Compensation: Part-time position; weekly rehearsals September through mid-May;
                 8-10 performances: $8,000- $10,000 depending on experience
 
Deadline for applications: September 15th, 2010
 
ProMusica Arizona Chorale & Orchestra (PMAZ) is a 501 (c)(3) non-profit organization. Founded in 2003, and incorporated in 2004, PMAZ is a multi-generational community choir and orchestra whose mission is to enrich the Phoenix North Valley community by sharing the joy of music with its members and audiences PMAZ is a proud member of Chorus America, League of American Orchestras, the Arizona Orchestra Association, Anthem Chamber of Commerce, and a founding member of the Arts Council of the North Valley. Annual operating budget is $160,000.
 
Location:          Anthem, Arizona
 
Please send a resume, biographical sketch or curriculum vitae, a list of choirs with which you have worked and a repertoire list to:
 
Contact:     Dr. Mark Oesterle, Search Committee Chair PMAZ  at email:  moesterle1@msn.com
or call 623-465-4650.
 
  
]]>Pamela Bakerhttp://www.choralnet.org/view/264019Thu, 19 Aug 2010 23:00:27 GMThttp://www.choralnet.org/view/264019 I'd be interested to hear from anyone who uses portfolio assessment for their choral classes. What do you include? How do you grade these projects? What do the students think of this type of project? If possible, please message me a copy.  Thank you!!! ]]>Nicholas Benkohttp://www.choralnet.org/view/264004Thu, 19 Aug 2010 19:58:20 GMThttp://www.choralnet.org/view/264004 Auditions for our 10-11 season will be held on August 24 and 31, 2010.

If you are interested in singing with us next season, please sign up online and you will be contacted by one of our singer representatives.
 
If you are interested in auditioning for Vox Femina Los Angeles, the following information will be helpful:
 
Audition FAQs
 
Is VFLA the right chorus for you? Yes, if you are a woman who:
• loves singing a variety of repertoire (world music, classical, pop and more)
• has some sight-reading ability
• can commit to our rehearsal/ performance schedule for a minimum of one year
• can carry out VFLA's mission statement
 
What can you tell me about the audition process?
The audition consists of two parts: the musical audition and the interview. The entire process should take approximately 45 minutes.

During the musical audition, the Artistic Director will ask you to:
• sing scales and warm-ups (to determine tone quality and range)
• repeat simple melodic patterns (to ascertain tonal memory/pitch recognition)
• sight-read an excerpt (to determine your level of reading skill)
• perform a short a cappella piece of your choice--any style (to showcase your musicality)
 
During the interview, you will meet with a small group of singers and board members who may ask you questions such as:
• Why would you like to join Vox Femina Los Angeles?
• What are your expectations of the organization?
• What do you feel you can contribute toward the success of VFLA, and how have you demonstrated this ability in the past?
 
In addition, you will be given a schedule for the year, and the committee will review responsibilities of membership with you. This will be an opportune time for you to ask any questions you may have regarding VFLA.
 
 
What responsibilities will I have as a member of VFLA?
First and foremost, at the core of VFLA's mission we strive for a high quality of musical performance. Therefore, the ability to learn your music in a timely manner is of the utmost importance.
 
VFLA's season usually runs from September through June and consists of three (3) concert preparation periods.
 
Performances
• Major concerts are generally held in November, March and June, with Saturday evening and Sunday afternoon performances of each concert.
• Community performances are scheduled from time to time to fulfill our mission statement.
• A detailed schedule of all confirmed dates for the upcoming season will be provided at the time of auditions. Any additional performance requests will be brought to the membership to determine feasibility.
 
Rehearsals
• Singers are expected to attend weekly rehearsals, which are held on Tuesdays from 7:30-9:45 p.m. at Immanuel Presbyterian Church in the mid-Wilshire district.
• An additional dress rehearsal is held during the week prior to each major concert. Attendance is mandatory.
• If needed, extra rehearsals will be scheduled at the Artistic Director's discretion. At most, one retreat/rehearsal may be scheduled per concert preparation period.
 
Financial Obligations
• All singing members pay annual membership dues of $150. Membership dues are payable in full by the fourth rehearsal at the beginning of the fall season unless special arrangements have been made.
• Each member is required to pay a deposit for her music and performance folder. This deposit is refundable if the music and performance folder are returned in good condition.
• Other costs that members may incur are associated with, but not limited to, touring, retreats, social events and the purchase of promotional items. However, these activities are often optional. Scholarships may be available for touring.
 
Concert Attire
• Concert attire is the individual responsibility of chorus members.
• For most performances, concert attire is your choice of a very dressy, all black, long-sleeved outfit.
• Less formal attire may be allowable for certain extra performances.
 
May I attend a rehearsal to get a better idea of what the rehearsal process is like?
You are welcome to sit in on a rehearsal. Please e-mail audition@voxfeminala.org, or call 310-922-0025, to let us know when you would like to attend.
To schedule an audition, please fill out our online form, or contact 310-922-0025.
 
Hope to see you at rehearsals!!
]]>Frederick Backhaushttp://www.choralnet.org/view/264023Thu, 19 Aug 2010 23:37:03 GMThttp://www.choralnet.org/view/264023
Schola of St. John's Basilica, Stamford, CT
 - 8 paid staff singers
 - $125 per call (plus train transportation, easy walk from station)
 - Noon Mass each Sunday (October through June), plus Christmas Eve & Day, Holy Week
 - Weekly Thursday night rehearsal (also $125 per call as above)
 - Complete polyphonic mass, Latin motets, Latin Gregorian Chant propers
 - Comfortable with straight tone
 - Looking for singers with strong commitment to ensemble work
 - Excellent sight-reading skills
- Experience reading chant notation helpful, but not required
 
 
 
]]>Allen Hendersonhttp://www.choralnet.org/view/264009Thu, 19 Aug 2010 20:43:08 GMThttp://www.choralnet.org/view/264009
The Department of Music in the College of Liberal Arts and Social Sciences invites nominations and applications for the position of Director of Choral Activities and Assistant Professor of Music. Georgia Southern University (www.georgiasouthern.edu), a member institution of the University System of Georgia and aCarnegie Doctoral/Research University, is one of Georgia’s premier universities. A residential university serving more than 19,000 students in fall 2009, Georgia Southern is recognized for providing all of the benefits of a major university with the feeling of a much smaller college. Founded in 1906, the University offers more than 100 campus-based and online degree programs at the baccalaureate, master’s, and doctoral levels through eight colleges. The nearly 700 acre park-like campus is located in Statesboro, a classic Main Street community near historic Savannah and Hilton Head Island.
 
Within this setting, the Department of Music offers a student-centered degree program that blends traditional and contemporary approaches, emphasizing global perspectives while recognizing the value of individual student needs. Students are mentored by a faculty of dedicated teacher-scholars, who are nationally and internationally known in their fields of expertise. Music students and faculty have an opportunity to travel abroad every three years.
 
Position Description. Reporting to the Chair of the Department of Music, the position requires teaching, service, research responsibilities, and a terminal degree.  The Director of Choral Activities will coordinate the choral area within a collegial team environment focused on the success of students.  Additional duties include: conduct Southern Chorale and University Singers; teach choral conducting and literature at the undergraduate and graduate levels; team teach choral methods; assist with the supervision of choral student teachers; promote the visibility of the choral program locally, regionally, nationally and internationally; and actively recruit with the applied voice faculty. Recruiting should include guest conducting, offering workshops, adjudicating, and participating in ACDA and MENC state, regional, and national activities. Additionally, the successful candidate will maintain regional and national visibility of ensembles; advise undergraduate and graduate students; serve on committees; and perform other university and professional service, as appropriate. The ideal candidate will offer a model for inspired and skillful teaching and be a creative thinker with an interest and skill in building community through singing and connecting with other constituencies.  The position is a 9-month, tenure-track appointment, and the salary is competitive and commensurate with qualifications and experience.
 
Required Qualifications:
• Doctorate in Music in Choral Conducting or Music Education with a Choral Emphasis by August 1, 2011.
• Record of success in teaching
• Evidence of scholarly and creative activity
• Strong knowledge of voice pedagogy and its appropriate application in the choral setting.
• Demonstrated musical, financial, and organizational skills appropriate for organizing, recruiting, and conducting choral ensembles.
• Demonstrated abilities in organization, communication, and working effectively with faculty, students, and colleagues in the field.
• Commitment to preparing high quality pre-service music educators in a collaborative and collegial teaching and learning environment.
 
Preferred Qualifications:
• Previous (at least part-time) experience coordinating a choral area.
• At least part-time public/private school music teaching experience.
 
Screening of applications begins October 1, 2010, and continues until the position is filled. The position starting date is August 1, 2011. A complete application consists of a letter addressing the qualifications cited above; a curriculum vitae; the names, addresses, telephone numbers, and email addresses of at least five professional references; and DVD or electronically submitted video files of at least one unedited rehearsal and performance with the conductor face forward.  Other documentation may be requested. Georgia Southern University seeks to recruit individuals who are committed to working in diverse academic and professional communities. Electronic submission preferred.  DVD recordings may be mailed.  Applications and nominations should be sent to:
 
Dr. Allen Henderson, Search Chair, Search #56711
Department of Music 
Georgia Southern University
P. O. Box 8052
                                           Statesboro GA 30460-8052
              Electronic mail: ahenderson@georgiasouthern.edu
              Telephone: 912-478-0144
 
More informationabout the institution is available through http://www.georgiasouthern.eduor http://class.georgiasouthern.edu/music.  Georgia Southern University seeks individuals who are committed to excellence in teaching, scholarship, and professional service within the University and beyond.Finalists will be required to submit to a background investigation. Georgia is an Open Records state. Georgia Southern University is an AA/EO institution. Individuals who need reasonable accommodations under the ADA to participate in the search process should contact the Associate Provost.
 
]]>Kyle L Hancockhttp://www.choralnet.org/view/264008Thu, 19 Aug 2010 20:30:36 GMThttp://www.choralnet.org/view/264008 Update: this organ has now found a home. No more inquiries please.
 
Subject: Allen Organ available from church in Farmer's Branch
URGENT!!!  MUST  be PICKED UP by AUGUST 23rd!!
======================================
Grace and Peace to you,
 
For the last 16 years I have been music director at St. Paul Lutheran Church (ELCA) in Farmers Branch, TX. Our church was closed on May 30, and we are in the final stages of finding new homes and uses for our assets.
 
We have not been able to find a home for our Allen Organ (see the description below). Our hope is that we can find a church that can use the organ. Time is of the essence now.
 
We have scarcely a week left before we must have everything out of our building, which the city has bought for a charter school.
 
Please feel free to contact me if there is any possibility of our finding a home for the organ.
 
Yours sincerely,
Harold A. Knight
469-955-2454
5225 Fleetwood Oaks, #402
Dallas, TX 75235
=========================================
The organ is a two-manual Allen digital organ with 21 stops and full coupler capabilities. It is voiced as a baroque-style instrument, but allows for almost all styles of music to be performed. The organ is about 25 years old, but generally is in very good condition.
 
It is in need of some maintenance that would be expected on an organ of its age. Two tone generators need replacing, and the speakers may need attention. All of that with installation costs would probably be between $2500 and $5000. The organ has always been maintained by Dale Johnson of Church Organ Associates who installed it new. COA phone numbers are 972-446-8262 or toll-free1-800-662-8729. The email address is coa@churchorgans.net
 
The organ is certainly in playable (and completely usable) condition. One stop on each keyboard is silent until the tone generator is replaced.
 
A church would not need to spend money except for moving costs immediately. It is, however, our hope that the organ will be installed correctly and the maintenance work be done as soon as possible so this instrument that has served the ministry of St. Paul Lutheran Church can continue to be used to the glory of God.
 
The organ is ready to be moved. We must remove it from the building where it is by August 23.
 
(the former) St. Paul Lutheran Church (ELCA)
13605 Webb Chapel Road
Farmers Branch, TX
stpaulfb@yahoo.com
Contact: Harold Knight
469-955-2454
 
]]>Kevin Beanhttp://www.choralnet.org/view/264005Thu, 19 Aug 2010 20:01:04 GMThttp://www.choralnet.org/view/264005 Interim Music Director of All Saints Church, Worcester, MA:
All Saints Episcopal Church, Worcester, MA, a diverse and vibrant urban parish with an average Sunday attendance of 275 and a strong tradition of liturgical worship supported and enriched by fine music, seeks a full-time organist/choir director to serve as Interim Director of Music starting November 8, 2010 and serving through January 9, 2011, or thereafter. Responsibilities are as follows. 1) Organize and lead choir rehearsals each week during this interim period - including rehearsals during the week as well as Sunday morning rehearsals. Anthems are already chosen through November 21. Interim will pick the hymns for the 9am and 10:30am services each week, plus anthems for after November 21. 2) Be responsible as organist at the 10:30 services each Sunday during Interim period. Also be responsible for rehearsing and participating in special services during this timeframe: a) the Advent Procession of Lessons and Carols on December 5 at 5pm; b) special music for Christmas Eve; and c) Festival of Nine Lessons and Carols on January 9 at 5pm. 3) 9am Sunday commitments will be worked out with Organ Scholar Michael Celularo (who is available to play the regular 9am services). 4) Be available for weddings, funerals, other special services - i.e. have the first right of refusal. And 5) participate in a weekly meeting with the rector.
 
Compensation will be $1000 per week for each of the weeks employed. Wedding and funeral honoraria will be additional. Other reimbursements may be negotiated. The contract may be extended by mutual agreement of the Rector and the Interim Music Director.
 
The Gothic Revival building is by Frohman, Robb and Little (architects of the National Cathedral), and the organ is Aeolian-Skinner Opus 909F, four manuals, 132 ranks. The S-A-T-B Choir of Men and Boys presently numbers 13-3-4-5, and the St. Cecilia Choir (girls) and Adult Choristers numbers 20-6-5-6. One Steinway grand piano, a small practice organ and two other practice pianos are also on site.  The organ specification may be found under the “Music” tab on our website, http://www.allsaintsw.org or contact kevin@allsaintsw.org
 
To learn more, please e-mail us at kevin@allsaintsw.org using Interim Music Director Search in the subject line, with your contact information, the web site of your present church, your position and length of service there, and a brief resumé if not already included in your church’s web site.  All inquiries will be treated in strictest confidence.  Only applications received by September 20, 2010 will be considered. No references will be sought without respondent’s explicit consent.  All Saints is an equal opportunity employer.
The Rev. Kevin D. Bean, Chair, Search Committee
]]>Harry Mechellhttp://www.choralnet.org/view/264001Thu, 19 Aug 2010 19:36:22 GMThttp://www.choralnet.org/view/264001Item: The Armed Man:Mass for Peace
Composer/Arranger/Edition: Karl Jenkins
Starting: January 17, 2011
For: 3 months
Copies: 60
Willing to rent: Yes
 
The Winona Oratorio Chorus in Winona, MN is looking to borrow or rent 60 scores or more for "The Armed Man: Mass for Peace" by Karl Jenkins. Our performance date is April 2, 2011 and our first rehearsal is January 18, 2011.  We would be glad to reimburse for shipping and would highlight your organization in our program if you would like. We would be willing to pay rental fees if required. 
 
Thank you very much,
 Harry Mechell
]]>Sean Ivoryhttp://www.choralnet.org/view/264010Thu, 19 Aug 2010 20:55:32 GMThttp://www.choralnet.org/view/264010 Looking for the new Go Where I Send Thee?  Try Up on the Mountain Shouting. And check out Joshua.  It's the newest SATB tour de force. Spring and summer festival premieres are over, so new works are posted at www.CaldwellandIvory.com.    Scores, recordings and videos are available for perusal at a click.  Mention Choralnet in the comments field on your order form and get 25% off through August 23. ]]>Tom Councilhttp://www.choralnet.org/view/263999Thu, 19 Aug 2010 18:56:38 GMThttp://www.choralnet.org/view/263999 A new arrangement of Gustav Holst/Christina G. Rossetti "In the Bleak MidWinter"  (SATB) Piano,  is now ready for your Christmas program by composer Tom Council  (Dallas)       COLLA VOCE
Listen to a full recording  IN THE BLEAK MIDWINTER
]]>Adam Grahamhttp://www.choralnet.org/view/263998Thu, 19 Aug 2010 18:51:50 GMThttp://www.choralnet.org/view/263998

Trinity Episcopal Church is currently looking for Mezzo Soprano, Tenor, and Bass Section Leaders for the Chancel Choir. Music is very important as most of the service is sung. The semi-professional Chancel Choir leads the parish through music every Sunday at the 10:30am Rite II Service. This year's presentations will include "The Messiah" by G.F. Handel, "Seven Last Words of Christ" by Theodore Dubois, and "Changed My Name" by Linda Twine. Trinity Parish enjoys a variety of Anglican Chant, Classical, Contemporary Gospel, Negro-Spirituals, Taize. Hymnals used are the Hymnal 1940, Hymnal 1982, Lift Every Voice and Sing II, African-American Heritage Hymnal, With One Voice. Each rehearsal/gathering begins and ends with prayer.

Requirements:
-Sight reading skills
-Rehearsal on Wednesdays from 7-9pm
-Warm-Up on Sundays from 10-10:20am
-Holy Eucharist Rite II (Sunday 10:30am), and Major/Minor Feasts as-needed
-Solo work available for concerts, funerals, and weddings

Audition:
-Sight singing two hymns in contrast from two of the church's hymnals
(melody and parts)
-Sight singing two selections from the church's music library (parts)

Sung Mass Includes:
-Opening Hymn
-Introit
-Gloria in Excelsis / Kyrie
-Gradual Hymn
-Prayer Chant (before Prayers of the People)
-Choral Anthem during Offertory
-Doxology
-Sanctus
-Lord's Prayer
-Fraction Anthem
-Agnus Dei
-Communion (Usually around 4 Hymns)
-Orison
-Closing Hymn

Contact:
Send letter of interest and resume to Adam Graham, Minister of Music at
TrinityChurchDC.Music@gmail.com or the church office at 202-726-7036. 

]]>Bing Vickhttp://www.choralnet.org/view/263989Thu, 19 Aug 2010 18:14:29 GMThttp://www.choralnet.org/view/263989 I conduct the 160-voice Greenville (SC) Chorale.    I would like to program an evening of "big band music".
 
Anyone have a source (sources) for arrangements of big band music with chorus?
I am looking for symphony orchestra instrumentation, not just jazz big band.
 
thanks for your help
]]>Tina Harrishttp://www.choralnet.org/view/263988Thu, 19 Aug 2010 18:08:51 GMThttp://www.choralnet.org/view/263988 Sorry to all of you who inquired about the choir shells, but they have been spoken for by a school in our area.  I can't imagine what the shipping might have been for the choir in Alaska that was interested :-) ]]>Patrick Ryanhttp://www.choralnet.org/view/263927Thu, 19 Aug 2010 03:31:04 GMThttp://www.choralnet.org/view/263927
 
Welcome to the home of choral music in Big Sky Country.
]]>Lisa Harperhttp://www.choralnet.org/view/263974Thu, 19 Aug 2010 15:37:25 GMThttp://www.choralnet.org/view/263974 I am getting new uniforms for my middle school choirs and would like to sell the dresses we have been using for the last few years.  I have a lot of dresses (probably over 100) in great condition and in a variety of sizes.  I would like to sell them in bulk if possible.  They work great for a middle school choir because they are simple, durable, cost efficient and machine washable!  They are still in production (sold for only $45 new), and here a link for the photo:   https://www.formalfashionsinc.com/product.php?product_id=396&;category_id=14&youth= 
 
Contact live2singalways@yahoo.com if you are interested!
]]>Michael Driscollhttp://www.choralnet.org/view/263973Thu, 19 Aug 2010 15:33:58 GMThttp://www.choralnet.org/view/263973

Boston Saengerfest Men’s Chorus
Michael Driscoll, Director
 
One of the few male choruses in the greater Boston area, Boston Saengerfest Men’s Chorus is holding open rehearsals for tenors, baritones and basses on September 13 & 20, 2010 at 7pm at the First Parish Church (Unitarian), 349 Boston Post Road, Weston, MA.  After attending one or both open rehearsals, interested singers may audition by appointment.  Previous choral singing experience and an ability to read music is desired, but not required.  We have the great male voice choral repertoire, the tradition of TTBB performance, and the power of men's massed voices at our disposal. Perhaps all we are missing is your voice!
 
Rehearsals are on Monday evenings 7:00 PM to 9:30 PM, at First Parish Church (Unitarian), 349 Boston Post Road, Weston, MA. 

For more information go to http://saengerfest.org/about/audition-information/ or contact Tim Borchers, Membership Chair, at membership@saengerfest.org or by calling 508-803-1909.
 
www.saengerfest.org
]]>Susan Wincklerhttp://www.choralnet.org/view/263968Thu, 19 Aug 2010 14:49:48 GMThttp://www.choralnet.org/view/263968 Second call for auditions for the 2010-2011 season of the Mountainside Master Chorale!  Based in Claremont, CA, this select 70-voice choir, directed by Dr. David Rentz, rehearses on Monday evenings and performs a variety of outstanding music, including major works with orchestra. Singers of all voice parts are welcome to audition, and should have previous choral experience and sight singing skills. See the Chorale’s website for further information about the group.  Please email audition@mountainsidemasterchorale.org to set up an audition. (Auditions begin the week of August 30; rehearsals begin Monday, September 13.) ]]>Linda Wallacehttp://www.choralnet.org/view/263967Thu, 19 Aug 2010 14:43:53 GMThttp://www.choralnet.org/view/263967 Audtitions for all choirs:
Choraleers- 3rd-7th grade
Teen Chorale- 8th-High School
Village Singers- Adult
]]>J. David Moorehttp://www.choralnet.org/view/263970Thu, 19 Aug 2010 15:07:26 GMThttp://www.choralnet.org/view/263970 Colleagues,
 
Do any of you have thoughts about where I should look for a used choral shell and a used choral folder cabinet? My Burnsville, Minnesota church choir has limited resources, like everyone's choir, and we are in need of these things. Should I just get an Eagle scout to make us some?
 
Gratefully,
J. David Moore
]]>Patricia Nortonhttp://www.choralnet.org/view/263956Thu, 19 Aug 2010 14:02:44 GMThttp://www.choralnet.org/view/263956 Hi -- I've been asked to lead an inexpensive course on how to listen to music for non-musicians over 50 years old.  There will be eight weeks of one 2-hour session per week.  Total time is 16 hours.  I haven't decided whether to do one piece (maybe Brahms Requiem?) in depth or try to take a broad approach and try to listen to music from chant to hip-hop.
 
I would appreciate ideas about the approach, and particularly about a text I might be able to use.  These are mostly college-educated, retired people.  The course has a $50 limit on how much books can cost.  Is there something more up-to-date than Copland's What to Listen For in Music?
 
Thank you very much for your time and help --
 
Patricia Norton
]]>JoAnn Kuleszahttp://www.choralnet.org/view/263955Thu, 19 Aug 2010 13:58:41 GMThttp://www.choralnet.org/view/263955Item: "Te Deum"
Composer/Arranger/Edition: Rutter - OUP, if possible; if not, Hinshaw
Starting: ASAP
For: thru Dec. 5,2010
Copies: 40
Willing to rent: Yes
 
 Just informed after a 6 week wait that OUP can no longer sell this in the U.S.  Hinshaw copies are more than TWICE as much!
]]>Thea Gold-Pachhttp://www.choralnet.org/view/263936Thu, 19 Aug 2010 07:01:39 GMThttp://www.choralnet.org/view/263936 I have noticed some inquiries about Maurice Goldman's music. I am his daughter, and his entire music collection now belongs to my brother and to me.
We are currently organizing all musical, biographical, and photography materials so it can be archived with a major university.  Formerly most of his music was sold either by Transcontinental or Lawson-Gould (now Warner Chappell).  Very few pieces are available for sale as sheet music now, and all copyrights reverted to us.
We're always happy to help people who are interested in different aspects of his works, or who wish to perform his music. 
  I can be contacted by email:  ozmatoo(a)aol.com
Althea Goldman-Pachulski; Los Angeles, CA  August 2010
]]>John Broughhttp://www.choralnet.org/view/263724Mon, 16 Aug 2010 14:35:43 GMThttp://www.choralnet.org/view/263724 This graphic demonstration of Bach's "Crab Canon" from the Musical Offering has been making the rounds in my various social networks recenty.  A great visual demonstration is offered here, and will make an appearance in my music appreciation course this fall!
 
If you haven't seen it before - I hope you enjoy it!
 


[video]


]]>Kevin Riehlehttp://www.choralnet.org/view/263925Thu, 19 Aug 2010 02:35:36 GMThttp://www.choralnet.org/view/263925
CANTARE Houston announces the return of its "walking concerts" through the galleries of the Museum of Fine Arts, Houston – the popular concerts which began the collaboration between our two arts organizations so many years ago!  These unique performances pair the musical excellence of CANTARE's singers with the magnificent artwork of Houston's most treasured museum. Curator Helga Aurisch will lead the audience through the Museum's galleries – providing commentary on the art, culture, history and inspiration for these collected masterpieces – as CANTARE performs choral selections contemporary with the period.
 
Tickets for these concerts are extremely limited, so don't delay.  "Seats" will go fast!  Get yours today, and be one of the select few to experience this exclusive cultural event, complete with a wine and champagne reception, as well as attractive prizes and give-aways!
 
Repertoire includes:
  Palestrina: O bone Jesu
  di Lasso: Surgens Jesus
  Sweelinck:  Hodie Christus natus est
  di Lasso: O occhi manza mia
  Rameau: O Nuit
  Lambert: D'un feu secret
  Parry: There rolls the deep
  Ireland: The Hills
  Saint Saens: Les fleurs et les arbres
  Debussy:  Trois Chansons No. 1 "Dieu! qu'il la fait bon regarder"
  Ravel: Trois Chansons No. 2, "Trois beaux  oiseaux du Paradis"
  Whitacre: Water Night
  arr. Parker:  Buffalo Gals
 
Kevin Riehle
founder & artistic director
www.CANTAREHouston.org
info@cantarehouston.org
 
]]>Rebekah Sheffieldhttp://www.choralnet.org/view/263919Thu, 19 Aug 2010 01:15:32 GMThttp://www.choralnet.org/view/263919 I am a music education major. I am creating lesson plans to teach students ways to advocate for the music programs during a time of a declining economy and many budget cuts. If anyone has any ideas of ways to persuade non-music individuals, I would love to hear all opinions! ]]>Pamela Bakerhttp://www.choralnet.org/view/263913Thu, 19 Aug 2010 00:03:47 GMThttp://www.choralnet.org/view/263913 Does anyone know of any grants or scholarships that could help in funding a trip to the National ACDA Convention? 
 
Also, I remember there being an article in the Choral Journal about writing grants to go to conferences, but which month and year was it?
 
Does anyone have a grant they have written to go to a conference I could see to write a proposal?
 
Any help would be much appreciated! 
]]>Daniel Wagnerhttp://www.choralnet.org/view/263908Wed, 18 Aug 2010 22:01:22 GMThttp://www.choralnet.org/view/263908 Greetings,
 
I'm looking for an appropriate larger work for All-Saints Sunday for  a skilled church choir of about 60 members - excellent soloists in all parts.
 
I would like to find something of high quality that's accessible (tonal) and recently written, but that's just one possibility.
 
Voicing -  SATB, divisi is fine
 
Length - 10-40 minutes (I can create a choral service with additional repertoire as needed)
 
Text - traditional requiem OR Christian sacred text specifically related to death and eternal life.
 
Style - maybe be old or new, but an all Renaissance work might be too austere for this church's vibe.
 
Difficulty - a matter of perspective, but I'll say medium difficulty, but perhaps some more difficult passages. Solos may be virtuosic.
 
Accompaniment - organ, piano or small instrumental ensemble (no orchestra in the budget this year)
 
Thanks!
 
Dan Wagner
Grace United Methodist Church
Naperville, IL
andante147(a)gmail.com
]]>Eileen Fieldshttp://www.choralnet.org/view/263904Wed, 18 Aug 2010 21:03:50 GMThttp://www.choralnet.org/view/263904 Looking to borrow multiple copies or purchase single copy of Kerr or Cable arrangement of 'Downtown'.  Voicing can be 2, 3 or SAB. ]]>Michael Tamte-Horanhttp://www.choralnet.org/view/263905Wed, 18 Aug 2010 21:13:04 GMThttp://www.choralnet.org/view/263905



 

If you are an outstanding singer with an interest in performing a variety of musical styles including opera/theatre, art song, classical, contemporary, roots/world, jazz, and ambient, we invite you to audition for our unique, dynamic, professional vocal and instrumental (flute, clarinet, piano, organ, synthesizer, harp, strings, and percussion) chamber ensemble, CANTATICA (established in 2007). All positions include solo and ensemble singing (including in an eight-voice chamber choir). Current members come from the Philadelphia, Newark, Scranton, Reading, and Allentown areas. Rehearsals and performances held in Allentown and Greater Philadelphia. Emerging professional singers and educators are especially encouraged to apply. All positions are paid appointments based on talent, experience and education.

 

Additional openings available for guitar (classical, folk and jazz) and percussion (mallets, drum set, and Celtic/world percussion).

 

Further information regarding membership including an application form is available at www.cantatica.org/membership.aspx. Send application and/or resume and recordings (if available) to: director@cantatica.org.

]]>M Ryan Taylorhttp://www.choralnet.org/view/263896Wed, 18 Aug 2010 19:59:12 GMThttp://www.choralnet.org/view/263896 All original compositions on http://choirworks.com are available for free download and use. Just be sure to report performances for a yearly grant application I need to fill out.
 
Currently there are selections available for Halloween, General Sacred use, Thanksgiving and Christmas.
 
Harmony,
Ryan
]]>M Ryan Taylorhttp://www.choralnet.org/view/263895Wed, 18 Aug 2010 19:43:13 GMThttp://www.choralnet.org/view/263895 $45 an hour for transcription, copyist work, part creation, etc. (I am fast).
Custom arranging $100 per minute of completed music.
Quote for commissions of original music available upon request.
 
Please view my website for examples of my work: http://choirworks.com
 
]]>Mark Zortmanhttp://www.choralnet.org/view/263890Wed, 18 Aug 2010 19:04:45 GMThttp://www.choralnet.org/view/263890 We are going to a percentage grading system this year, and I looking for help from anyone that may have worked out something that works for chorus using percentage grading. I am used to working with rubrics, and they work well for a 4/3/2/1 grading scale. My problem is ... what is the difference between singing a passage, for example, at a 92% vs. a 95%? or an 89% vs. a 91%?
 
 
 
]]>Matthew Boicehttp://www.choralnet.org/view/263887Wed, 18 Aug 2010 18:35:46 GMThttp://www.choralnet.org/view/263887 I'm looking for ideas for a community choir program themed "Christmas Around the World"
Any suggestions
]]>Kevin Beanhttp://www.choralnet.org/view/263883Wed, 18 Aug 2010 18:15:48 GMThttp://www.choralnet.org/view/263883
 All Saints Episcopal Church, Worcester, MA, a diverse and vibrant urban parish with an average Sunday attendance of 275 and a strong tradition of liturgical worship supported and enriched by fine music, seeks a full-time organist/choir director to serve as Director of Music starting January, 2011, or thereafter, with a broad mission to sustain and further enrich the music program. The Gothic Revival building is by Frohman, Robb and Little (architects of the National Cathedral), and the organ is Aeolian-Skinner Opus 909F, four manuals, 132 ranks. The S-A-T-B Choir of Men and Boys presently numbers 13-3-4-5, and the St. Cecilia Choir (girls) and Adult Choristers numbers 20-6-5-6. One Steinway grand piano, a small practice organ and two other practice pianos are also on site.  The organ specification may be found under the “Music” tab on our website, http://www.allsaintsw.org or contact kevin@allsaintsw.org Salary will be based on the AGO scale reflecting the candidate’s experience.  Teaching and recording opportunities and a benefits package are included.
 
To learn more, please e-mail us at kevin@allsaintsw.org using Music Director Search in the subject line, with your contact information, the web site of your present church, your position and length of service there, and a brief resumé if not already included in your church’s web site.  All inquiries will be treated in strictest confidence.  Only applications received by November 1, 2010 will be considered.
 
All Saints will forward to generally qualified respondents a description of our parish, facilities and choir program; a detailed job description, and answer specific requests for further information.  No references will be sought without respondent’s explicit consent.  All Saints is an equal opportunity employer.
The Rev. Kevin D. Bean, Chair, Search Committee
]]>Gene Robersonhttp://www.choralnet.org/view/263879Wed, 18 Aug 2010 17:32:45 GMThttp://www.choralnet.org/view/263879 Update: all gone
 
Our church recently inherited another church's music library. The octavo music is in good condition. We also have several Christmas and Easter cantatas written in the last 15 yrs. If you would like to have a list of the music, I will be happy to email it to you. Please email me at   rg61777@aol.com
THe list gives the titles, and the amount of copies.
We are offering these for cost of shipping and packing (UPS)  
Located in So. Calif. If you live close and want to come and get everything, that would be great. 
Thanks
Gene Roberson
]]>Stephen Biggerhttp://www.choralnet.org/view/263832Tue, 17 Aug 2010 23:12:53 GMThttp://www.choralnet.org/view/263832 We just finished a video of "Shake This World". Please feel free to view it at http://www.youtube.com/watch?v=YFuynbzoqXo ]]>Jonathan Easterhttp://www.choralnet.org/view/263877Wed, 18 Aug 2010 17:01:47 GMThttp://www.choralnet.org/view/263877 Hello!
 
I was wondering if anyone knew of a decent, poetic, singable, English translation of the Cantique de Jean Racine?  With time constraints on the church choir I'm not sure that the French will be attainable, but most of the English versions I've found are lacking some substance or just wrong.
 
Thanks for the help!
Jon Easter
]]>James D. Moyerhttp://www.choralnet.org/view/263862Wed, 18 Aug 2010 13:04:41 GMThttp://www.choralnet.org/view/263862 Dear Listers,
 
I am looking for a new piece to include in a Lessons & Carols service - needs to be satb, string quartet and organ - - any suggestions from choral directors or new works from composers will be considered - thanks!!!  
 
Jim Moyer
jamesdmoyer(a)verizon.net
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